Topsy Turvy Part 2 – And Now Part 2 of Topsy Turvy. This part is the King of Fools segment and Quasimodo’s crowning. It has a few differences from the movie version most notably Esmeralda has a few spoken lines and they there is the tune from Sanctuary in there. I probably should mention that Sanctuary was a song from the German version that occurred right before Out There. In this musical it is more of a Frollo Leitmotif piece than a full song. It’s also heard in Bells of Notre Dame and the next song Into Notre Dame.
As for this song, it’s fine if you like it in the movie you should like it here. I’m not a huge fan of Erik Liberman’s voice on this song but that is a personal preference more than a criticism.
Into Notre Dame – This song is a bit of a Frankenstein song, I mean that nicely as it just a combo of three songs, well really two. The first part of this is Frollo telling Quasimodo that he was right, that people suck and he should stay in his Sanctuary. So for this part we get Out there reprise and the shadows of Sanctuary or as I will just call it Frollo’s Leitmotif.
The second part of this song is Esmeralda entering Notre Dame to the tune of the Bells of Notre Dame. This part is quite lovely. I especially love Ciara’ voice on her line ” The Light of Notre Dame.” I must say so far that is my favorite part so far. Also it’s nice to speak of another aspect of Notre Dame than just the bells.
This song is really just a segue song to get from the festival to Notre Dame so that explains why it doesn’t have its own melody but the pieces of the other song work to move the plot and they make sense with the subject matter.
God Help the Outcasts – For the big songs of Hunchback they are going to perform they near exact to the movie because that one thing the people want, they want to hear their favorite songs along with new songs and no gargoyles and that is pretty much it. So God Help the Outcasts is just that, identical to the movie which is better than Glockner which gave a change that I hated. They made it a duet with Quasimodo which meant Esmeralda didn’t have her own song though Phoebus did. That still bothers me.
All and all aside from some key shifts and singing a bit lower it’s the same song. I do love the chorus on the “bless me part” ironically it sounded very ethereal. Ciara Renee definitely has similar voice quality to the original singer Heidi Mollenhauer whose has very tender warm slightly smoky quality to her voice. It’s a very nice version of the song I just don’t love the song as much other people but again that is a personal thing and not a criticism. I was hoping that this version would sway me into liking more but it didn’t. Not the song fault I’m a hard sell.
In cause you are interested, there is a bootleg of the La Jolla performance, I suggest you watch it now though before it is taken down from YouTube.
https://www.youtube.com/watch?v=R-yXyY40EcI
It is different from the cast album though.
I have it downloaded and I will discuss it more in detail soon because yeah it is very different. But for right now I only want to discuss album and the songs on it though I won’t like elements of the play might trickle into my song reviews.