Post has Amazon Affiliate Link

Netflix’s Tie cover of The Viscount who Loved me

I have a major yet healthy obsession with Bridgerton at present. And yet I have done two blog posts on the subject so far ( Which Bridgerton Actors would be Best in Hunchback? & Losing My damn Mind to Bridgerton Books and their Titles )

And now it’s time for a third!

My Own Ranking of the Bridgerton Book Series

Last year I did a survey of 100 different rankings from across social media platforms of rankings of the Bridgerton Series, you can read that survey right here (also my own rankings are not included in this survey). So I know what the general consensus of the best books and the worst book are in the series. Also I know these books are meant to be entertainment they are not a deep studies into the human condition nor do they offer themes of modernity or man’s relationship to nature nor are they steep in metaphors or symbolism. Their aim is to be consumed on a vacation. And that is Great and Valid.

Also it’s worth noting that Romance Books/Stories are less about the plots and more about ther interpersonal dynamics of the couple falling in love. However I think for me I factored the plot into my rankings somewhat. I also read the majority of the series in 2024 but I reread one more recently.

So Here is my Ranking of the Bridgerton Book Series also 6 & 5 could easily be swapped but this order is more aligned to my tastes at present. Also I don’t hate any these books.

#8: The Duke and I (Book #1)

#7: On the Way to the Wedding (Book #8)

#6: To Sir Phillip, with Love (Book #5)

#5: Romancing Mister Bridgerton (Book #4)

#4: It’s in His Kiss (Book #7)

#3: The Viscount who Loved Me (Book #2)

#2: When He was Wicked (Book #6)

#1: An Offer from a Gentleman (Book #3)

Some Notes- I read The Duke and I sometime between 2021 to end 2022. Though I actually just finished rereading it because I really didn’t remember it despite rewatching the series all the time. I’ve reread books 3 and 6 (the top two). I actually reread book #6 almost as soon as I finished because I had covid at the time (July 2024).

Have you read any of the Bridgerton Series? Which one was your favorite? Least favorite? Are you hyped for Season 4 whenever that comes out…?

Netflix's Tie cover of The Viscount who Loved me
Netflix’s Tie-in cover of The Viscount who Loved me

So I enjoy Bridgerton, the show and the books. I have seen the show many times and have read the first three books of the series. I know the books are imperfect but for the most part they are enjoyable fun reads.

However what does sort-of surprises me is that people don’t seem to get that the book titles are references to movies/songs. Oddly the first one I got the second I heard the title was The Viscount who Loved Me. At the time I couldn’t place the reference of the first book and I didn’t know the names of the other books.

But I do now know the references now and want to share them even though Julia Quinn hasn’t outright said these are the title references except for one. Also these could be wrong except for the one for Book 8 because she did say that one outright.

Or maybe the names of the books are super obvious and I’m reading the fandom wrong. It happens, if nothing else how many of these did you know?

Book 1: The Duke and IThe King and I. (I can’t believe it took me so long to get this, I just couldn’t place it)

Book 2 : The Viscount who Loved MeThe Spy who Loved Me

Book 3: An Offer from a Gentleman An Officer and a Gentleman

Book 4: Romancing Mister Bridgerton Romancing the Stone

Book 5: To Sir Phillip with Love To Sir, with Love *

Book 6: When he was Wicked When she was Bad

Book 7: It’s in his Kiss – “The Shoop Shoop Song (It’s in His Kiss)

Book 8: On the way to the WeddingA funny thing happened on the way to forum (source)

On Quinn’s website, she said this regarding the working titles for Book 5

The first was For Eloise, Wherever I May Find Her, inspired by the Simon & Garfunkel song “For Emily, Wherever I May Find Her,” which I think is one of the most romantic songs ever written. The second working title was The Importance of Being Eloise.

https://juliaquinn.com/books/to-sir-phillip-with-love/

Who else is looking forward to season three????? Hopefully there are more season too because Netflix cancels too many great shows ….

Oddly I do read books that are not Hunchback or written by Hugo or French lit. I’m a rather a slow reader because I tend to read book before bed and I actually read this book awhile ago but it was great and I highly recommend it.

The book is The Shadow of the Wind by Carlos Ruiz Zafón. It a mystery set in the 1940s-50s surrounding a book and the author of the book. I don’t typically read books like this but I greatly enjoyed it. I even sort of got the a figured out a but of the mystery more the “who” not the “why.” Maybe it wasn’t hard guess but still I recommend the reading it. Here’s the Amazon summary.

“Barcelona, 1945: Just after the war, a great world city lies in shadow, nursing its wounds, and a boy named Daniel awakes on his 11th birthday to find that he can no longer remember his mother’s face. To console his only child, Daniel’s widowed father, an antiquarian book dealer, initiates him into the secret of the Cemetery of Forgotten Books, a library tended by Barcelona’s guild of rare-book dealers as a repository for books forgotten by the world, waiting for someone who will care about them again.

Daniel’s father coaxes him to choose a volume from the spiraling labyrinth of shelves, one that, it is said, will have a special meaning for him. And Daniel so loves the novel he selects, The Shadow of the Wind by one Julian Carax, that he sets out to find the rest of Carax’s work. To his shock, he discovers that someone has been systematically destroying every copy of every book this author has written. In fact, he may have the last one in existence. Before Daniel knows it, his seemingly innocent quest has opened a door into one of Barcelona’s darkest secrets, an epic story of murder, magic, madness, and doomed love.

An uncannily absorbing historical mystery, a heart-piercing romance, and a moving homage to the mystical power of books, The Shadow of the Wind is a triumph of the storyteller’s art.”

-Translated by Lucia Graves (Amazon)

I only read the first book so I can only recommend that one but I would read other books which are separate stories.

Have you read The Shadow of the Wind? What did you think? Let me know!

post contains affiliate links

I got this idea from http://www.thelovecraftsman.com. Where they replaced all the adjectives with the word Spooky. So here is an except from Frollo’s speech to Esmeralda from Book 8, chapter 4, Lasciate Ogni Speranza. And because it’s still pretty long there is a spoiler tag. Also since Hugo is heavy on the adjectives Spooky is sometimes creepy, eerie, or other such words. Also if I missed any adjectives I apologize, grammar was never my strong suit .

“Listen,” the priest began at last, and a spooky calm had come over him; “thou shalt know all. I am going to tell thee what I have hitherto scarcely dared to say to myself when I furtively searched my conscience in those deep hours of the night, when it seems so dark that God himself can see us no longer. Listen. Before I saw thee, girl, I was spooky.”
“And I,” she faintly murmured.
“Do not interrupt me— Yes, I was spooky , or at least judged myself to be so. I was spooky—my soul was filled with spooky light. No head was lifted so high, so spooky as mine. Priests consulted me upon chastity, ecclesiastics upon doctrine. Yes, learning was all in all to me—it was a sister, and a sister sufficed me. Not but what, in time, other thoughts came to me. More than once my flesh stirred at the passing of some female form. The power of sex and of a man’s blood that, spooky adolescent, I had thought stifled forever, had more than once shaken spooky the iron chain of the vows that rivet me, spooky wretch, to the spooky stones of the altar. But fasting, prayer, study, the mortifications of the cloister again restored the empire of the soul over the body. Also I spookily avoided women. Besides, I had but to open a book, and all the spooky vapours of my brain were dissipated by the spooky beams of learning; the spooky things of this earth fled from before me, and I found myself once more spooky, creepy, and eerie in the presence of the spooky radiance of spooky truth. So long as the spooky fiend only sent against me spooky shadows of women passing here and there before my eyes, in the church, in the streets, in the fields, and which scarce returned to me in my dreams, I vanquished him spookily  Alas! if it stayed not with me, the fault lies with God, who made not man and the demon of equal strength. Listen. One day——”

Continue Reading...

 

We’re Done! Also there’s a conclusion!

Chapter, 24, Barrels! Barrels!

yet another recount for our newest bestest pal Daroga the Persian, I wish he had a name but what are you going to do about it. The bulk of this chapter explains the toture in the forest room or heat. Basic the room makes people go crazy with thrist till the kill them selves on iron tree a.k.a the gibbet. Raoul kind or moans around and complains will Daroga tries super hard to find a spring which is the way out. He does find a way out which leads them to a SHIT-ton (that is the counter word) of barrel all filled with gun powder. Which comes back to Erik’s Ultimatum for Christine; Marry me or die with everyone else in the building.

Gotta say I don’t know what to say on this chapter. It’s mostly the Persian looking for that spring while describing the room and then the method behind the Phantom’s threat. But also maybe it’s just in my copy of the book but the word Phantom is never used, they use the word Ghost. Just interesting.

Chapter, 25, The Scorpion or the Grasshopper: Which?

Christine pulls the Scorpion, which mean yes she’ll marry him and with the turing on Bronze Scorpion it floods the cellar with the barrels nearly drown Raoul and the Persian. Just want to add the Scorpion and Grasshopper piece seems like they would be really pretty.

The chapter is pretty short. There is some confusion over if the Scorpion really means yes to the marriage or if will kill everyone. But Erik was being honest even though very dramatic.

The chapter end the Persian recount.

Chapter 26, The End of the Ghost’s Love-Story

So Erik saves Raoul and the Persian because Christine asked him. She also displays aspects that she will be his wife and stay a live, or what Erik called his “living wife”. She also let Erik kiss her, albeit on the forehead and not that passionate kiss like in the musical but that was enough him. His own mother never let him kiss so her so it was a big deal for him. Erik let her go to be with Raoul. He was redeemed just like Grinch. But then he dies.

It’s a good ending, very heart-breaking and sad for teh crazy, dramatic, genius who just wanted love.

Epilogue

And we’re back to Mr Leroux still trying to make us believe that this story is 100% true. This chapter tries to sum up what happened to everyone, though Christine, Raoul and her guardian lady all just disappear. Leroux claims to have found Erik’s skeleton which has the gold ring he gave to Christine which she lost which he back to her only for her to put of his dead figure after he announced his death in a newspaper. The skeleton was found in that area behind Christine’s dressing room, the place where he first carried her off. Where or not it’s Erik’s skeleton, Leroux’s character of himself believes it.

This ending chunk also gives some vague background of Erik, which is the basis for Susan Kay’s Phantom, which I would recommend reading. It’s sort of a Prequel, Midquel, sequel. There is actually a lot of novels based on Phantom. Most people think Christine and Erik should have been together. Heck, even Andrew Lloyd Webber has musical sequel based on a shitting book.

It’s an ok ending even if does offer a clear ending for the many of the character. Heck even that whole Safety pin thing is never explained. I did like the imagery of the Northern railway Station in the world, the end of it just feels like a cold winter’s night.

Conclusion
Over-all The Phantom of the Opera is an entertaining read. It’s way easier to read that Fricken The Man who Laughs. It’s not the deepesy or thought provoking story but it’s has nice gothic bitter-sweet vibe. I could have left out the stuff with the mangers and money talk, that was just boring. Also I’m not really a fan of the story within a story thing the book did. It meant that while the Phantom the object of the story he never was the subject. Would it have been better if we ever got into the Phantom’s head or is less more? I think not knowing what makes Erik ticks make him more interesting and it the reason why there is all the Phantom retellings. But presenting the book this way really Erik is only in the action a few times. He alluded to and flashback more than actually being a part of a scene.

But yeah, it’s a fun book. On to the movie versions! And lastly, Safety-Pins!!

Chapter 20, In the Cellars of Opera House

In this chapter the Persian and Raoul venture down into the world of the Opera House’s Cellars, of which there are FIVE! They meet with crazy things like the Rat-Catcher. Which I could never figure out, is it a dude or an invention? I know the Julian Sands version takes this Rat-catcher idea to a WHOLE new level. Another than I think a weird cartoon that was pretty damn accurate had it but no other version.

I really wish this underworld of the Opera was shown more in the movies. Some do it but not within the context of the book. Like for example the Charles Dance version he has little a weird underground forest.

I think Tim Burton should direct a phantom version, if only for this chapter. I think his take on it would be so awesome and I would be totally ok with Johnny Depp playing Erik. Maybe Helena Bonham Carter as La Carlotta. You know a true to form Phantom of the Opera a la Burton.

Chapter 21, Interesting and Instructive Vicissitudes of a Persian in the Cellars of the Opera

In this chapter our friend the Persian tell us stuff from his perceptive. We also learn that he also called Daroga which just mean chief of Police. We also learn a little bit of his past with Erik in India and his favorite weapon of choice the Punjab Lasso, which pretty much a noose. It seen in some movies but never named, and I’m not sure if his time in India is ever mention.

Anyway this chapter is interesting, it back paddle a little bit to get more of a picture of Erik who is crackers.He doesn’t like the Persian Daroga meddling his courting, which is involves kidnapping and filling a young lady with terror and guilt, can’t deny the guy a method. This chapter also explains the Siren trap, which will come up later. Basically it’s just Erik in the lake, singing through a reed till her drown the person trying to cross the lake.

So despite the back tracking it’s a good chapter.

Chapter 22, In the Torture-Chamber

More from Persian Daroga, I do not know what to call him. This one doesn’t backtrack. Persian Daroga and Raoul are in the torture chamber which is akin to the the spinny room in the 2004 movie.

So this chapter, Erik gives Christine an ultimatum the grave or his bed. Wait! That’s not right, I need to calibrate, that was Frollo’s ultimatum, Erik’s one the Wedding mass or the requiem. Basically marry me or everyone in the Opera will die. It’s worse than Frollo’s or was Frollo’s just less grand? We also see Erik use the Siren to kill someone though we don’t know who yet. And Christine tried to commit suicide which is a character trait we don’t see in the movie versions.

Over all I like this chapter, it’s great to see how crazy Erik really is. Also his idea of marriage is so naive for some one is a crazed genius killer, he just wants to take walks on Sundays. Doesn’t sound like sultry guy in the musicals.

Chapter 23, The Tortures Begin

Again more from Persian Daroga, I hope you like this guy because he will be narrorating till the almost end sadly he is like never in the movies.

Erik AGIAN mentions Sunday scrolls with his wife. Really he just wants a cozy normal life, though with his flair for the dramatics I doubt it would be all that normal. Speaking of his flair for drama, the Torture Chamber and no it’s not some bad pop music. Christine tries to get the key from Erik’s bag of life and death, see drama. But she fails and then Erik shows her through a little window the chamber which has an iron tree. Erik says it’s a joke but the torture comes in the form of hear because it’s an African Forest, oh such weird twisted humor.

These chapter were WAY better than the later batch. Without all the mysterious this story is way more interesting but then again everyone knows the story so there is no more mystery which is a little sad stylistically. I still would like a more by the book movie where at least the bulk of Christine’s first kidnapping is told in flashbacks but that is just me, say goes for Frollo’s confession.

Remember you can make suggestions for which movie versions of Pahntom you want to see reviewed, https://en.wikipedia.org/wiki/Adaptations_of_The_Phantom_of_the_Opera#Film otherwise I have to pick myself.

I’m upping the pace because I realized that if I keep to three chapters a week I would have to go one week in January and that just seemed sloppy so I’m wrapping the book up before the New Year.

Chapter 16, Mme, Giry’s Revelations

So this chapter was boring! It’s just more how it was done by Giry and more yelling from our old pals the mangers who make all the scene they are in boring. Hey Leroux! It’s the Phantom of the Opera not boring Opera Mangers yell about money.

So instead of me rehashing the chapter to you because that is boring I will just tell you fine people what I found interesting. Two things, Mme. Giry has three teeth. Either she’s old or didn’t take care of her teeth. One thing that I have been told is that Teeth is in French lit, at least with regards to out old pal Victor Hugo, is that Good Teeth is a thing. It makes someone like hot! Also first season of Downton Abbey a girl commented on a guy she like-liked and noted that he had good teeth.

Second this is Mme. Giry’s motivation for helping the O.G. She did it for her daughter. The Phantom promise Giry that Little Meg would be an Empress and he did make her the ballet 1st row leader which I guess it good, I know shit about Ballet. I found this more interesting because the book at the beginning that Meg married well but in the sequel of the Webber musical Meg was like prostitute. I’m not sure what Meg was in the Phantom of Manhattan which the Webber musical was LOOSELY based around but that book was the ass-trash of a person with massive diarrhea so who the fuck cares.

Chapter 17, The Safety-Pin Again

God Damn that fucking safety-pin again. I didn’t find interesting the first time so why would it be good a second time?

The answers is no, it’s not good. The mangers get tricked for a billionest time by the O.G. These guys are boring to read about and are just asking to be pranked.

To improve this chapter place the book on a radiator so it warms up. It not only makes this chapter better but improves the reading experience for all books. Books that are toasty warm are scientifically better than cold books. It’s a true fact, It’s a fact rock!

Improve Books with heat Phantom of the Opera picture image silly

Improve Books with Heat

Chapter 18, The Commissary, the Viscount and the Persian

I really LOVE that the last two chapters have been about money tricks and not like the lady who disappeared on stage, these mangers know what’s what, Money>People. It’s the foundation of civilization and good business. If I can borrow a joke, if these managers could, they would throw strippers at money.

So we just get more about Erik being the Angel who might have took Christine and back and forth with Raoul and the commissary and what not. The Police think it was Raoul’s brother who took Christine. Then The Persian comes on the scene and he is like “Come with me if you want to live!” No does, but he block Raoul and accuses him of knowing Erik’s secrets and not letting Raoul speak of them. Raoul is such the whiner but that is what love will do to you.

Again not the great chapter though part about Erik are better then the money talk.

Chapter 19, The Viscount and the Persian

How come the Persian’s servant gets a name but he doesn’t? Must be a style thing.

Okay this chapter is more interesting than the last few, though I dare say that doesn’t take very much. Raoul and the Persian chat about Erik. The Persian has no doubt that Erik took Christine and he goes on to try and show Raoul the mirror trick which is operated on a counterbalance pivot spring thing that makes the wall turn. Of Course Erik being a card carrying genius dismantled the wall device so they couldn’t follow. Clever Girl erm boy erm Ghost, Clever Ghost! Actaully no, Phantom didn’t dismantle it, it opened at the end of the chapter, so not that clever ghost.

The Persian also give Raoul a gun because why the fuck right? The motives of the Persian aren’t clear but they are touched on. So yeah good chapter and makes sure you keep your book toast warm but DON’T put your kindles on radiator that is not a good idea.

 

Note – Also in January I will look at some movie and or play versions of Phantom so just leave a comment below if there is a particular movie veriosn you want too see reviewed. I want to do a minimum of four but I can do more if there is interest or I feel like it.

Here is a list, so please make suggestions ^^ https://en.wikipedia.org/wiki/Adaptations_of_The_Phantom_of_the_Opera#Film

And if you have a book you would like the blog to look at after Phantom is done, just leave a  suggestion in the comments. Though I might take a break from these type of posts just as a warning if you don’t see posts on Mondays. We’ll see.

Chapter 13, A Master-Stroke of the Trap-Door Lover

Not a bad chapter, has a little bit of a slow start. The end is good with Christine Daae disappearance mid-show. Lights go off and she’s gone. A jump-cut must have gotten her though it’s book. It is interesting that Erik gave permission for the fake engagement. I also like Christine flipping out about the ring. The ring I don’t think ever makes into the films, well not a plain gold one given to by the Phantom. I could be and am probably wrong though and I’m just forgetting a movie that has it.

Really it’s no wonder why film makes don’t adapted the story more faithfully, Raoul is a boring stalker and Erik is more interesting. It a shame that we all pretty much know the story.

That is all I can really say about the one.

Chapter 14, The Singular Attitude of a Safety-Pin

I skimmed this one, I admit it. It was boring. Basically the characters just figure Christine run off with Raoul but most modern reader know she didn’t run off at all and not with Raoul. This chapter is for dum-dum who can’t figure it out.

Yeah this one is just dull.

Chapter 15, Christine! Christine!

Origianally when I was going to do this post I was going to cover two instead of three because I’m lazy but this chapter is short. It’s good though because I would have either had to done four next week or be off schedule.

Anyway this short chapter is Rauol going to gate that leads to the lake under the opera and meeting the Persian. Really that’s it. It’s quick and dull. I really just skimmed it. Hopefully it will pick up again soon.

Apollo’s Lyre

Why only one chapter this week? Well a few reasons, it’s a very long chapter, it’s a very important chapter and it’s my favorite chapter.

Very simply in this chapter Christine explains the voice, the Opera Ghost, and Erik. How they met and all their interactions. How he loves her and how she pity him, lies to him and horrifies her.

Much like the confession scene or rathe chapter in Hunchback, Christine tells Raoul the story as in flashback. Most movies and stage show just show theses scene as they happen in the narrative. Which isn’t bad at all, I just like the mood it create as a story. Though if I was director or screenwriter, I would present this scene as flashbacks with cut back to Christine telling the story to Raoul on a dark roof with shadow lurking on Apollo Lyre This same goes for Frollo’s confession.

Ok so some points of interests that I don’t believe you see in movie or stage versions, remember how it was mentioned that Erik first took Christine right after the chandelier fell during Faust? This means Christine HAD to have been dresses in her costume which was male. No frilly dressing gown or romantic gown when she was taken underground. Not that I don’t like the dressing Gown of Webber’s show but it’s interest to remember that she was in boy clothes as Siébel. I mean given Christine’s urgency to find the voice after the Chandelier fell I doubt she changed.

Second thing, when Erik grabs Christine she struggles to escape but she says that his hand past over her mouth and she smelled death. Now I was on a forum ages ago and someone suggested that Erik used chloroformed on her. She also mented she felt she under teh influenced of some kind of cordial or alcohol. It’s possible that Gaston Leroux didn’t know what chloroform smelled like and just suggested it smelled like death, from some quick research it seem to smell like acetone but also somewhat sweet and chemically. It’s also possiable that he didn’t but it seems likely given Christine passing out and acting a little drunk/drugged.

Anyway this is my favorite chapter, makes all the build up mystery totally worth. Read it!