Songs of Hunchback of Notre Dame Musical Review; Part 4

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One thing before I start the songs, I will discuss the La Jolla performance a little when I’m done with the album because the scene prior to this was so much of a combo of the 1939 version and the Disney version plus the scene after Top of the World is such a massive change from the movie that I have to talk about the show itself even if the show was changed from the La Jolla version and the Papermill version.  Also there are one two songs this week for dramatic reasons like Heaven’s Light and Hellfire are meant as a set.

Ciara Renee and Micheal Arden in the Jolla Production of The Hunchback of Notre Dame picture image

Ciara Renee and Micheal Arden in the La Jolla Production of The Hunchback of Notre Dame

 

Top of the World – This song is from the original German version. It’s a very nice little song about viewing things from a different preceptive and Quasimodo and Esmeralda bonding. In the German version, the Gargoyles sing the part where the Chrous of Quasismodo’s imaginary nameless pals sing. There is a fundamental difference between this version and the German version, this version is a lot slower paced and seems more serious. The German version had a more upbeat, faster and light take on this song. This could because the Gargoyles were the comic relief and this version has distanced itself from the silliness of the movie to be more serious like the book. Though the book did have some funny parts.

I mean the song is pretty enough but I do prefer the German version even with the Gargoyles.

Tavern Song (Thai Mol Piyas) – This song is another original song to this musical and can I just say in listening to the album first I was very confused of how this song came after Top of the World but it makes some sense with the show. Anyway this song takes place at the Pomme d’Eve* which is from the book where Esmeralda and Phoebus have their meeting which Frollo ruined with his stabbing Phoebus. Instead of all that it just seems like Frollo was stalking her   for a few months**,  hears her in bar dancing and flirting, in the show she kisses Phoebus, and Frollo gets more hot and bothered than he already was.

This song is very fun. It has a very distinct sound from the rest of the songs (so far) though Frollo’s part is sounds more like Out There rather the Sanctuary leitmotif, which is ironic since he is looking inside a buidling.

Oddly I really like the whisper singing of this song.  It’s a fun upbeat songs, I really enjoyed it.

One Source said that Thai Mol Piyas it means “And we Drink wine” in Romani.

 

Side of Note – This is the 130oth Blog Post!

*Correction, Pomme d’Eve was not where Esmeralda and Phoesbus met. They met at a Falourdel’s. Pomme d’Ever is a a better name though.

**Frollo first saw Esmeralda on January 6th and the song mentions “Winter is dying” which means it has to be mid March at the earliest. But also this is a very subtle nod to the book. In Book 7 Chapter 4 of the novel, Hugo makes mention of the date, March 29th. And this chapter occurs about the time of the Pomme d’Eve scene.  So kudos Musical.

 

So many side notes on this post.

Songs of Hunchback of Notre Dame Musical Review; Part 3

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Ciara Renee as Esmeralda singing God Help the Outcasts, production of Hunchback of Notre Dame picture image

Ciara Renee as Esmeralda singing God Help the Outcasts, production of Hunchback of Notre Dame

Topsy Turvy Part 2 –  And Now Part 2 of Topsy Turvy. This part is the King of Fools segment and Quasimodo’s crowning. It has a few differences from the movie version most notably Esmeralda has a few spoken lines and they there is the tune from Sanctuary in there. I probably should mention that  Sanctuary was a song from the German version that occurred right before Out There. In this musical it is more of a Frollo Leitmotif piece than a full song. It’s also heard in Bells of Notre Dame and the next song Into Notre Dame.

As for this song, it’s fine if you like it in the movie you should like it here. I’m not a huge fan of Erik Liberman’s voice on this song but that is a personal preference more than a criticism.

Into Notre Dame –  This song is a bit of a Frankenstein song, I mean that nicely as it just a combo of three songs, well really two. The first part of this is Frollo telling Quasimodo that he was right, that people  suck and he should stay in his Sanctuary. So for this part we get Out there reprise and the shadows of Sanctuary or as I will just call it Frollo’s Leitmotif.

The second part of this song is Esmeralda entering Notre Dame to the tune of the Bells of Notre Dame. This part is quite lovely. I especially love Ciara’ voice on her line ” The Light of Notre Dame.” I must say so far that is my favorite part so far. Also it’s nice to speak of another aspect of Notre Dame than just the bells.

This song is really just a segue song to get from the festival to Notre Dame so that explains why it doesn’t have its own melody but the pieces of the other song work to move the plot and they make sense with the subject matter.

God Help the Outcasts –  For the big songs of Hunchback they are going to perform they near exact to the movie because that one thing the people want, they want to hear their favorite songs along with new songs and no gargoyles and that is pretty much it. So God Help the Outcasts is just that, identical to the movie which is better than Glockner which gave a change that I hated. They made it a duet with Quasimodo which meant Esmeralda didn’t have her own song though Phoebus did. That still bothers me.

All and all aside from some key shifts and singing a bit lower it’s the same song. I do love the chorus on the “bless me part” ironically it sounded very ethereal. Ciara Renee definitely has similar voice quality to the original singer Heidi Mollenhauer whose has very tender warm slightly smoky quality to her voice. It’s a very nice version of the song I just don’t love the song as much other people but again that is a personal thing and not a criticism. I was hoping that this version would sway me into liking more but it didn’t. Not the song fault I’m a hard sell.

Songs of Hunchback of Notre Dame Musical Review; Part 2

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Ciara Renee as Esmeralda, Papermill production of Hunchback of Notre Dame picture image

Ciara Renee as Esmeralda, Papermill production of Hunchback of Notre Dame

Topsy Turvy Part 1–  Topsy Turvy  is broken up  into two parts to allow two songs to happen as a mean to introduce Phoebus and Esmeralda. Though technically Phoebus makes his first appearance in this song where we learn that last name of his. More on that soon.

The first 30 second is pretty much identical to the movie. However then Quasimodo sings a bit along with some new lyrics sung by the Chorus. His part has a slight reprise to Out There to it. Also the whole of Quasimodo part  feels very musical-y  and also rhyming Now with Now? You guys could have done better.

The Clopin’s a part start and it’s again it’s identical to the movie, though I do admit I prefer Paul Kandel’s sining. The song again shifts to Phoebus appearing in the crowd after The sixth of January line or “Januervy.” And he pretty much announces himself to everyone, Frollo and Jehan did the same thing In Bells so I guess it just a thing the musical does though I don’t really care for people narrating themselves, though the chorus joins in to tells us that “he has a haunted look in his eyes.”  Anyway this part leads in to the next song…

Rest and Recreation – This song was in the German version and now it’s back. It uses Phoebus’ march from the movie.  Much like in the movie Phoebus is back from the Front.   But you know I have to ask what war? What Front? Phoebus says that he has been gone four years and seems a bit shaken up from it as they  mention cannon fodder.  I’m no expert on European Wars but France wasn’t in wars in 1482. The wars that France was in that were the closest to 1482 were The War of Castilian Succession  of 1475 to 1479 and The Burgundian War of 1474 to 1477. It could be a simple matter that the musical doesn’t take place in 1482 except they say it did. Song mentions a siege and bodies in a trench which are probably more like hot words than actually referring to a war or battle. I can deal with unnamed War in the Disney movie but here it’s a harder pill to swallow since the musical is truing to be more like the book. I mean did the say which war it was in musical?  But this backstory takes me out of the song.

So back to the song. Phoebus also mentions that he’s on furlough but then he gets his new promotion as Captain of the Cathedral Guard. I’m going to real with you guys, that is the stupidest thing. I get what they are doing. Phoebus has to be Frollo’s minion for his character arc and Frollo is now a Priest so the tidiest way to handle this is to make Phoebus the Captain of the Cathedral Guard. BUT Cathedrals didn’t have private guards. This even goes against the book where the Sanity of the Church was respected, even Disney movie Frollo respected it.

Anyway  the I haven’t really discussed the song yet. Much like in German version Rest and Recreation tries to amalgamate book Phoebus with movie Phoebus. Book Phoebus was womanizer and movie Phoebus is nobel and gallant. Since Phoebus is described as having “a dashing manner and bold swagger” we know he got those personality down but the song gives us a reason why Phoebus wants the ladies, because he been away at the unnamed Fantasy war. Despite the war and Notre Dame guard the song is successful at give the blending of Phoebus’s characterization and setting up his character in this version.

Rhythm of the Tambourine – This song is Esmeralda’s introduction song which is also her dance number during the festival. It is also the first new song of this musical version. Judging from the lines Phoebus, Frollo and Quasimodo sing about “who is she” I’m going to guess Esmeralda and Quasimodo didn’t have their little moment where Quasimodo crashes into dressing room, but I could wrong, I’m probably wrong.

Rhythm of the Tambourine is very staccato which I would guess is for said tambourine but it does nothing for me. Also is just me or is this song reminiscent  of Carol of the Bells? Wonder if that was one purpose?   I do like her attitude on dance that it just for fun as she ask “What can it hurt?” Such delightful irony. We also get a Belle moment as like I said Phoebus, Frollo and Quasimodo sing about her. Frollo likens her to a devil, classic him. Phoebus and Quasimodo liken her to an angel but Phoebus goes on to say that she dances with Fire.

It’s decent song and clearly gets across Esmeralda’s love for dance which she REALLY didn’t have in the Disney movie as well as the guys views on her.

 

Songs of Hunchback of Notre Dame Musical Review; Part 1

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So this series of review is really just based on the Cast Album and not so much the show itself, that is not say I won’t say anything about the stage production if there is video of it available. Also at this point I haven’t heard the whole album in its entirety.

Olim – Olim is the  actually the first bit of music heard in the Disney movie version and honestly I’m not sure why it’s a separate track. It seems unnecessary to me. Maybe it’s because of the dramatic tone of the opening to what is now The Bells of Notre Dame is different.

All in All it’s the same of the film counterpart, Georgian chanting in Latin. And if your curious the lyrics are; “Once, long ago, God arrived, In this age of brightness, He will come again.” It’s not “Here comes a lion, Father, Oh yes, it’s a lion” but it’s okay.

Michael Arden as Quasimodo, Musical Production of Hunchback of Notre Dame picture image

Michael Arden as Quasimodo, Musical Production of Hunchback of Notre Dame

The Bells of Notre Dame – A part of me wants to like this song more than I do since I love the movie version. Like in the movie we’re given the backstory of Quasimodo and Frollo but it’s very different as it tries to amalgamate the movie with the book. So first difference we are introduced to Frollo’s younger brother Jehan which is like book. Also like the book Jehan is a wild child. Jehan is sent away from Notre Dame for sneaking a Gyspy Girl into the Chruch so Frollo could get some.  Unlike the book Jehan is the father of Quasimodo. The mother was Gypsy girl, the same one who Jehan brought into the church. As Jehan is dying he begs Frollo to look after the child and he does and give him the cruel name, unlike the book where it was Quasimodo sunday.

I do like that they brought Jehan into the picture and they’re right that  reason why Frollo took in little Quasimodo was out love for his brother but it’s sort of trite here. Book Frollo did it out empathy for a child that had no one because his brother had been in almost same position and here in this musical he does it as a cross to bear out a sense of guilt. Also I don’t like that they have that familial connect of uncle and nephew. It takes away something from their relationship at least for me.

But wait there is more. In the movie when Frollo is chasing down Quasimodo’s mother there is this swell of dramatic music that fits that part perfectly. They have that same music in this version as Frollo is walking with baby Quasimodo but so out place. I really couldn’t tell if Frollo was thinking killing baby Quasimodo or what. It’s jarring and should not have been there despite that fact that it’s awesome music.

The Chorus singing the parts instead of Clopin was interesting not bad just different. BUT one thing I can not and I mean CAN NOT forgive is how they pronounce Jehan. They say like Jay-AN. It’s not inherently wrong but they over emphasis the sounds. They could have just said John. I mean they didn’t keep Phoebus’ last name so what difference does it really make? They call him Phoebus de Martin not sure why since he had a last in the book and plus they missed a great pun by adding that R. He could have been Sun of Morning, Phoebus de Matin. And yet they get Clopin’s last name correct.

Anyway, it’s a good opening that does tries to be a good blend of movie and book it just missed it a bit for me.

 

Out There –  Out There isn’t at all different than its movie counterpart, they play it straight. One thing I did like is the difference of Arden’s voice when he singing the part with Frollo vs his solo. Where he sound more deaf and unsure in Frollo’s presence and then more refined one his own. The movie did this too to a degree but Quasimodo was just meek and timid.  It’s a fine version. I will say that song is a little weird considering Quasimodo didn’t seem that interested earlier in the scene. Like he wasn’t the type to really care to remember  the town’s people’s faces. Still a nice version it’s just a disconnect between the book and the movie.

Crackpot Theory; Are Quasimodo and Esmeralda related?

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Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda and Quasimodo Disney Hunchback of Notre Dame

The internet is full of crackpot theories. My favorite ones deal with either Game of Thrones and Star Wars. But then I read this crackpot theory, Could Anna and Elsa be Quasimodo’s Ancestors, which I don’t have to say is all kinds of wrong. But it got me thinking about my own crackpot theories and I thought of one that isn’t probably that super original or out there but it seems like it could be totally true, Are Quasimodo and Esmeralda related???

Quasimodo's Mother Disney Hunchback of Notre Dame picture image

Quasimodo’s Mother Disney Hunchback of Notre Dame

This theory only takes in to account the Disney version, since book wise it’s not true.  The first piece of evidence is the woman known as Quasimodo’s mother. She was a Gypsy woman who died protecting Quasimodo from Frollo.  I will say that it is unknown if she is actually Quasimodo’s biological mother or not given the difference of skin tone but MAYBE Quasimodo’s skin tone is part of his deformity. It’s possible so let’s just say, YES she is 100% his mother and Quasimodo’s parents are both Gypsies.

Esmeralda and Quasimodo Disney Hunchback of Notre dame picture image

Esmeralda and Quasimodo Disney Hunchback of Notre dame

Now I bet you’re saying, just because Quasimodo is a Gypsy and so is Esmeralda, it doesn’t make them relatives and YES, you are correct, that is not enough but I have other evidence, and it’s more compelling, eye color.

There are only FOUR characters in The Hunchback of Notre Dame that actually have eye colors. Those “characters” are Quasimodo, Esmeralda, that little girl who hugs Quasimodo at the end and if you look REALLY closely Quasimodo’s mother. Everyone else has black eyes including Phoebus and Frollo.  I’m going at one a limb and say that the little girl’s eye color reflects more of her innocent and is the expectation that proves the rule.

Eye color is not as simple as Mendel thought but green eyes are a recessive trait meaning both parents need to carry the gene. Now it looks like Quasimodo’s Mother has a dark blue color and it is possible for a blue-eyed parent to have green-eyed baby. The green eyes link Quasimodo and Esmeralda. It could be as simple as links them both a outcasts but then why both adding that touch color to Quasimodo’s Mother?  Their same color eyes links them in a world full of black eyes.

Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda reading Quasimodo’s palm Disney Hunchback of Notre Dame

So how are they related? I would say they are not siblings as Esmeralda was not with Quasimodo’s parents when they tried to entered Paris. It’s possible but very unlikely. I would say they are more likely cousins. And if they are cousins it makes it better that they are a couple. Plus Esmeralda treats Quasimodo with a type of older sister affection and Quasimodo treats Esmeralda school-boy crush.  They are better as friends.

 

What do you think? Do you think Quasimodo and Esmeralda could be related? And do have or know of any good, crazy or bad Hunchback theories?

 

 

 

Fan Casting Review for a Live action Disney movie of Hunchback

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Last week this Live Action Disney Hunchback of Notre Dame Fan Casting came up on my google alerts. So let’s review their choices.

First off on the whole this article seems to think singing is needed in the casting though so far none of the Live-action Disney versions have been musicals so that shouldn’t be  a factor.

Josh Gad as Quasimodo

Josh Gad for Quasimodo picture image

Josh Gad

I don’t see it. Gad has a goofy comedian vibe but I don’t see him as sweet, insecure Disney Quasimodo. I would hate, HATE to say it but he is better suited for Hugo and I hope the Gargoyles would be cut out or at the very least CLEAR figments of Quasimodo’s imagination.

Rosario Dawson as Esmeralda

 

Rosario Dawson for Esmeralda picture image

Rosario Dawson

I’m a little torn on this one. On the one hand I can see her pulling of Esmeralda as Disney depicted her but on the other hand I don’t think she is the best casting choice there is.

I think Disney should try for some Bollywood IT girl or something. Deepika Padukone is popular fan choice as well as Priyanka Chopra who is one few Bollywood actors to make the jump to Hollywood as she on ABC’s Quantico which makes Chopra the first South Asian to headline an American network drama series.   Or Jana Perez would be a good option for Esmeralda and has the benefit of being in another Live action Disney movie before like Mr. Gad.

Zachary Levi as Phoebus

Zachary Levi for Phoebus picture image

Zachary Levi

I can see this one working. He has the right type of look for Phoebus and could pull off Phoebus’ witty and brave personality.

Alan Rickman as Frollo

 

Alan Rickman for Frollo picture image

Alan Rickman

This a yes and a no. First yes, Rickman as Frollo is like ideal casting that people all want but for Disney Frollo, it’s a little more iffy on that super austere design he has. But considering Disney Frollo’s design is based on Sir Cedric Hardwicke and Rickman has a similar screen presence I will go with a yes. I agree.

Neil Patrick Harris as Clopin

Neil Patrick Harris for Clopin picture image

Neil Patrick Harris

Again yes and no. Harris could pull off Clopin’s personality BUT he does not have the look. His look should resemble Esmeralda unless there something in the script to address it. Like Clopin in the book was the head of thieves I.E the Court of Miracles and not the leader of the Gypsies. In Disney movie he is the leader of  Gypsies. So it’s up to the script and or filmmakers who they can cast. But I think  the role should go to  someone else.

What do you think. Do you like these suggestions?

Scary Scenes; Hellfire

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Frollo singing Hellfire Disney Hunchback of Notre Dame picture image

Frollo singing Hellfire Disney Hunchback of Notre Dame

What is full of flames and is one the best parts of any Disney movie? HELLFIRE!

I would say this scene isn’t like super SCARY but it is unsettling. First you have a rather creepy dude singing about wanting a woman whom he has a lot of hostile towards. Then you have the fire imagery and the specters that are featured at various points especially at the end, love the end.

One of the creepiest parts of Hellfire is where Frollo is running through the hooded faceless ghost that watch him in judgement. It’s very much like the Trial by Franz Kafka.

I could see this song scaring a few younger child and making adult uncomfortable.