Songs of Notre Dame de Paris Part 3

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Doing four songs this week.

La Fête des fous (The Feast of Fools)

garou Bruno Pelletier Gringoire spotting Quasimodo during the Feast of Fools Notre Dame de Paris picture image

Gringoire spotting Quasimodo during the Feast of Fools

Much like Bohémienne, La Fête des fous is a fun uptempo number with a lot of dancing. It brings us to the start of the book so to speak.

Unlike the book Gringoire isn’t merely having his play ignored, he is running the show much like Clopin in the Disney version. This song also introduces us to Quasimodo, who make his first appearance on stage during this number. AT first he walks down, through the openings of the rock climbing wall of Notre Dame. To be honest it’s not that dramatic but then again there was no build up to Quasimodo so it’s not that bad. Also it might be different if you’re sitting in the audience and you see this shadowing figure vs having a fixed perceptive with edits. Though the flip side of that is you get to see Quasimodo’s expressions which are adorable.

I really do love the lighting, the dancing and Gringoire’s energy in this number however this song is not a favorite of mine. It’s really one note and even for this musical it’s SUPER receptive, take a drink every time they sing La Fête des fous and you will smashed in less than three minutes.

Request – Someone make a Notre Dame de Paris drinking, please drink responsibly

Le Pape des fous (The Pope of Fools)

Garou as Quasimodo Notre Dame de paris picture image

Quasimodo as the Pope of Fools

I mentioned last time about a top ten worst songs of Notre Dame de Paris list, well Le Pape des fous ranked in at number #10.

Why? There are a few reasons but number one, for an introduction song it’s a stall and it gets a very core aspect of Quasimodo’s character just wrong and for a show that is regarded as one of the most accurate to the book it’s just a big problem. That being Quasimodo express a desire for Esmeralda prior to her doing anything nice. Maybe I’m just a book purest but he is basing his affections of her looks but get mad at other for judging him on looks.

The one things I like is that Quasimodo gets a little mad and hoisting him into the air but it’s still a dull introductory song that got its character wrong. On the other hand, most people think this song shouldn’t have been on the worst list.

La Sorcière (The Sorceress)

 

Frollo, Quasimodo and Esmeralda La Sorcière Notre Dame de Paris picture image

Frollo plots to kidnap Esmeralda with Quasimodo’s help

Ah yeah this song, at one point I had that opening guitar rift as my ring tone. I also love Frollo’s point, classic him. Also spit sync, delightful.

So while I do like La Sorcière it’s a silly little bridge song meant to move the plot forward. It also gives us some insight into Frollo and Quasimodo’s relationship which flows into the song.

L’Enfant trouvé (The Orphan)

Frollo and Quasimodo L'Enfant trouvé Notre Dame de Paris picture image

Quasimodo swearing devotion to Frollo

The reason why we have four songs this week instead the three* is because La Sorcière and L’Enfant trouvé flow into some much that it’s like they are one song. THough there is a melody and subject shift that it is clear but the way the transition is done in La Sorcière it mean they are companion songs.

Anyway L’Enfant trouvé goes deeper into the Frollo and Quasimodo. It’s the same as it in the book really. However Quasimodo adds that he doesn’t know Frollo’s heart. It’s really great how Frollo is like cold and emotionless as Quasimodo bares his devotion out to him. Gotta love Quasimodo emotions in this song. Is it the best song in the show, nope but it‘s okay.

(Four songs might be a norm, damn bridge songs)

Get the whole GLORIOUS ALBUM HERE

Songs of Notre Dame de Paris Part 2

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Bohémienne

Esmeralda Helene Segara Bohemienne Notre Dame de Paris picture image

Esmeralda

Bohémienne is one of the few upbeat songs in Notre Dame de Paris. Pending on the cast you’re watching the number can be more upbeat, as most Esmeraldas do have dance choreography. The trouble with some Esmeraldas, is that even though they are dancing, the choreography can look REALLY mechanical. Some Esmeraldas can pull it all like Lola Ponce of the original Italian cast and Baba of the Korean version but most Esmeraldas it like arms up, run back. arms up again and now twirl. Helene Segara at least looks natural in her movements regardless whether not she is dancing, she isn’t but there are a few little steps in there.

Bohémienne tells us a little bit of Esmeralda’s origins and out look on life. She’s a wander and enjoys the unknown. She is also a dreamer and really dreams of going to Spain. Despite the upbeat nature of the number there is this hint of bittersweetness. The combination of tones gives this songs a nice complexity and interest.

It’s a really great introduction for Esmeralda and fun number.

Esmeralda Tu Sais, (Esmeralda, You Know,)

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

I once made a Top Ten Worst Songs of Notre Dame de Paris list and this song was there, at number three no less. This songs works to tells us more on Esmeralda’s backstory with regards to Clopin. Basically he raised her when she mother died. In the song he warns her about guys and his own rising interest in her.

Here the thing about Esmeralda tu sais and why it made my list, it’s REALLY boring. The melody, orchestration, tone are like valium. It doesn’t highlight the singer it anyway and makes Clopin sound like he is droning. In other cast versions, they tried to fix the song by making it a duet with Clopin and Esmeralda which is nice and Clopin gets more angry about the world but it didn’t really help anything, it’s still dull a rusty nail.

The ONLY thing I can give the song is showcasing Clopin’s gentler side but I mean they could have written a better melody, it’s just one of the weaker songs in the show.

Ces diamants-là (These Diamonds)

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris

Ces diamants-là is Fleur-de-Lys introduction song. Just so we’re all clear, Fleur-de-Lys is Phoebus’ Fiancee. Isn’t it great that Notre Dame de Paris introduces Fleur-de-Lys before Quasimodo? I think it is!

Ces diamants-là tells us about Fleur-de-Lys and Phoebus’ relationship. Fleur-de-Lys who is young in this version but is wise to Phoebus’ playboy ways in that she says even if his romantic lines are lies she doesn’t care. She is smitten with him and Phoebus whether or not is he is lying or sincere does seem to be interested in marring her.

The song is sweet but there is more at play. They way they circle around each other and pull way speaks to a power dynamic and really way they do it speaks to Fleur-de-Lys having more control than Phoebus. This could be because Phoebus is a slut who can’t help himself or that it’s Fleur-de-Lys who has the monetary upper-hand like she does in the book. The melody while it’s quite pretty seems a little off, like almost a little diabolical, like a little foreboding with those drums. In that sense it’s the perfect depiction of Phoebus and Fleur-de-Lys‘ characters in the musical.

Get the whole GLORIOUS ALBUM HERE

Songs of Notre Dame de Paris Part 1

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I might discuss aspects from other casts but I’m going to keep it to the original cast.

Le Temps des Cathédrals (The Age of Cathedral)

 

Bruno Pelletier as Gringoire singing Le Temps de Cathédrales Notre Dame de Paris picture image

Bruno Pelletier as Gringoire singing Le Temps de Cathédrales

This is the first number of the show. It’s sung by Pierre Gringoire who acts mainly as a story teller. The song tells us about the changing times and how teh Cathedral once prominent and important to society is falling away and that population is changing too as people seek refuge in Paris.

The song itself is very mysterious with a touch of bittersweetness. The songs also have a great build and there is a nice reveals of the stage as the song builds. It starts with a bare stage and Gringoire but slowly layers of screens are pulled back to reveal the set pieces.

Le temps des cathédrales is also a great showcase for Gringoire’s voice. Bruno Pelleteir has such an expressive voice. Also with all the power and build up and the enegry Gringoire to into the song it transition to the nest song very nicely.

Les Sans Papiers (Those without Papers)

 

Luck Mervil as Clopin singing Le Sans Papiers, Notre Dame de Paris picture image

Luck Mervil as Clopin singing Le Sans Papiers

Just a little clarication papers meaning without passport, or without legal documentation which I don’t think they would have had in 1482, could be wrong but it a big deal these days and the Refugee were a big issue in France at the time this musical came out so it’s topical.

So what is interesting about Notre Dame de Paris is that even though they didn’t start it the same way as the book they do introduce the characters at roughly the same points. This songs in Clopin asking for refuge for his people. There is also the same tone of change.

There is a great power and darkness to Le Sans Papiers. It’s interesting that a song that is basically begging would have such a forceful tone to it. There is also a menace and urgency that makes this song exciting by the end.

It also the first number with dancing. Notre Dame de Paris has a lot of dancing. For this particularly number the dancing is a little weird. I don’t know a ton or anything about dance, heck I was run out of tap dance class at the age of six, I’m the last person who should critic dance but while I think the dancing in this number is effective to the tone and mood of the song I don’t care for it. Some of it look like spazing out, which I excel out. I did like that walk out and throw down move.

Also during this song you can see Frollo looming in Notre Dame, as played by a rock climbing wall. And as indicated by the next song, this song did not melt Mr. Frollo’s icy heart.

Intervention de Frollo (Intervention of Frollo)

Daniel Lavoie as Frollo singing Invention de Frollo Notre Dame de Paris picture image

Daniel Lavoie as Frollo singing Invention de Frollo

This is the first song that is a little different between the cast version. Frollo commands Phoebus to arrest the people and he complies. In the original cast he tries to arrest Esmeralda and is taken with her. In other versions, after getting the order Phoebus finds Esmeralda dancing and is taken. It’s both a HUGE difference and not. With her dancing it clarifies Esmeralda as a dancer but the transition is not smooth. With the arrest we lose her a bit as dancer but it makes for a better transition. Though it’s a transition that exist within the song.

As bridge song, Intervention de Frollo is okay. It’s very staccato but gets the point across of Frollo authority and coldness and Phoebus‘ conformity and interest in pretty girls.

*I might translate these with crummy translations or go by the English titles. which can also be crummy.

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Before we start with the Songs of Notre Dame de Paris

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garou Bruno Pelletier Gringoire spotting Quasimodo during the Feast of Fools Notre Dame de Paris picture image

Gringoire spotting Quasimodo during the Feast of Fools

Before we start tearing the songs of Notre Dame de Paris a new one, or unabashedly praising them, somethings to keep in mind.

Number One – since there is like fifty songs in this musical, I’m going to take a few at time because while I do like stretching out content longer than I should, I don’t want to spend a year on the songs. So it will be like three to four on average and maybe some songs will get it’s own, like Belle.

Second, the songs in Notre Dame de Paris are really, REALLY repetitive. So I’m getting that out now. I’m not going to keep say that over and over for every songs.

So next week we’ll start properly as I like just starting things at the beginning on months.

Fleur-de-Lys of Notre Dame de Paris; She’s a Lamb Touched by Dirt

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Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur de Lys Notre Dame de Paris

So often in adaptations of The Hunchback Notre Dame, Fleur-de-Lys gets shafted. Either she is not there, an extra or just in a few scenes and with in those scenes she is pretty much a rich bitch. The 1956 version had her in one scene were she was soften a touch though still catty. Notre Dame de Paris however took a character that really isn’t a huge character in the book and fleshed her out and gave her some depth.

Julie Zenatti as Fleur de Lys Notre Dame de Paris

Julie Zenatti as Fleur-de-Lys Notre Dame de Paris

Fleur-de-Lys is the smallest role in the musical has she only has three songs, though she appears in more numbers. The minimal songs she get do reveal everything about her character and her arch.

Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys Notre Dame de Paris

Unlike the book, Fleur-de-Lys is much younger. I believe in the book she was twenty-four whereas in Notre Dame de Paris she is fourteen. More than likely this change is based on Julie Zenatti’s age at the time she played the role, which was seventeen.

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris

Zenatti said in that Fleur-de-Lys loves Phoebus with a passion, which is true but her love for Phoebus is not as romanticized as Esmeralda. She knows that he is handsome and spouts out romantic lines but he is also a scoundrel and a soldier.

Fleur-de-Lys and Phoebus Julie Zenatti Patrick Fiori Notre Dame de Paris picture image

Fleur-de-Lys and Phoebus

In the Phoebus post, I mentioned that Phoebus was a double minion to both Frollo and Fleur-de-Lys and that is because at some point during the musical Fleur-de-Lys snaps and demands that Phoebus ensures Esmeralda’s death. The manner which she tells this to Phoebus is vastly different between the original version and all the subsequent versions.

Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys Notre Dame de Paris

In the original version, Fleur-de-Lys snaps and sings her big number, La Monture, to herself and asks Phoebus to kill Esmeralda. He overhears this and with the next number tells her that he is returning to her and basically agreeing to her request. Very personally, I like the original version of La Monture, it has  a desperation and venom. It also means that Phoebus is taking some agency with the death of Esmeralda.

 

Julie Zenatti as Fleur de Lys with Patrick Fiori as Phoebus, Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris

In other versions, Phoebus asks Fleur-de-Lys to take him back as his unfaithful heart is all better. Fleur-de-Lys then very sexually asks him to kill Esmeralda. She honey-potted him. He can’t really refuse her after that. I get why they changed it, as it makes Fleur-de-Lys look more powerful and in- control and second it just make for a better on stage show number. However I do think that someone who desperate and at her wit’s end asking for someone death is more interesting than someone who is forcing someone and using sex to get what they want. Also I’m not sure why Fleur-de-Lys wants Esmeralda to die as much in other versions, it just seems like she testing Phoebus more that she is going out her mind with jealousy, but that is just me.

 

Julie Zenatti as Fleur-de-Lys with Helene Segara as Esmeralda Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys with Helene Segara as Esmeralda Notre Dame de Paris

 

Fleur-de-Lys is also Esmeralda’ s foil. Where Esmeralda is earthy, sensual, innocent and exotic, Fleur-de-Lys is colder, calculating, jaded, polished and has a fairer European beauty. This is in the book but is because Fleur-de-Lys is bigger in Notre Dame de Paris the difference between the two ladies is clearer.

 

Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys Notre Dame de Paris

Despite having the smallest role in Notre Dame de Paris , Fleur-de-Lys is still quite well fleashed out and really compelling.

Next Time – Moving in to the songs

Original Cast Belle NOtre dame de Paris picture image

Original Cast Belle

Clopin of Notre Dame de Paris; Rules his Court from on High

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Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Clopin is a complex character in Notre Dame de Paris. He is both intense and tender. If he differs between the cast versions, it’s it most likely that the he is either playing up his intenseness or keeping it to the base level for the character.

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

Like in the Book Clopin runs the the Court of Miracles. It is a little vague if the Court of Miracles is strictly his group of Gypsies and refugees or beggars but I think it the combination. Speaking of which, Clopin and Esmeralda go way back. When Esmeralda’s mother died, she trusted Esmeralda’s care to Clopin so he is like a father-figure to her. This relationship is complicated for Clopin as Esmeralda grows and becomes a beautiful woman, he starts seeing her as in a romantic light which  he doesn’t seem to like that much.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Like Esmeralda, Clopin hates distinctions between of race, culture and social class. Clopin dislike of these facet of human nature is where Esmeralda got them in the place. This also also makes up the core subject of most of Clopin’s songs, the other subject is Esmeralda.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Because Clopin is so focus of the blight of his people and social inequality he does have the fun and somewhat carefreeness of other Clopins. Of all other Clopin, I think Notre Dame de Paris is the least fun. He does make a few quips like that Poets are only fit to be hanged and he looks like he have fun during that number, tough who wouldn’t singing on a suspended metal girder, it has to be fun. Though Gringoire getting to swing around in that bag looks fun too.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Notre Dame de Paris Clopin does differ from the book as, Clopin in the book didn’t care about social inequality, he just wanted to beg and drink. While I do sprout purity to the book, I do like this changed to character. It gives him interest and more purpose.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Clopin in Notre Dame de Paris is less fun than other version but he has the most social conscious of the Clopin and that makes him an interesting and compelling version of the character from the book.

Next Time Fleur-de-Lys

Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur de Lys Notre Dame de Paris

Phoebus of Notre Dame de Paris; He’s a Tramp but they love him

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Patrick Fiori as Phoebus from Notre Dame de Paris picture image

Patrick Fiori as Phoebus Notre Dame de Paris

I have said this more than a few times but Phoebus is a character that can be molded to fit a few roles in a Hunchback narrative; he can be a the handsome hero, the vain villain or the expendable extra, you know narrative needs. In Notre Dame de Paris is more on the villainous side things.

 

Fleur-de-Lys and Phoebus Julie Zenatti Patrick Fiori Notre Dame de Paris picture image

Fleur-de-Lys and Phoebus

To be clear he is not the villain so to speak. Notre Dame de Paris doesn’t have a clear villain but if I were say I would say it would Frollo and Fleur de Lys with Phoebus as a minion between them. Frollo has control of aspects of Paris and he can command Phoebus. So it is Frollo who tells Phoebus to get Clopin’s people out of Paris and it Fleur de Lys who tells him to ensure Esmeralda’s death. So Phoebus is a pawn in the scheme of things however he shows no remorse for his actions, nor guilt for merely doing his job.

 

Fleur-de-Lys and Phoebus Patrick fiori Julie zenatti Notre Dame de Paris Esmeralda Helene Segara picture image

Phoebus with Fleur-de-Lys and Esmeralda

So is Phoebus the jerk he is in the book? Not quite, he does have a slightly positive spin on his characterization and that his intentions towards Esmeralda. In the book it’s clear that for Phoebus, Esmeralda is a one-time thing. In this version he basically wants her in a more long-term capacity, balance an affair with her while being married to Fleur-de-Lys. He wants Esmeralda for a mistress which I doubt would have made this Esmeralda happy in the end. This still makes him a jerk-face.

Fleur-de-Lys and Phoebus Patrick fiori Julie zenatti Notre Dame de Paris picture image

Fleur-de-Lys and Phoebus

Much like Gringoire and Quasimodo, Phoebus’s depiction doesn’t differ from cast to cast of Notre Dame de Paris. He just a jerk little horny minion, but the ladies love him.

Next time Clopin

Luck Mervil as Clopin from Notre Dame de Paris

Luck Mervil as Clopin from Notre Dame de Paris

Korean Notre Dame de Paris

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https://www.youtube.com/watch?v=PQhCkLA5WjI&spfreload=10

Apparently the actor playing Quasimodo, Kwang-ho Hong is quite popular. His credits go like this; 2014 Miss Saigon UK-Thuy, 2013 Notre dame de Paris-Quasimodo, 2012 Man of La mancha-Don quixote, 2012 Dr.Zhivago – Zhivago, 2011,2009 Jekyll and hyde-Jekyll, 2009~2010 the phantom of the Opera – Phantom & Raoul, 2007 Sweeny todd, and 2006 Miss Saigon

Quasimodo of Notre Dame de Paris; Love him Damn it

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Garou as Quasimodo Notre Dame de Paris picture image

Garou as Quasimodo

As is seemingly standard in Notre Dame de Paris, Quasimodo’s depiction is one of the best in any adaption of Hunchback, and for the record I’m getting a little tired saying that. Unlike Frollo and Esmeralda, Quasimodo’s characterization doesn’t differ too much from cast version to cast version. While the role has its complexities and is hard to play the basic tenants of morose, nice and melancholy are not super hard convey, actually isn’t that want actors really want to play? It just make for a likable character.

Garou as Quasimodo Notre Dame de Paris picture image

Garou as Quasimodo

So what is Quasimodo like in this version? Well, like I just said he is nice and morose, like the book as well as tender which I did not say. Many versions tend to make Quasimodo more sympathetic and sad than showcase his anger over people not liking him for his afflictions. In Notre Dame de Paris his anger isn’t really focused on other people, he wants people to like him, mainly Esmeralda. Most of his solo songs express his longing for love and his anger over his deformities.

Garou as Quasimodo Notre Dame de Paris picture image

Garou as Quasimodo

More or less akin to the book, Quasimodo’s love for Esmeralda is more pure but unlike the book it’s a little more romantic. Quasimodo makes mentions to Esmeralda’s body, her dancing and his eyes going under her skirt as if he were possessed. He just seems a little more self-aware than book Quasimodo. He also offers her a place at Notre Dame before she needs it.

Quasimodo and Esmeralda Le Pape des fous Helene Segara Garou Notre Dame de Paris picture image

Quasimodo and Esmeralda

Unlike the book, Quasimodo isn’t as in love with Notre Dame. Oh, he likes it as two of his songs indicate but he is nowhere to be seen in the attack segment of the musical, which I’m never letting go of. Really, he gets one song to say Notre Dame is awesome and one other song about the bells though there is a lot of angst in that song. Another kind of sort big difference is that he was in to Esmeralda prior to her giving him water, so he was attracted to her for her beauty, the kindness was a perk. It’s a big difference as in that book Quasimodo hated everyone for not liking him but here it does want people to like him and is mad more or less at God for making him ugly.

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Notre Dame de Paris Ending

Quasimodo in Notre Dame de Paris is the closest to the book. Is it perfect? No but there is so much power and pathos to this Quasimodo that no one would hardly ever think about it, unless you’re a Notre Dame de Paris blogger and then you have to think about it.

Next Time Phoebus

Patrick Fiori as Phoebus from Notre Dame de Paris picture image

Patrick Fiori as Phoebus

Gringoire of Notre Dame de Paris; When you get the best songs you don’t need a character

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Bruno Pelletier as Gringoire in Notre Dame de Paris picture image

Bruno Pelletier as Gringoire in Notre Dame de Paris

I’m at a loss as to what to say about Gringoire in Notre Dame de Paris. Unlike Esmeralda and Frollo. Gringoire’s characterization doesn’t change version to version, so there isn’t a distinction between Bruno Pelletier’s Gringoire to the other actors.

 

Bruno Pelletier as Gringoire with Daniel Lavoie as Frollo pointing at him picture image

Bruno Pelletier as Gringoire with Daniel Lavoie as Frollo pointing at him

Gringoire is the story teller and gives some exposition. He sort of interacts with other characters, mainly Frollo.

 

Bruno Pelletier as Gringoire in Notre Dame de Paris picture image

Bruno Pelletier as Gringoire i

However Gringoire is likable. He just immersed into this world and story that he pulls the audience into it. Every song he sings there is a certainty to it and it makes him seem all the more wonderful.

 

Bruno Pelletier as Gringoire with Helene Segara as Esmeralda in Notre Dame de Paris picture image

Bruno Pelletier as Gringoire with Helene Segara as Esmeralda

Gringoire here isn’t a coward like he is in the book. He starts off liking Esmeralda but he doesn’t pursue her or fall in love with her like in some other versions. It does seem a little hurt when Esmeralda tells him that she likes someone else but he takes in strides. Speaking of Esmeralda, I wish he got another song with her. He only got one duet with her plus two ensemble numbers, they also get two lines in an addition to La Cour des miracles in other versions.

 

Bruno Pelletier as Gringoire in Notre Dame de Paris picture image

Bruno Pelletier as Gringoire

That’s sort of it, he doesn’t have much a characterization as all the songs he sing say nothing about him except that he is a troubadour and not a ladies man, that’s it. This should bother me but there is so much power in the songs Gringoire sings  that it’s forgivable.

Next Time – Quasimodo

Garou as Quasimodo Notre Dame de Paris image picture

Garou as Quasimodo Notre Dame de Paris