Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

Quasimodo d’El Paris is a movie that I as a blogger of Hunchback of Notre Dame, appreciate more than I enjoy. In the scope of all the the different versions this one is more divergent in tone and style and yet it gets so many things right. It’s clear that the people working on this movie liked and understood the source material and were not out to make money off the Disney movie or to win accolades. I don’t think there will ever be another modern comedy version  of the Hunchback.

Technically, there isn’t anything majorly wrong with this movie. I would say the pacing is not that great. It does get boring in parts, for example the end drags on forever but nothing is super wrong with it on a fundamental level.   Is it a great movie? No. Is one of the best versions of Hunchback? That is debatable but I would say it’s in the upper middle, it a solid B maybe. I would say if you’re not a fan of Hunchback is isn’t the movie for you. If you’re a person who takes Hunchback as the serious piece of tragedy that the book is, this movie isn’t for you. But if you like Hunchback and French comedies than, yeah, you may enjoy this version or at least appreciate the concept and intent of this version.

The Next version is the first version that I didn’t see prior to starting this blog (The Madeline and Courage the Cowardly Dog episodes and Disney musicals not withstanding). I’m scared people, very scared.

Also the blog is going back to posting three days a week.

Richard Berry as Frollo Quasimodo d'El Paris picture image

Richard Berry as Frollo

Do you know the old saying Dying is easy, Comedy is hard? That is so very, very true because what makes people sad is very universal but comedy differs person to person country to country, culture to culture.

Patrick Timsit as Quasimodo & Richard Berry as Frollo Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Richard Berry as Frollo

The French defiantly have their own style of humor. First off the like puns a.k.a witty use of their language. The French love their language. Now my command of French is terrible so I can’t say if they use any Puns in this movie. If you want a witty Pun loving French movie I would HIGHLY recommend Ridicule.

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

The style of French humor that  Quasimodo d’El Paris uses the most it would be more cruel mockery directed at other people. Basically insulting people in over the tops ways. This style of perfectly suited for Hunchback since Quasimodo is an easy target. But the don’t just target him, after all Esmeralda can’t dance.

Richard Berry as Frollo Quasimodo d'El Paris picture image

Richard Berry as Frollo

There is also the just plain excessive exageration, which is also a form of humor in other cultures notably in Asian ones. Frollo has a weird sense of exaggeration since he so dead-pan but very over the top about it. I sort of love that style of humor but it a weird on to pin down. I really like the dead pan devilry of “Let’s party”

Patrick Timsit as Quasimodo & Richard Berry as Frollo Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Richard Berry as Frollo

The humor of Quasimodo  d’El Paris is very French in style so it’s understandable why other people may not like it but it fit the characters and the style of parody.

Vincent Elbaz as Phoebus, Melanie Thierry as Esmeralda & Patrick Timsit as Quasimodo Quasimodo d'el Paris picture image

Vincent Elbaz as Phoebus, Melanie Thierry as Esmeralda & Patrick Timsit as Quasimodo

Esmeralda wears Red, Grrrrrr, now that’s out of our system we can move on.  Quasimodo d’El Paris uses a very old but readily easy to red color style, characters you are meant to sympathize with I.E like are all in warm colorful tones while the other less likable characters are in stark colors or black and white. This isn’t like a super hard and fast rule as with the example of Esmeralda/Agnes.

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

As Agnes she wears white. I suppose you could simply make the conclusion that the rich people wear the stark colors and the poorer soul wear colors. While I’m on the subject of Esmeralda, the red doesn’t bother me as much in this movie’s case. For one reason she is not a Romani where that color has negative connotations. In this movie she is a Cuban and while I don’t know the Cuban’s stance of the color red I can say that  the red triangle in their flag stands for equality, fraternity and freedom, none of which are bad things. Second Esmeralda is a lot more free-spitted and doesn’t have that purity she had in the book. And lastly, if you watch this movie and I mean REALLY watch you can see other Cuban ladies wearing the same outfit. It’s like this red dress is standard issue in the Court of Miracles.

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

It’s not just the characters that are set in the warmer tones, Notre Dame a.k.a the Cathedral of El Paris has a  more of an orange hue. The actual Notre Dame has a cooler taupe color while the movie’s Cathedral  is slightly warm in color. It’s not a dramatic difference of color but it’s notability in your mind.

Patrick Timsit as Quasimodo Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo

Quasimodo also wears warm colors, mostly orange but some times blue. The point is he wears colors. Likable characters and places get happy colors and not nice people get no colors. Though Frollo is traditionally suppose to be in black.

Richard Berry as Frollo Quasimodo d'El Paris picture image

Richard Berry as Frollo

Just a side note about Frollo, his facial hair. This is the first time Frollo gets a any type of facial hair.  Oddly this type of facial hair is called a “Soul Patch.” It’s funny because he’s a priest trying to save people’s soul. It does make him look more sinister too. Otherwise his overall look is closest to Sir Cedric Hardwaicke from 1939 version, which is the standard Frollo movie look.

 

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

Unlike most every other version of Hunchback of Notre Dame, this one misses the Notre Dame. Instead we have El Paris and its by all accounts nameless cathedral. Now is it ultimately important that Notre Dame isn’t in the movie? I would say no, it’s not. Just because Notre Dame inspired the story it doesn’t change the fact that this movie is a parody but it is a little vexing that that cathedral really doesn’t have a name, Cathedral of El Paris really isn’t much of a name.

Patrick Timsit as Quasimodo & Richard Berry as Frollo Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Richard Berry as Frollo

In this movie the Cathedral is little more than a backdrop, half the time you really forget the movie takes place in the church, It’s either Quasimodo’s bedroom or  Frollo’s pad/ creepy lair. Any sense of the Church’s majesty jut isn’t there.

Then there is El Paris itself or The Paris. If there is some joke I’m not getting because my knowledge Spanish and French is limited at best than I concede it, I don’t understand the joke. But there is little to understand about El Paris as it seems normal except that Cuban population seems to live in restaurant. Really, I’m more confused about where the city is located. I would guess somewhere in Europe but who knows. It just not located in Cuba.

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

Setting is a big point in any Hunchback version and here in this more they could have made it bigger point of interest as it’s a parody but all they did was give Quasimodo a childish bedroom and Frollo some weird decorated rooms.

So just a quick question, if El Paris is run by a governor does that make El Paris a state or is just the capital? Or is it governor in the British sense where is he head of a public institution?

Quasimodo d'el Paris picture image

Didier Flamand as The Governor and Axelle Abbadie as The Governor’s wife

Anyway the unnamed The Governor and his Wife are both the parents of Quasimodo and Agnes/Esmeralda. Biologically they are the parents of Quasimodo but traded him for pretty blonde Esmeralda and renamed her Agnes.

To put it mildly, they are terrible parents and terrible people. The movie makes it seem that The Governor is just dumb, like on the level with Phoebus and his Wife is the horrible one. The wife, and I hate that is what I have to call her, she is the one that wants to get rid of her own child because of the deformities caused by her husband. Yeah, the parents created Quasimodo’s maladies. The Governor dropped Quasimodo on his face as an infant and threw against a wall as child. These were not done of purpose, they result of Clopin’s curse, the drop was an accident and the throwing was for protection The Governor just aimed badly.   The Governor however did make the deformity occur and his wife being the awful shallow person got rid of him.

Despite his lack of smarts, The Governor does seem to care for Quasimodo, informing Clopin of Quasimodo’s strict diet where he only eats meat but prefer fat. The Wife is vain and she doesn’t get on well with either Agnes or Quaismodo and in the end she is punished for her lack of feelings and die shy Frollo’s hand because he is insane.

In the scheme of being a Hunchback of Notre Dame adaptation these characters are new aspect. Aside from Gudule, who is present in the movie and Frollo’s role as Quasimodo’s guardian there are no parents in the story, aside from Fleur de Lys’ mother. Quasimodo’s parents are not mention in the book and present in the Disney version but all we really know is that he was abandoned and swapped with Esmeralda. To date this is the only movie version to handle this detail. It is unknown if Quasimodo was abandon by French parents and found by the Gypsies or if he was actually a Gypsy. This version imagines Quasimodo’s birth parents albeit in a simple cruel manner. There is nothing deep to them and their motivation for getting rid of him was that he was unlucky and ugly two aspects that they inflicted on the child.

It is refreshing to see a version of Quasimodo’s parents  but they are so very, very unlikable and not even in a very fun way. I did like the way the Wife said that Esmeralda’s name was Agnes.

Patrick Braoudé as Pierre-Grégoire Quasimodo d'el Paris picture image

Patrick Braoudé as Pierre-Grégoire

One question we need to REALLY ask with regards to ANY Hunchback adaptation is “Are certain characters really necessary to over-all version of the story that the movie is TRYING  to tell?”  With Quasimodo d’El Paris the main focus is making the movie  a modern comedy while still trying to be accurate.  This means the movie NEEDED Gringoire as he is both in the original story and one of the lighter characters but does the movie do much with him? Nope.

Gringoire starts the movie as the ignored entrainment at Agnes’ birthday party. He then get’s drunk and him and Agnes wonder around and run into the Cuban. The Court of Miracle scene occurs and they are married and that is pretty much it for Gringoire. He kind lurks around Clopin after that and acts the coward and a bit of a dummy.

He is not fully a side character or used for decent comedy, every one is being silly in some way so what different if he says cowardly/goofy/weird things once in a while. Esmeralda could have let him die and it wouldn’t have changed much in the narrative.  So was he necessary for this version? Not Really but I wished he had done more, I feel like their was wasted potential because point for point when he was doing more in the movie he was a decent version of the character just super underutilized in the 2nd and 3rd acts.

 

 

 Dominique Pinon as Clopin Trouillefou, Quasimodo d'el Paris picture image

Dominique Pinon as Clopin Trouillefou,

Let’s just get this out of the way, Clopin says malediction instead of Frollo, can no version ever get it right? I kid.

Clopin in this version, like in other versions, is the leader of the Court of Miracles and the leader of the outcasts, in this case the Cubans. He doesn’t do all that much but he is a big catalyst for the story. He is one who “curses” Quasimodo and made him ugly AND he is the one who arranges the swap of Esmeralda and Quasimodo for their terrible parents. Otherwise he doesn’t do that much. He wanted to attack the cathedral to save Esmeralda but thought better of  it because Quasimodo was both very  strong and was acting a lot of impulse but throwing stuff of the cathedral fairly unprovoked.

That being said, Clopin is shown to be smarter than all the characters and saner, though that doesn’t take much in this movie. All in all, he is likable, I just wish he got to do more.

 

Vincent Elbaz as Phoebus, Quasimodo d'el Paris picture image

Vincent Elbaz as Phoebus

If I can be real here for a second, there isn’t a lot to say about Phoebus, which is interesting in a sense. I say it’s interesting because is that character who is in a sense a chameleon, he can be whatever the movie needs him to be, hero, villain, minion extra.  I would in the scope of this movie Phoebus is more of the minion but not to the bad guys, he’s just a cop which does make him a  straignt  by-the-book version of Phoebus. Th sonly thing that makes him a little different is he is a moron.

Vincent Elbaz as Phoebus, Melanie Thierry as Esmeralda & Patrick Timsit as Quasimodo Quasimodo d'el Paris picture image

Vincent Elbaz as Phoebus, Melanie Thierry as Esmeralda & Patrick Timsit as Quasimodo

Now Phoebus wasn’t smart in the book but this Phoebus is a totally dumb-ass. For example he thinks cemetery is the  serial-killer’s handiwork.  He also can’t recognize Agnes as Esmeralda. It’s not even a Clark Kent type of thing, she isn’t hiding it she simply acting happier with her hair down and a new dress.  Even when he subdues Quasimodo from kidnapping Esmeralda, he takes a very dumb route of throwing everything off hi person, i.e. his shirt. It’s a good thing Quasimodo was kind of dumb too or else we wouldn’t have got the “pillory” scene that leads into Phoebus’ stabbing later, or a big section of the plot.

Vincent Elbaz as Phoebus, Quasimodo d'el Paris picture image

Vincent Elbaz as Phoebus

Phoebus does make an interesting point which is a bit akin to the book. He says he is a chameleon, in that he acts like a slob when around slobs and a snob when he around rich people. That is true to Phoebus in the book and also, he prefers the slobs which could also be why he prefers Esmeralda to Agnes even though they are the same person in this case.

Phoebus also dies in this movie but no from his stabbing. Frollo pushes him off the church. Making it the first time this happens to a Phoebus. All in all this Phoebus is only interesting in his stupidity though it’s funny when he jokingly says he is shy and a prude, he is not.

 

Melanie Thierry as Esmeralda

Melanie Thierry as Esmeralda

I find this version of Esmeralda very interesting. First and foremost they combined her with Fleur de Lys as well as reversing her backstory. Instead of a little French girl named Agnes who grows up with Gypsies and the name Esmeralda, she is instead a Gypsy or in this movie’s case a Cuban born Esmeralda and grew up Agnes as the Governor’s  daughter.  It’s her roles as the rich people’s daughter and fiancee to Phoebus that gives her her Fleur de Lys duo role.  Also it makes Phoebus look spectacularly dumb that he can’t recognize her when she is more free as Esmeralda than as complain-i-pants Agnes.

Mélanie Thierry as Esmeralda/Agnes and Axelle Abbadie as Mme Le Gouverneur, Quasimodo d'el Paris, picture image

Mélanie Thierry as Esmeralda/Agnes and Axelle Abbadie as Mme Le Gouverneur, Quasimodo d’el Paris

That being said Esmeralda/Agnes has a duo personality. As Agnes she is treated like a child and as such she prone to complain and be unhappy. As Esmeralda she doesn’t have that constraint so she act freer and a lot more in control. She doesn’t act sexy but her very found identity does make her seem more free-sprited and seems to attract more men to her. She does still complain but does tries to rally the Cubans to fight social injustice and tries to get Quasimodo to return to his parents. She wants to help Quasimodo because she feels guilty that she was swap with him as children, the parents are just terrible.

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

Esmeralda is someways doesn’t come off as a parody but she is in fact probably the smartest character, which compared to her book characterization is a parody since Esmeralda’s naivety and shallowness makes her seem less smart. In this movie she calls Quasimodo out for being in love with her for her looks and says it’s the same as people judging him for being ugly.

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

Also speaking of parody, girl can’t dance. Quasimodo asks her to dance, she obliges and proceeds to dance awkwardly. Quasimodo, unsatisfied says she can’t dance and thought she would dance better. She just laughs it off saying something like  “I don’t see why I would dance well.”

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Melanie Thierry as Esmeralda

This version is also one of the few versions, and the only version that isn’t a cheap cartoon, where Quasimodo and Esmeralda get together at the end. I do think it was REALLY rushed that Esmeralda loves him, could be the version I watched, I don’t know but it’s like Quasimodo saves her from Frollo’s cement tub and BOOM, she knows it’s love. Quasimodo still doesn’t say what her likes about her but she is the one who sees his inner beauty and will have to get used to his hunch, bald patch, and weird pointed teeth.

Melanie Thierry as Esmeralda Quasimodo d'El Paris picture image

Melanie Thierry as Esmeralda

 

I could get mad that another Esmeralda is wearing red but since this movie is comedy/parody, I’m giving it a pass.

Richard Berry as Frollo Quasimodo d'El Paris picture image

Richard Berry as Frollo

Frollo in book is a repressed guy who has no experience dealing with women. As a devote man of god and science he value his purity and prides himself as being above the rest. His madness come out of his devotion. This can be said for Frollo in Quasimodo d’El Paris though in this movie Frollo is Bat-shit crazy. He is insane.

Patrick Timsit as Quasimodo & Richard Berry as Frollo Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Richard Berry as Frollo

What he does is murder women and turns there bodies in to gargoyle to adorn the church. He thinks these women are unhappy and this makes them happy.  He is not delusional he actually believes this is what his mission is, he even has an impressive and comedically over-the-top murder rig lair. This could be the plot of some dark gritty movie and not a comedic Hunchback movie.

Patrick Timsit as Quasimodo & Richard Berry as Frollo Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Richard Berry as Frollo

However given that this is a comedy Frollo is comedic. He really does embody the weird, and I mean weird comedic tone of the movie which is a cross of understated and over-the-top. You would this those styles don’t go together but oddly they do. I do want to discuss the humor more but three parts that illustrate this duality of humor are Frollo wishing Quasimodo Happy Birthday. He says Party time with a big gesture and a monotone expression, when he preaching the “Lord” message to the prostitutes, and when Quasimodo buries Frollo in the sand with only his head sticking out, actually the whole of the trip to beach should count.

Patrick Timsit as Quasimodo & Richard Berry as Frollo Quasimodo d'El Paris picture image

Patrick Timsit as Quasimodo & Richard Berry as Frollo

Howver the bigger question is how is Frollo at being Frollo. A point in this version of Frollo’s favor is that this is the only version where his and Quasimodo is closer to what it was more like in the book and by that I mean they like each other. So many version Frollo seems to hardly even like Quasimodo. In this version, Frollo likes Quasimodo nearly to obsession. He kisses hims calls him his baby, teaches him, builds up Quasimodo’s deadliness to protect him, busts him out of jail and he is totally ok with Quasimodo killing him. Like it’s nothing at all.

Melanie Thierry as Esmeralda & Richard Berry as Frollo Quasimodo d'El Paris picture image

Melanie Thierry as Esmeralda & Richard Berry as Frollo

Speaking of obsession, I do feel like Frollo’s obsession with Esmeralda is more of an after-thought. I mean he is already murdering women, he already has an outlet for his repression of sexual desires.  He does seem to like Esmeralda more and even want her to join him in his quest of murdering women. At this point Frollo says verbatium lines from the books. The lines are from ‘the tomb or my bed’ speech he gives her. While I do like it when Frollo gets to say his book lines, they felt rather forced, I don’t believe this Frollo would say these things or even believe those word, they felt out of character. Also another weird out of character mark for Frollo is his name. Yes it’s Frollo but his first name is Serge and not Claude. Why?

Richard Berry as Frollo Quasimodo d'El Paris picture image

Richard Berry as Frollo Quasimodo d’El Paris

There is another aspect of this Frollo that is worth noting, he has a lot of weird phallic imagery associated with him. First of his middle finger. Frollo gives the finger  A LOT during this movie. Mostly the finger is a “Fuck you” but in Ancient times is was symbol for intercourse. Frollo is not JUST  giving the finger to people, his middle finger is also concealing a blade, another bit of phallic imagery. It does end there however, Frollo also has a pet eel. Other than more phallic imagery I don’t know what this means.

Richard Berry as Frollo Quasimodo d'El Paris picture image

Richard Berry as Frollo

As he stands to book Frollo, this Frollo falls short especially with regard to his all-consuming lust for Esmeralda. It never really felt like it was a super big issue for him. In fact he really goes after Esmeralda because he wants to get Quasimodo out of jail and it was  revenge on her parents angle. So the lust really isn’t there as much as it could have been or should have been. In the scope of the movie hover his comedic insanity is fun to watch even though he is a mass murder.

Richard Berry as Frollo Quasimodo d'El Paris picture image

Richard Berry as Frollo

I do have to give Richard Berry props for keeping both his middle finger very straight and up nearly the entire movie.