Today’s Fan-artis by floriaiglenoir. It’s a rendering of Esmeralda from Notre Dame de Paris. It’s  an oil painting I love how beautiful she looks but there is an understated sultriness to her. I also love the swallow and Frollo hidden off to the side.  I love this painting is very beautiful and  color scheme is gorgeous.

Detail III of Notre Dame by floriaiglenoir

Detail III of Notre Dame by floriaiglenoir

 

http://floriaiglenoir.deviantart.com/art/detail-III-of-Notre-Dame-244337292

Check out more of floriaiglenoir work here

 

 

 

 

 

 

Garou as Quasimodo Notre Dame de Paris image picture

Garou as Quasimodo Notre Dame de Paris

A question that comes up a lot is about Quasimodo’s hair. Why does he have red hair? I recently saw this asked on http://notredamedeparisfans.tumblr.com/. Quasimodo in both Notre Dame de Paris and Disney version is depicted as having red hair. Other version also have him with red hair.  And the answer is very simple, it’s in the original novel. Quasimodo has red hair in the book. In Book 1 chapter 5 entitled “Quasimodo” It says “…..A huge head, bristling with red hair….” as part of Quasimodo description. It’s on page 50 for those who have the Barnes Nobel version.

Quasimodo Hunchback of Notre Dame Disney picture image

Quasimodo’s Reveal Hunchback of Notre Dame Disney

So why did Hugo pick red for Quasimodo’s hair color? Well the reason could be that there was a medieval belief that red hair marked a beastly sexual desire and moral degeneration. Or it makes him more of a social outcast than if he had a blond, black or brown hair.

Anthony Hopkins as Quasimodo from the 1982 version of The Hunchback of Notre Dame, picture image

Anthony Hopkins as Quasimodo from the 1982 version of The Hunchback of Notre Dame

Though why Esmeralda in Notre Dame de Paris sometimes has red hair is a different question. I mean I the first person cast had black hair (Noa), Helene Segera has brown but against the red light looks reddish. Then when Julie Zenatti was cast she got the red hair as well as France D’Amour. Since then of the more than a few other opted for red hair.

Frances d'Amour as Esmeralda in Notre Dame de Paris picture image

Frances d’Amour as Esmeralda in Notre Dame de Paris

The Art of the Hunchback of Notre Dame picture image

The Art of the Hunchback of Notre Dame

One of the best companion pieces to the Disney version of the Hunchback of Notre Dame is The Art of The Hunchback of Notre Dame (Disney Miniature).

Concept art of Quasimodo saving Esmeralda  from the Art of the Hunchback , picture image

Concept art of Quasimodo saving Esmeralda from the Art of the Hunchback

It’s for all intended purpose thisis an art book. It has tons of concept art, production stills, sketches, illustrations from the novel, and art by Victor Hugo. (Hugo’s own art work is gorgeous). However the major flaw with it is its size. It’s tiny for something that is an art book. Here’s a picture of it compare to my Final Fantasy IX art book (I had this book for a while).

Size comparison of The Art of the Hunchback of Notre to The Art of Final Fantasy IX picture image

Size comparison of The Art of the Hunchback of Notre to The Art of Final Fantasy IX

The Hunchback art book is 5.6 inches by 4.3 inches compare to the art Final Fantasy IX which is 11.8 inches by 9.3 inches. However I think this isn’t suppose to be a true art book as much a more in depth look behind movie’s creation.

Concept Art for Esmeralda Disney Hunchback of Notre Dame picture image

Concept Art for Esmeralda Disney Hunchback of Notre Dame

The book has a ton of information about the background on the book, characters and a lot of how the movie art plays with light and shadows. It’s a very interesting read although Stephen Rebello does make one big generalization. In the Quasimodo chapter page 57, he writes ” Victor Hugo probably never imagined his malformed, melancholy creation breaking forth into song.” Hugo himself wrote a libretto for Louise Bertin’s opera La Esmeralda . Making Hugo the first person to adapt the novel. Considering Hugo wrote Quasimodo an aria, I think it’s safe to say that he did imagine him breaking out into song. On a side note, that aria  was only piece people liked from the opera. You can listen to it here

Concept Art of Quasimodo from the Art of the Hunchback  of Notre Dame, picture image

Concept Art of Quasimodo from the Art of the Hunchback of Notre Dame

Anyway despite that generalization it is well researched and an interesting read with lots of great artwork. I would highly recommend it for fans of the Disney movie.

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame

The 1956 version of the Hunchback of Notre Dame is a disappointment. It had a great set-up with its concept making a Hunchback movie that was almost accurate to the book. We had Ananke as a theme, Frollo is a Priest, Esmeralda dying and the Quasimodo lying down beside Esmeralda to die at the end.

The Ending of the 1956 Hunchback of Notre Dame , picture image

The Ending of the 1956 Hunchback of Notre Dame

But the movie is plagued by bad execution on almost everything. The actors seem to be not into it, the script boring, the music is nonexistent, the camera work in a sea of flat angles, it lacks directional style, the set are fake looking , etc.

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame, picture image

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

This is a seems to be a problem with Hunchback movie. Either you get a movie that is really good but way off from the book OR you get something that is really close to the book but the execution sucks. I think this film has a fair regard with some Hunchback fans because of its accuracies but give them a well executed movie that is also accurate to the book and this version fade from memory.

Anaykh craved on the wall, 1956 Hunchback of Notre Dame picture image

Anaykh craved on the wall, 1956 Hunchback of Notre Dame

Next Time – we’re going to look at the Wishbone version

Wishbone as Quasimodo, picture image

Wishbone as Quasimodo

The last time I spoke about the movie Hotel Transylvania I admitted I hadn’t seen it (read here). But now I have. So I took the time out my busy schedule of sitting down to sit down and watch this movie.

Hotel Transylvania picture image

Hotel Transylvania

So the movie of a whole was “meh-to-bad.”  It’s a pretty standard premise and homaging the universal monsters isn’t a new thing. Plus humans in the monster world isn’t anything new The pop-cultural reference were very annoying but I did enjoy the atmosphere.  BUT we’re here to talk about Quasimodo and his depicted in this film or lack there of.

Quasimodo & Esmeralda from Hotel Transylvania Game picture image

Quasimodo & Esmeralda from Hotel Transylvania Game

So after I watched Hotel Transylvania and re-reading my previous post I will say I was wrong. Esmeralda is a mouse. She is not a rat. I’m sorry.

Quasimodo in Hotel Transylvania picture image

Quasimodo in Hotel Transylvania

However Quasimodo’s depiction is just really mind boggling. First he’s the key antagonist as he gives Jonathan, the token human, the out. But why? Why is Quasimodo even at the hotel. Why is he a chef? Why does he want to eat a human? So since Quasimodo is a human himself he has cannibal tendencies? I still see this role as a plug in. They had a a villain chef who has a mouse to copy Ratatouille and they needed one of the Monsters to fill in  and since who ever wrote this didn’t care much for the source materials, as none of the monster  bare much in common with their original movies, the just used Quasimodo as he is French and French chef is a nice little trope. From there the just gave him acrobatics to do since it looks cool. Really, the most Quasimodo-ish thing he does is he kidnaps someone but that is it.

Not-Quasimodo Wilson, Jonathan the Human and Adam Sandler Hotel Transylvania picture image

Not-Quasimodo Wilson, Jonathan the Human and Adam Sandler Hotel Transylvania

Now I had read that they designed the Monsters after the people voicing them. But Quasimodo doesn’t look much like Jon Lovitz nor does he look like Quaismodo. I mean sure he has a hunch and one eye is slightly smaller but geez is this most bland Quasimodo depiction. Quasimodo is his look you can’t separate that accept out. The legging and shoes look the most like Quasimodo and that is because they copy that from the Disney movie.

Art of Quasimodo, Esmeralda the Rat and Jonathan by Pete Oswald Hotel Transylvania picture image

Art of Quasimodo, Esmeralda the Mouse and Jonathan by Pete Oswald Hotel Transylvania

I won’t say that this couldn’t have worked. Had Quasimodo made a villain speech about how he was cast out his beloved home after the love of his life left and he found comfort in cooking and meet his pet mouse.  Or had he just called the kitchen his “Sanctuary” it would have been something. With references to original character instead nothing it would have better but instead of paying  homage the Universal Monsters which was kind of the point  the movies  references to LMFAO and other insipid pop-culture stuff. But that is the main problem with the movie it doesn’t have any character development except Dracula who has to learn to let his child go which same lesson as King Triton in The Little Mermaid.  The movie is more concerned with trying to convince its audience that’s its fun instead of having fun characters.

Also Why Wilson? Why is that his last name? Is it because all the monsters got normal names?  I mean he didn’t need a last name only Mavis got a last name. But why Wilson ? It doesn’t make sense and it’s not silly. So why????

http://www.youtube.com/watch?v=UnsT4ACzyKE

This version was performed in 2010 and 2011 (I think). This video is an interview a few clips of the cast rehearsing.

Cast:
Quasimodo – Marcin KoÅ‚aczkowski
Esmeralda – Edyta KrzemieÅ„
Gringoire- Michał Rudaś
Febus – Janusz KruciÅ„ski
Clopin – Marcin MroziÅ„ski
Frollo – PaweÅ‚ Tucholski
Fleur de Lys – Patricia Kazadi