Today’s Question is Who would win in a cat-fight, Esmeralda or Fleur de Lys? To answer this excellent question we must first identify who are the Fleur de Lys and Esmeralda in question. Since Fleur de Lys gets the most characterization in the musical Notre Dame de Paris version we’ll choose that one and for consistency well take out cue from that Esmeralda as well.

Okay we have are Fighters, Let’s look at the stats;

Esmeralda vs Fleur de Lys Notre Dame de Paris

Esmeralda vs Fleur de Lys

Neither of them have good strength. Esmeralda has excellent dexterity and agility that helps her evade attacks. She has excellent charisma but doesn’t help in this fight. Fleur de Lys has a Constitution so she can endure a fight longer. She also has high stats in wisdom, perception and luck.

Mmm… they seem to be  evenly matched. However we can’t forget personalities. Esmeralda is sweet and I don’t think she much of a fighter and Fleur de Lys is  a ruthless, calculating bitch. She strikes me as someone who fights dirty while that notion wouldn’t even cross Esmeralda’s mind.

I would say that the winner would be Fleur de Lys, Esmeralda won’t even know what hit her.

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923

I think the 1923 version of  Hunchback of Notre Dame is the best depiction of Esmeralda in an movie. She captures the original charm of Esmeralda  from the book. She is  young, sweet, free-spirited, innocent, romantic and  a bit shallow.  Let’s face it, Esmeralda is not a particularly deep character. She is not  battling her own inner-demons nor is struggling against the social system. She just a young girl who likes to dance and the 1923 version allows her to be that character.

Esmeralda Rejecting Frollo Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Rejecting Frollo Hunchback of Notre Dame Patsy Ruth Miller 1923

Unlike the Esmeralda of the novel the 1923 version has a bit more backbone and is more realistic. In the book Esmeralda is afraid of Frollo, in the 1923 she seems to ignore him or at most is just indifferent to him. Her behaving this way towards the Frollo character  does make their relationship less dramatic though.

Esmeralda Rejecting Phoebus Hunchback of Notre Dame Patsy Ruth Miller 1923 picture Image

Esmeralda Rejecting Phoebus Hunchback of Notre Dame Patsy Ruth Miller 1923

Also in the book there is no issue for her about Phoebus’ nobility. In the 1923 version Esmeralda does understand the social differences between them and at one point tries to rejects him however she retracts that very quickly. It may seem like a contrived sub-plot but it does add a bit of maturity to her character that we don’t see in the book.

 

Esmeralda Rejecting Quasimodo Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Rejecting Quasimodo Hunchback of Notre Dame Patsy Ruth Miller 1923

 

Much like novel Esmeralda the 1923 doesn’t have lot of depth her characterization, basically her motivation is love and nothing else. I appreciate that movie kept her character simple and sweet like she is in book, it’s a nice foil to subsequent Esmeraldas who are either more mature or have a cause.

 

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923

Next Time-  Jehan a.k.a Not Frollo

Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923 picture image

Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923

Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur de Lys Notre Dame de Paris

Fleur de Lys; Costumes of Notre Dame de Paris

It’s still kind of a work in progress but it for the most part functionally done. the Lens is broken down for components instead of by casts.

Anne Menson as Fleur de Lys  picture image

Anne Menson as Fleur de Lys

Compared to Esmeralda’s costumes, I find Fleur de Lys’ costume a little plain. It’s a nice enough dress but a little lacklaster for the stage. I actully like it when she has a more intricate hairstyle and I like the romantic versions of the costume but with more vibrate saturated pink tone. In a  way I prefer the concept design of Fleur de Lys better. I wonder how the different  versions would have altered it. But then you have to wonder “what does the front look like?”

Fleur de Lys design for Notre Dame de Paris picture image

Fleur de Lys design for Notre Dame de Paris

Tell me what you think What do you think of Fleur de Lys’s costume from Notre Dame de Paris or the Notre Dame de Paris Costumes in general?

Hopefully I can do at least two more of these Notre Dame de Paris Costume lenses; one for the prison dress and one on Esmeralda’s bonus costumes. We’ll see about the male costumes.

 

You may not know this but around the turn of 19th century, Quasimodo decided to move out of   Notre Dame to pursue his dream of being on the stage. He joined the ranks of Vaudeville where he became a star.

Quasimodo as a Vaudeville Star picture image

Quasimodo as a Vaudeville Star

In 1922 he got wind that Universal was doing a movie version of Hunchback and he decided to leave the stage and take the plunge into “moving picture” but he lost the role of Quasimodo to Lon Chaney because his movement were to subtle for the screen and he was just too “nice” in his depiction of himself.

After that he tried to return to the stage but he never reached the same level of stardom and when vaudeville cease to be Quasimodo once again tried the silver screen. He got a few bit roles here and there but sadly all of his films are considered lost. After 1936 Quasimodo went out the public eye. Recently however he was spotted working at a Toll Booth somewhere in New Jersey. Keep a look out for him, you may see him one day.

Quaimodo at work in a Toll Booth image image

Quaimodo at work in a Toll Booth

Asian Tour Pictures from my tenth folder ^^ Enjoy

As Esmeralda been adapted for different versions of The Hunchback of Notre Dame, she has wore red a lot.

Esmeralda & Phoebus Illustartion picture image

Esmeralda & Phoebus Illustartion

The first couple adaptations La Esmeralda (the opera and the Ballet)  her costumes has red details.

Costume design for La Esmeralda Opera 1831 picture image

Costume design for La Esmeralda Opera 1831

 

In 1839, Belgium Painter, Antoine Wiertz depicted her in all red.

Painting of Esmeralda and Djali by Wiertz

Painting of Esmeralda and Djali by Wiertz

In 1870 ballerina, Adelina Patti, is depicted in a costume with a red skirt. The Ballets runs the gambit of colors from blue to green to pink though red seems to be the popular color choice.

Adelina Patti as Esmeralda 1870 picture image

Adelina Patti as Esmeralda 1870

 

Paloma Herrera as La Esmeralda Ballet picture image

Paloma Herrera as La Esmeralda Ballet

La Esmeralda Ballet picture image

La Esmeralda Ballet

La Esmeralda Ballet with Phoebus picture image

La Esmeralda Ballet with Phoebus

 

 

 

 

 

 

It’s not till we get to the movies that we see red surfacing as the dominate color for her. The 1923 movie has at least two instances of a colorized posters one is yellow and purple and the other has red details.

Hunchback of Notre Dame 1923 Lon Chaney picture image

Hunchback of Notre Dame 1923 Lon Chaney

Hunchback of Notre Dame 1923 Poster picture image

Hunchback of Notre Dame 1923 Poster

 

 

 

 

 

 

 

 

 

 

In 1939 despite Walter Plunkett’s design being mostly blue with red details and a red vest the coloration of her dress on a poster is all red.

Walter Plunkett design Costume for Esmeralda 1939 Hunchback of Notre Dame picture image

Plunkett’s costume design for Esmeralda 1939 Hunchback of Notre Dame

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

 

 

 

Though to be fair there are a few posters  where she wears green and blue, but there is more red.

Hunchback of Notre Dame 1939 Poster picture image

Hunchback of Notre Dame 1939 Poster

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

In the 1956 version Esmeralda wears all red for most of the movie.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

But I find it curious that she wears yellow at her ill-fated meeting with Phoebus over red.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

 

 

 

 

 

 

 

 

In 1996 Disney version Esmeralda wears red during her dance performance but for most part she wears purple.  I do have to wonder if Anne-Marie Bardwell had something to do with Esmeralda wearing purple throughout the movie as she was  credited in Character Design/ Visual Development and one of the animators on Esmeralda.

Esmeralda Disney Hunchback of Notre Dame picture image red dress

Esmeralda Disney Hunchback of Notre Dame Dancing

Though she wears red/dark pink in Der Glockner von Notre Dame the German musical.

 

Esmeralda dancing Der Glöckner von Notre Dame Picture Image

Esmeralda Dancing Der Glöckner von Notre Dame

 

 

In Notre Dame de Paris Esmeralda wears green but there is one red dress that was wore  for advertising for the London cast and the 2001 French cast. This dress is only wore once on stage in the Russian version during her meeting with Phoebus. And even in the 2010/2011 concerts Helene Segara wore red to sing the musical.

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Castpicture image

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Cast

Helene Segara performing Bohemienne at Bercy Concert picture image

Helene Segara performing Bohemienne at Bercy Concert

 

 

 

 

 

 

 

 

 

 

 

Recently in the new illustration novel by Benjamin Lacombe and the  Graphic Novel by Robin Recht and Jean Bastide, Esmeralda wears red.

Esmeralda by Benjamin Lacombe Notre Dame de Paris picture image

Esmeralda by Benjamin Lacombe Notre Dame de Paris

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide picture image

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide

 

 

 

 

 

 

 

 

 

 

When you look at all these instances, why is red her default color? Is it because green is too obvious for her given that her name means Emerald and red is opposite color to green making it the non-obvious choice? Seems a rather simplistic design notion for a costume, especially when one thinks that the color red is in total opposition to her as character.

Esmeralda Statuette by Armani picture image

Esmeralda Statuette by Armani

 

The color red typically is associated in Western cultural with  passion, desire, love and sexuality. Esmeralda’s personality is lighthearted, innocent, naive and modest. She doesn’t seem the type character to outwardly express her sexuality because even though she inspires desire in others, she herself is unaware of it.

Red is also in opposition of Esmeralda’s allegorical role as the Virgin Mary who traditionally wears either wears blue or turquoise.

Red also seems to age Esmeralda, her main point of interest in the novel is her youth, blue and green are more youthful colors but red comes off as mature.

Finally in the Romani culture, red is a color of ill omen as it’s associated with Blood (The Lure of the Gypsy Culture ) Though maybe the costume is meant her to  be ironic like she is subconsciously giving her in to tragic fate, though she lives more often than she dies and I don’t think the costume designers are that clever or that cerebral.

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast picture image

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast

 

However, maybe this whole matter is quite simple, does Esmeralda wear red in the book?
In the book there are  only a few instances where her clothing is described. When Gringoire first sees her, she is wearing a golden bodice (Book 2 chapter 3 Kisses for Blows) Frollo mentions that she wears blue when he first saw her dance (Book 8 chapter 4 Lasciate Ogni Speranza) and of course she wears white in the later part of the story when she condemn to die and brought into Notre Dame.

I think there maybe an instance of her wearing a multicolored skirt but I can’t find the instance in the book and her necklace that contains her baby shoe is stung with red seed beads,  other that she does not wear red. So why is she in red since red is in total opposition to her as character and there is no precedence for it in the novel.

Auguste Couder's Painting of Frollo stabbing Phoebus picture image

Auguste Couder’s Painting of Frollo stabbing Phoebus

If Esmeralda doesn’t wear in the book and it’s a color that is against every aspect of her character why does red seem to be the color of choice for her.

One reason I think is red is an easy color choice to make for when a character is suppose to stand out and be thought as desirable. There might be another level, Esmeralda is a Gypsy, this gives her an sense of exoticism and one popular style of art in the 19th century was Orientalism. Orientalism in art meant depicted exotic sense from place that were exotic to Europeans. The paintings use a lot of rich colors and a lot of red especially for women.

Une Beaute Prientale by Paul de la Boulaye picture image

Une Beaute Prientale by Paul de la Boulaye

 

So her being in red could mean that the costume designers are saying Esmeralda is an exotic beauty who is sexual desirable even though Victor Hugo meant for Esmeralda to work against the stereotype, why else would he have Gringoire said this to Frollo about her;

I certainly  consider it a great rarity to find such nun-like prudery fiercely maintained in the midst of those gipsy girls, who are so easily tamed” (Book 7, chapter 2). Esmeralda’s purity is part of her allure and to have her wearing red more less bastardizes the point of  her character

Painting of Esmeralda and Djali by Wilhelm Marstrand

Painting of Esmeralda and Djali by Wilhelm Marstrand

Red is just the wrong color for Esmeralda as a character and is it far too over done to be her dominant color anymore, details are fine but it’s too much red  but in over 170 years worth of adaptations it has become a boring cliche. I think this  is a cliche that need to at very least ebb. Costume designers of newer Hunchback adaptions if you read this please consider using different colors and if you must use red make it details or at the very least  try a different tone it doesn’t always have to fire engine red.

Esmeralda and Frollo Disney Hunchback of Notre Dame picture image

Esmeralda mocks Frollo Disney Hunchback of Notre Dame

Quasimodo (Lon Chaney) Hunchback of Notre Dame 1923 picture image

Quasimodo (Lon Chaney) Hunchback of Notre Dame 1923

The 1923 version of Hunchback of Notre Dame starts and end with Quasimodo but he is not much of  a major player in the middle of film, between the pillory scene and saving Esmeralda. But since Lon Chaney gets top billing since it was he’s project Quasimodo is the main character.

Quasimodo points to at the Parisans Hunchback of Notre Dame 1923 Lon Chaney picture image

Quasimodo points to at the Parisans Hunchback of Notre Dame 1923 Lon Chaney

 

Quasimodo in this version is the closet to how  he behaves in the book. Quasimodo doesn’t like  the people of Paris and this version shows that in Quaismodo’s introductory scene as well as his connection to Notre Dame. You do get the feeling that his Quasimodo wouldn’t have saved Esmeralda if she hadn’t give him water, you get this Quasimodo may have not felt nothing which makes his loyalty to her more meaningful and it gives his character a bit of an arc.

 

Esmeralda patting Quasimodo on the head Hunchback of Notre Dame 1923 Lon Chaney with Patsy Ruth Miller picture image

Esmeralda patting Quasimodo on the head Hunchback of Notre Dame 1923 Lon Chaney with Patsy Ruth Miller

However this Quasimodo acts more like a dog that a person. A scene that showcases this perfectly is right after Quasimodo recuses Esmeralda she pats him on the head. This Quasimodo doesn’t see to be in love with Esmeralda he just seems to want to protect her. There doesn’t seem to the selfless love that in is the book and  Laughton captured  in the 1939 version.

 

Quasimodo on the Pillory Hunchback of Notre Dame 1923 Lon Chaney picture image

Quasimodo on the Pillory Hunchback of Notre Dame 1923 Lon Chaney

Quasimodo make-up may look outdated but it’s well done by Chaney and accurate to the Book. Also Chaney’s Quasimodo is a lot most acrobatic than other Quasimodos as Chaney was capable of jumping and climbing though stuntmen were used in a few instances but the 23 version is defiantly has most range of movement in a live-action film.

 

Quasimodo noticing his fatal wound Hunchback of Notre Dame 1923 Lon Chaney image picture

Quasimodo noticing his fatal wound Hunchback of Notre Dame 1923 Lon Chaney

If Quasimodo was meant to be the lead of the film and the emotional heart he does it well to a point. There some emotional confusion at the end of the movie and Quasimodo’s fate. I’m not sure how to feel that Quasimodo dies, sad, happy, bittersweet?

Quasimodo dying Hunchback of Notre Dame 1923 Lon Chaney pictuure image

Quasimodo dying Hunchback of Notre Dame 1923 Lon Chaney

Honestly I can’t gage any emotion from his death and I think that my problem with movie as a whole I don’t get an emotion or a heart of it. It has little vignettes of it but not in terms of a story that is based on a book with a very bittersweet ending.

 

Quasimodo looking sad Hunchback of Notre Dame 1923 Lon Chaney picture image

Quasimodo looking sad Hunchback of Notre Dame 1923 Lon Chaney

The 1923 is an odd Quasimodo because everything is there to make an compelling character and the film just misses the mark and makes Quasimodo more into a loyal puppy dog than a tragic hero.

Next Time – The 1923 Version of Esmeralda

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923