Due to forces beyond my control, I have to postpone the next review post this week.
So instead you can just watch the Ballet,
https://www.youtube.com/watch?v=L0g8ZOedzkA&t=5611s
Episode 1: The Heart of the Truest Believer
Colin O’Donoghue as Captain Hook & Jennifer Morrison as Emma Swan
The opening of season three was a bit up and down. The lowest point was the crew of the Jolly Roger arguing and fueling the storm. Seemed a little out of place in Once Upon a Time. It just seem more juvenile.
Speaking of juvenile, Peter Pan was a high point. He is introduced as a bait and switch. We think he a rogue lost boy wanting to leaving and helping Henry but that was just a test to see if Henry has “The Heart of the Truest Believer,” and of course he does. There is also the demise of Greg and Tamara. The show makes it clear they were pawns in a bigger scheme but they were so boring and Tamara, aside from killing the Dragon in season 2, didn’t have a backstory. We don’t know why she hated magic. At least Greg’s story fit in more to the larger story and characters. Plus he liked Star Wars, that a plus.
Rumpelstiltskin is welcomed to the island by Felix, leader of Lost Boys, and issues him a warning not to go against pan and is given a straw doll which makes Rumpelstiltskin cry. Wonder what’s up with the doll?
The parts in the Enchanted Forest are also a low. It just Neal wanting to return to where Emma and Henry are. There are some fourth wall jokes about Mulan being made into a movie. Correct me if I’m wrong, I’ve been marathoning episodes a little bit more now, but Neal gives a reason for how Beans work, you think of the place you want to go and voila the bean send you there, which is why you can go to Neverland or The Land without Magic (except when there is) or where ever.
It’s wasn’t a bad episode. Not sure if it was on par with season 2’s opening episode but it could be a case of the lows of the episode were pretty low and the highs were really great. I really enjoyed the Hook and Emma exchanges, like him giving her Neal’s sword and saying that he fancies her when she isn’t yelling at him (I think he might that a little too) Also as someone who never liked Peter Pan, I really like that he is the main antagonist. He’s like some demonic overlord of Neverland.
Episode 2: Lost Girl
Ginnifer Goodwin as Snow White & Jennifer Morrison as Emma Swan
Quite a bit happens in this episode. For one thing The Neverland plot is stronger than the character’s past plot. The past plot revolves around Snow White getting her groove back and believing that she is the rightful ruler of the land. This done with Charming planting a fake excalibur to make her believe. Apparently Camelot is another realm, I guess since they mention it and Lancelot has cameo in season 2 maybe they will go there at some point.
The Neverland plot has Pan giving Emma a map to his camp and Henry’s location. The map can only be read if Emma admits who she really is. Regina however doesn’t want to wait and uses a spell instead but Pan isn’t too happy that group isn’t playing his game and attacks. Charming is hit by an arrow and SEEMs to okay. After looking into a Lost Boy’s eye, Emma sees herself and spares the kid. She admits that what she really is an orphan, a lost girl and the map reveals where the camp is located. Charming also sees that he has been poisoned.
Rumpelstiltskin also removes his shadow and gives it the dagger, so Pan can’t use it on him. That dagger is a liability.
This episode was good. The emotional impact of Emma saying she felt like an orphan was very moving, though it seems like it was mostly setting up Rumpelstiltskin’s no shadow/no dagger and Charming’s doom…
Episode 20: The Evil Queen
Ginnifer Goodwin as Snow White & Lana Parrilla as Regina
Poor Queen Regina, no one likes her. In this episode Regina wants Snow White dead, of course, and hates that the subjects prefer Snow to her. Rumpelstiltskin disguises her as commoner to learn about the common people and kill Snow. However Regina and Snow hang out and Snow thinks there is good in her that is until Snow sees the village Regina has slaughtered and takes it all back. Regina then decides she doesn’t want her people to love her but fear her for she is The Evil Queen.
A lot in Storybrooke this episode. It’s introduced that the curse has a fail-safe trigger that will destroy everything. Regina plans on using it and having her and Henry escape back to the Enchanted Forest. Regina and Hook, who has double crossed Greg and Tamara go adventuring to get it down in the dragon pit. However it was a super double cross as Hook only did it so that the fail-safe will kill Rumpelstiltskin. And they take away Regina.
While that is happening Emma is suspicious of Tamara and Henry overhears and wants to restart Operation Cobra or now Preying Mantis. Emma and Henry break into to Tamara and Neal’s room but Neal catches him and call Emma out her lie detector power, thank you Neal.
This episode was more of the alright to average range. The show is trying to do a lot to get the plot to the season finale and set-up the next season. The magical doomsday for Storybrooke seems like straight out left field and Greg and Tamara are weird as villains. Greg has some motivation but Tamara doesn’t so far.
Episode 21: Second Star to the Right
Dylan Schmidt as Baelfire & Freya Tingley as Wendy Darling
I was wrong and yet I was sort of right. Baelfire was not Peter Pan, though he did go to Neverland and was Lost Boy for a time. In the character past after Baelfire went through the portal he went to Edwardian London, sure ok, wardrobe goes to Maine, Beans go to London. There he was an orphan till he met Wendy Darling and is taken in by the Darling. Baelfire learns that Wendy is being visited by a shadow and it takes her away. When she returns in the morning she says the shadow let her go because it only wants boys and it will come for one her brothers. Baelfire doesn’t want the Darling family ruined and so he gets taken away. He arrives in Neverland but gets away from the shadow and Hook saves him.
Still a lot going on in Storybrooke but the main thing is Greg and Tamara are torturing Regina. Turns out they are working for someone to get rid of magic in the “world without magic” but also Greg wants to know where is his father is. Rumpelstiltskin gives Snow a spell so that she can see thing through Regina’s eyes, but all see senses is pain and the smell of fish.
Emma, Baelfire/Neal, Snow and Charming all converge of the canary. Snow and Charming save Regina but Greg gives them the slip. Tamara confronts Neal and Emma. Neal gets shot and then goes through a portal as Tamara threw a magic bean at them. Emma is heartbroken as she believes Neal won’t survive the portal and a gunshot wound. Also Tamara and Greg get away with the trigger to Storybrooke destruction.
While I don’t love the story of Peter Pan, I do like that there is a somewhat nefarious tone to the story. Pan’s shadow is near demonic taking boys away in the dead of night. Though he doesn’t like girls. Though it’s weird because Neal says the World Sans Magic wasn’t his right stop way back in episode 14 but it was. He just went to Neverland too afterwards. Would have sucked for Rumpelstiltskin if Neal was dead in the real world the whole time, very convenient.
This was an ok episode. Lots of stuff happening though Tamara and Greg are not as enjoyable as Cora or Hook. They are weak bad guys. Really they just seem like zealots, and no one likes a zealot least of all a boring zealot. But the episode was engaging aside from them. I love that Neal called BS on Emma’s on again off again lie detector.
Episode 22: And Straight on till Morning
Colin O’Donoghue as Captain Hook & Dylan Schmidt as Baelfire
The character’s past involves Baelfire’s involvement with Hook and the lost boy pursuing him. As it turns out Peter Pan is a bit of some demi-god who controls Neverland, you don’t leave unless Pan lets you. Baelfire and Hook are bonding nicely till Baelfire learns that it was Hook who took his mother away even though Milah and Hook had plan on going back for Baelfire one day. Baelfire leaves Hook and that is how he becomes a Lost Boy but he is not the boy Pan is REALLY after, Peter Pan is really after Henry, who now is apparently some child of prophecy or something. Man everyone wants this kid.
In Storybrooke, Tamara and Greg activate the trigger but Hook, is having second thoughts as he doesn’t want to die. The people come up with a plan THAT Regina will hold off the trigger as long as she can while everyone escapes back to the forest with a bean portal. Things go awry and everyone thinks they will die but together Emma and Regina stop the trigger.
Rumpelstiltskin learns that the Blue fairy fixed the whole cursed persona thing so the Dwarf and Belle are cured, wow that whole Belle as bad girl plot really went far. Also apparently Tamara and Greg’s goal were to bring Henry to Neverland.
The season ends with Rumpelstiltskin, Emma, Regina, Snow White, Charming and Hook going through a bean portal to Neverland.
Also everyone thinks Neal is dead but Mulan, Aurora and Phillip save him. Wow, Aurora and Mulan saved Phillip off screen huh?
This episode was ok, not real conclusion to any storyline but set-up for next season. It’s really dumb that ALL the character think Neal is dead. Like why do automatically assume that. Because it’s most dramatic?
Season 2 was more smaller stories than a long goal narration so it felt more choppy than season 1 but it wasn’t bad. It had some strong episodes and even the lower episodes felt better than the lower episode in season 1. So while no ultimate conclusion was reached in season 2 it definitely made you want to continue to season 3.
Amanda Seyfried
This was a suggestion from Lola (see here )
Amanda Seyfried has already been in one adaptation of an adaption of a Victor Hugo novel, she played Cosette in the movie musical version of Les Misérables based on the 1980’s Broadway musical based on the novel. So why not cast her as another romantic foil who gets the guy over the tragic brunette, hmmm Hugo sure has his tropes. But would Seyfried make a good Fleur de Lys?
Amanda Seyfried
Fleur de Lys’ cross adaptations don’t really differ that much. Sure, some are fleshed out a bit more than others but really she acts as foil to Esmeralda. So just so we are all operating on some page let’s consider her for a movie verion of the French musical but in English, How would Seyfried be as that Fleur de Lys?
Amanda Seyfried as Sophie, Mamma Mia
Seyfried is a decent actress. She may have never been in a movie that really pushed her acting ability but she definitely competent. I mean she has already played one mean girl, even though she was the dumb one in Mean Girls. Given the right director, she could really make a great conflicted Fleur de Lys. Or that sexually manipulative Fleur de Lys that musical seems to go for.
Amanda Seyfried as Cosette in 2012 Les Misérables
Seyfried is also a very good singer. Les Misérables was weird movie to base actual singing skills on since the idea is that they were singing like emotional sing-song rather than the art form and as Cosette she had a weird vibrato that sounds like she was echoing in a windstorm. It wasn’t bad but just off putting. She was better as Sophie in Mamma Mia. Personally I could see her singing La Monture a.k.a “My Heart if You Swear” as it’s called in English, really well.
Amanda Seyfried
As for looks, I mean she has the right look. Since Fleur de Lys is the foil to Esmeralda’s sultry dark looks, Fleur de Lys has nearly always been portrayed as a fair beauty with blonde hair and blue eyes, more or less. She doesn’t always have blue eyes but blonde in mostly there. Seyfried fits this type perfectly. Even for just straight-up book version of Fleur de Lys she is on point.
Amanda Seyfried
If Seyfried was cast as Fleur de Lys in either musical version or a regular non-singing version she would be fine. Personally I would prefer to see her as Fleur de Lys in a musical version than straight up film adaptation. It would be really cool to see her play Fleur de Lys against Samantha Barks playing Esmeralda. I suppose you could make Eddie Redmayne as Phoebus though that seems a weird casting choice, he seems more suited to Quasimodo. Who from 2012 Les Misérables would make a good Phoebus? Got it, Aaron Tveit. That’s not bad casting actually. Hey Hollywood, make me a casting agent!
Would Hugh Jackman make a good Frollo? I’d say yes but the Troll part of me wants to say Russell Crowe from Frollo.
Anyway what do you think of Amanda Seyfried as Fleur de Lys? Yay or Nay?
Alexandra Timofeeva as Esmeralda, La Esmeralda Bellet, Kremlin Ballet Company, Moscow
Quite honestly I’m not sure how to address the analysis of characters as they are depicted in a ballet. Sure, there IS a characterization being portrayed but it’s not deep or as nuanced as something like Enchanted Tales or the Dingo versions, I’m totally kidding. The characters in this ballet have to be simpler than their book counterparts because of the nature of the medium. However since I have more or less groove to these reviews, I have to look at the characters so starting off with the real titular character, La Esmeralda.
Alexandra Timofeeva as Esmeralda & Gringoire, La Esmeralda Bellet, Kremlin Ballet Company, Moscow
Actually this version of Esmeralda is on point. She comes off very sweet, childish, has romantic notions and is innocent. She has all of Esmeralda’s best book traits. She doesn’t pout, doesn’t seems shallow or foolish, seriously what person would prefer wilted flowers because the vase of was prettier than fresh flowers is a clay pot? That’s not a scene you ever see adapted.
Esmeralda & Fleur de Lys, La Esmeralda, Kremlin Ballet Company, Moscow
I’ll admit it’s been awhile since I have re-read the book so you guys can correct me if I’m wrong, since I’m wrong a lot, but I think there was a part where Esmeralda was trying to rationalize Phoebus’ relationship with Fleur de Lys as not romantic. I bring that up here because Esmeralda doesn’t do that. She sees Fleur de Lys with Phoebus and gets very depressed even though she is supposed to be performing for them, ballets seem to have lot of meta moments like that.
Alexandra Timofeeva as Esmeralda, La Esmeralda Bellet, Kremlin Ballet Company, Moscow
There isn’t that much to say that is negative about this depiction since it’s all of Esmeralda’s more positive attributes and it done very simply and straightforward. She’s youthful, kind and pretty yet tragic no wonder this story has such staying power as ballet.
Alexandra Timofeeva as Esmeralda & Gringoire, La Esmeralda Bellet, Kremlin Ballet Company, Moscow
Just a side note, I really enjoy Esmeralda walking on pointe around the stage, I can only guess this is a difficult move but the way they convey it to express a certain vulnerability is very lovely.
Episode 17: Welcome to Storybrooke
Lana Parrilla as Regina & Benjamin Stockham as Young Owen
With Cora now gone there needs to be a new bad guy, and fortunately they have been introduced. This episode pertains to Storybrooke’s formation even though only Regina knows about it and two campers are a little suspect. See a father and son from New Jersey were camping in Maine when Storybrooke appeared around them. Regina gets bored quickly with how everyone acts the same and no stands up to her. It’s only the outsiders Kurt and Owen who pose any interest to Regina. Basically she takes a liking to young Owen and wants him to stay even if that means by arresting his dad. Regina does managed to arrested Kurt but Owen runs off. When Owen returns with the police but he can no longer see Storybrooke as it’s cloaked or shielded, point is no one can get in unless they are Fairytale people while the curse is active.
In Storybrooke. Regina wants revenge on Snow, Rumpelstiltskin tells Regina to get over it as it will cost her Henry. But Regina has a new curse in mind that will make Henry love and will get rid of Snow White. Meanwhile Snow is in a state of deep depression over what she did to Cora. Henry demands Emma and Charming be honest with him but he can’t believe Snow would hurt anyone. Henry then thinks he can blow up the magic to stop all this but Regina tells him he can’t but burns the scroll so she can cast the curse.
Snow then asks Regina to kill her as she can’t live with herself. Regina takes her heart but notices a black spot and gleefully tells Snow she will get everything she wants and puts Snow’s heart back. This is all recorded but Greg Mendall who is really little Owen.
So Storybrooke was “founded” in 1983 but the 80’s just missed it as it still in its 2010 styling. Just in case you missed 1983-ness of the setting Owen mentions Return of the Jedi and has a ROTJ blanket. Even his name is a Star Wars reference. Anyway episode was ok. It show why Regina wanted to be a mother and set-up Greg/Owen’s motivation. However it does raise one question, you would THINK Regina should have been suspicious of who Henry was if he could get into Storybrooke. Unless she got him and that negates the shield thing.
This episode wasn’t as good as previous episode but at it’s best ot was just ok. It was somewhat boring in parts.
Episode 18: Selfless, Brave and True
Eion Bailey as August Booth & Sonequa Martin-Green as Tamara
Gotta be honest this was a weaker than average episode even though some notable things happen. For instance we learn that the “her” that keeps calling Greg is really Tamara, Neal’s fiancee and her being with him was a ploy. Tamara has some plan involving magic. She also has a history with August as they went to same magical guy in Hong Kong and Tamara killed him.
August is also fully wooden because his motivations have always been selfish but at the end right thing before he dies, Tamara tried and killed him because he was going to warn Storybrooke, the Blue Fairy turns into a real boy again and yes he is a boy and he forgot what the warning was.
Also in addition to being a weak episode the effect work to make August look wooden are really bad. It’s hard to take seriously. Either makeup or a combination or makeup and effects would look better but it was hard to watch puppet August.
Episode 19: Lacey
Robert Carlyle as Rumplestiltskin & Emilie de Ravin as Lacey
The episodes send the plot in an odd direction. Regina uses some spell to revert Belle to her cursed self, which didn’t exist, since had amnesia in psych ward. So Belle is now called Lacey, a barfly who hustles people at pool. Sure, Snow White is a caring, sweet teacher and Jiminy is a therapist, while bookish sees the good in everyone Belle is a bad girl with a drinking problem, sure this makes sense. Anyway the point of this episode is to show that Rumpelstiltskin can try and change. Sometimes it works and sometimes it doesn’t, sort of depends on who is he with. So while Belle shows the good in Rumpelstiltskin, Lacey likes the bad Dark one.
Also Tamara reveals she has a captive Hook. Emma is introduced to the magic bean crop and Regina finds it.
In the character’s past Robin Hood steals from Rumpelstiltskin and Rumple tortures him, as he does. Belle frees him and Rumple gets mad and decides he going to track down the thief and kill him to prove a point to Belle. Turns out Robin stole from Rumpelstiltskin to save his dying pregnant wife. Rumpelstiltskin then spares him and Belle feels vindicated, as she does.
Not sure why Regina bother with reverting Belle to her cursed form. What good did that do her? We also see that bow that never misses its target again and Robin Hood is introduced. It’s was an ok episode but Rumpelstiltskin is pretty much the best character, so episode centering around him are mostly always a bit better.
Side Note – Trying three episodes at a time since there is two weeks left in March. Since I want to caught up and string these post along for another year, there will be two posts of OUAT a week now, once on Mondays and once on Thursday. The exception will be weeks where the seasons ends, which mean post will be once a week on Thursdays.
Clopin with Puppet Disney Hunchback of Notre Dame
On March 15th 2017 Billboard ranked every song from the Disney Renaissance (1989-199) and it was done by various staffers. Now everyone is entitled to their opinions but their opinions are wrong. You can read it here if you want.
For Hunchback the ranking are as follows;
42: God Help the Outcasts
41: Heaven’s Light/Hellfire
38: A Guy like You
37: The Bells of Notre Dame
34: Topsy Turvy
30: Out There
Clopin, Phoebus and Quasimodo Court of Miracles Disney Hunchback of Notre Dame
Court of Miracles didn’t count as the article called it “Super Slight” but Trashin the Camp ranked #26 even though it’s just scat, just saying. It’s important to know that the list was out of 45 songs, Hunchback didn’t get even in the upper half. Honestly it doesn’t really matter that as it seem the “staffers” have a very weird sense of what a “Disney” song should be.
Quasimodo during Out There Disney Hunchback of Notre Dame
First off they said God Help the Outcasts was “sombre and flat.” Heaven’s Light/Hellfire was “it’s one least memorable tunes” (Are they saying Hellfire is not memorable??? The Heck you say). The really didn’t say anything bad about A Guy like you. They said The Bells of Notre Dame “lacks a certain je ne sais quoi.” They called Topsy Turvy the “most Disney-like of the entire Hunchback film and soundtrack.” And Out There again nothing bad, though Out THere is pretty much Part of your World 2.0 and that song ranked #9 so it’s really not surprising that these people would like it more that the other Hunchback songs.
Shock the Priest Topsy Turvy Disney Hunchback of Notre Dame
Just looking at the way they ranked the Hunchback song I’m not sure these people understand anything about anything. They seem to like either bright happy song, love songs or the I want type song, you know typically Disney stuff. Oddly the highest ranking Villain song was Be Prepared at #15.
Frollo singing Hellfire Disney Hunchback of Notre Dame
With that in mind yes, their ranking make a weird sense but how does one say that Hellfire even if it’s paired with Heaven’s Light, is a worse song than A Guy like you? Sure, if you like bright happy things, but Hellfire is one of great villain songs and Heaven’s Light is the perfect foil. My guess is that these “staffers” collectively didn’t like Hunchback as much as other movies as Hunchback is one more a-typical Disney movies.
Clopin with Puppet Disney Hunchback of Notre Dame
They can rank the songs however they want, with bias or not but but I take their credibility as critics into question with how they dismissed Hunchback songs as being “unDisney” because they are not as bright and colorful as the “popular” songs.
Prove these critics wrong and get the soundtrack
and maybe if Hunchback products make money, Disney will see the merits of a Live-action movie.
Esmeralda & Phoebus, La Esmeralda, Kremlin Ballet Company, Moscow
Ballets unlike movie have to convey all the story element through only motions and gestures. This makes ballets more like a silent movie without the intertext panels. For the most La Esmeralda does tell the basic story of The Hunchback of Notre Dame/Notre Dame de Paris however it does have some weird differences that don’t really impact the narrative but should be mentioned.
Esmeralda begging Phoebus o spare Quasimodo, La Esmeralda, Kremlin Ballet Company, Moscow
There is no pillory scene and so Quasimodo is never punished for Frollo’s crimes. He does nearly get arrested and Esmeralda begs for his release. This takes the place of the pillory scene as it’s the kindness of Esmeralda he falls in love with. Is it as impactful? No but it’s gets the job done.
Quasimodo as The Pope of Fools, Kremlin Ballet Company, Moscow
Quasimodo is crowned the Pope of Fools nearly halfway through the performance. Not sure why they bothered moving this scene so late in the show. Would have been better easier as at this point the division of Quasimodo and Frollo have already started and this felt tacked on and unnecessary. Sure it’s a very important scene in the story but to place it after Quasimodo expresses a love and loyalty for someone other than Frollo shows a misunderstanding of the characters.
Frollo & Esmeralda, La Esmeralda, Kremlin Ballet Company, Moscow
Another weird odd change is the movement of the Red Door scene. I didn’t even recognize it as the Red Door scene, or the scene where Frollo tries to force himself on Esmeralda during her sanctuary in Notre Dame, I thought it was an additional scene for the Ballet and I JUST figured it out was the Red Door scene. It’s a bizarre placement as it occurs right after Frollo tries to abduct Esmeralda and she returns to her dwelling. Frollo hasn’t even stab Phoebus yet, his torture, lust and lack of self control hasn’t gotten to this point yet. It comes off like an old cartoon from the 1930’s where the villain chases an innocent maiden around a room till the hero bursts in and Quasimodo does bursts in saves Esmeralda. Don’t misconstrues this, the choreography is lovely but it shows that the people who originally did this Ballet lack an understanding of the characters, mostly Frollo and Quasimodo.
Artemis & Apollo(?), Kremlin Ballet Company, Moscow
One thing that was really annoying about the ballet is the padding out it does especially with Fleur de Lys’ party scenes. There is one scene where Fleur de Lys is have a performance done of Artemis and maybe Apollo. I can only guess at Apollo because it would be a clever call back to Phoebus. Performances in performances are intriguing as it makes the audience part of the performance but here it just dragged things on. It could be for a practical purpose of allowing the principal dancers a ten minute breather but again I do not know the ins and outs of ballet. As beautiful as the performance of the myth was it interrupted the flow of the story.
Esmeralda & Quasimodo, La Esmeralda, Kremlin Ballet Company, Moscow
For most people these changes are not going to impact their overall enjoyment of the ballet as it does capture the emotional impact of the story but the seemingly minor changes does suggest that someone in charge at some point didn’t have a great working knowledge of the finer points of the characters and the story.
(Note- Not all the ballet version of La Esmeralda depict the story like this.)
Episode 15: The Queen is Dead
Bailee Madison as Young Snow White & Rena Sofer as Queen Eva
We got that three story structure in this episode, so let’s just start with Character’s past. This one centers on young Snow White. Snow White’s mother, Queen Eva is dying and Snow White ventures to find the Blue Fairy. The Blue fairy says the only way to restore the queen’s life is for someone else to die in her place and gives Snow a candle that will switch the lives. Very Game of Thrones. However young Snow can’t bring herself to do it and Snow’s kind mother dies. Turns out that Eva was poisoned by Cora who also disguised herself as the Blue Fairy to test Snow White and to lead Snow on a path of darkness. It also seems like Eva and Cora have a little bit of a history.
In New York, everyone is awkwardly trying to bond and then Hook stabs Rumpelstiltskin with a poison tipped Hook. Rumpelstiltskin says he will die unless they can make it back to Storybrooke. Neal/Baelfire says that the fastest way is to steal Hook’s boat and says he can captain it. Basically Neall did go to Neverland! Was he Peter Pan? Seems like it? Would make sense though Pan learning to sail a Pirate boat? Seems a little off. Maybe he was rouge lost boy? Don’t know I asked that question back in episode 4. Also Emma meets Neal’s fiancee Tamara.
The trouble is back in Storybrooke, Regina and Cora are after Rumpelstiltskin’s dagger. Snow calls Emma asking Rumpelstiltskin to reveal the location of the dagger. He tells them and they find in the clock tower of the library but Cora and Regina show up and threaten one Snow’s former loyal servant Johanna. Snow trades the dagger for Johanna’s life but Cora kills Johanna anyway. Snow then vows to kill Cora for what she did to both Johanna and her mother as she just learned of Cora’s manipulations and murder of her mom.
First off, there is a huge Star Wars reference. Snow White/Mary Margaret says the classic Leia line to Mother Superior, “Help Me Mother Superior, you’re my only hope.
Generally, I liked this episode. It was good to see a young Snow White be the focus of an episode and yet more character motivations in play.
Episode 16: The Miller’s Daughter
Robert Carlyle as Rumplestiltskin & Rose McGowan as Cora
This has to be one of the strongest episodes yet. It explores Cora’s backstory and her rise of a Miller’s daughter to royalty and her lust for power. So in the character’s past, Cora is a Miller’s daughter or more specifically the Miller’s daughter from the Rumpelstiltskin story. She is delivering flour to the King but Princess Eva trips and her and forced to kneel and apologize for doing nothing wrong.
Cora attends a ball for the hand of Prince Henry, who is being whored out for a wealthy alliance. Cora tells the king that she can spin straw into gold. So he locks up in a tower and should she produce gold she can marry Henry. Rumpelstiltskin shows up and offers to spin the straw into gold for her if she gives him her first born. She agrees but on the condition that he teaches her how spin gold instead, he agrees. Their lessons gets a bit sexually charged but she masters the process.
Cora and Henry become engaged but he is fifth in line to be King which doesn’t suit Cora. Her and Rumpelstiltskin are also having an affair. Rumpelstiltskin offers her love and asks her to run off with him. They amend their contract so that she would own him his child and he teaches her how to remove hearts so she can kill the king. She instead removes her heart as “love is weakness” and tells Rumplestiltskin she will not be going with him and any child she have will not be his.
In Storybrooke, Rumpelstiltskin is dying and Cora seems like she wants the power of the Dark one. Rumpelstiltskin manipulates Snow to use that candle to exchange his life for Cora’s and tells her that the heart is in the vault. Snow manipulates Regina to give Cora’s heart back so that Cora will finally be able to love her. Right before Cora is about to kill Rumpelstiltskin, Regina restores Cora’s heart thus killing her and saving Rumpelstiltskin.
Both plot were great, one of exciting and somewhat suspenseful and the other was intriguing. Personally I prefered Cora’s and Rumpelstiltskin’s past. It was great to see what motivated Cora to her icy yet power hungry persona and also it gave the reason behind Rumpelstiltskin and Cora’s relationship which has been hinted at for a while. It does beg the question is Rumpelstiltskin Regina’s father? If Cora was pregnant in that instance, which it vaguely hints at it would make Regina Baelfire’s half sister and Henry’s aunt. But there is not clear indicator as of yet how much time passed between Rumplestiltskin and Cora’s affair and Regina’s birth and with Cora now dead it could be hard to answer that question if it is indeed true though it’s probably not true. Anyway great episode, one my favorites so far.
Beauty and the Beast music video with Ariana Grande & John Legend
Confession time, Beauty and the Beast was never like a favorite Disney movie of mine, don’t get me wrong, I like it, I’m just not attach to it in a nostalgic ways. Nor am I a big fan of Emma Watson so I don’t have any excitement for the new version. With that said, let’s look at the music video “starring” Ariana Grande and John Legend.
Beauty and the Beast music video with Ariana Grande & John Legend
It’s rather interesting that this version of the song sounds more 90’s than the 90’s version. This is not a good version of the song. Grande’s voice doesn’t seems suited for it. Like her diction is all over the place trying to sound “pretty.” Legend does better but does very little for the song.
Beauty and the Beast music video with Ariana Grande & John Legend
So let’s just move on to the actually video. Well let’s just get this out of the way, WHAT IS GRANDE WEARING? Who designed that and who said “yeah let’s put her in a loofa?” (I realize everyone is saying it looks like a loofa and that because it’s true) Grande dress is supposed to look like a rose but this is a monstrosity. If this was on Project runway it would be voted out. It’s like bolt of tulle threw up on her. There are ways of communicating the shape of a flower in cloth without like like a wanna-be-designer. I don’t want to give the impression of knowing anything about actually fashion design or aesthetics BUT typically when doing voluminous or big gown you need to balance out the portions. So big ballgown more streamlined bodice and vice-versa. This gown, why I get is suppose to be artistic does adhere to that method and just opts bit volume on volume but hey at least her hair in flat and straight. The thing the dress could have been fixed easily, just remove the tulle from the bust and left it smooth or add bead ot embroidery for more close up shots. The volume isn’t even necessary as you don’t see the dress when the dancers form a rose around Grande.
Beauty and the Beast music video with Ariana Grande & John Legend
The dancing is actually one of highlights of the video. The way they form a rose is quite visually pleasing. While I know knowing about dancing the choreography was very nice.
I get the visual frame but what is it framing? Beauty and the Beast music video with Ariana Grande & John Legend
Though I will say this with the dancers, Grande’s gown, Legend at the piano , Belle and Beast dancing, the over-the-top set and the firework sparkle effects, it’s a visual overload. The a lot of shots become cluttered.
Beauty and the Beast music video with Ariana Grande & John Legend
This music video is just a case of more equals more. With minor tweaks it could have been a well-portion over-the-top grand video but instead it seemed a case of over indulgence all over the place.
What do you think? Was Grande wearing a Loofa? Did you find this video timeless and elegant like the song or was over-the-top and over blown?