The Hunchblog of Notre Dame

28Mar 2017

La Esmeralda of La Esmeralda (Ballet)

by jess

Alexandra Timofeeva as Esmeralda, La Esmeralda Bellet, Kremlin Ballet Company, Moscow

Quite honestly I’m not sure how to address the analysis of characters as they are depicted in a ballet. Sure, there IS a characterization being portrayed but it’s not deep or as nuanced as something like Enchanted Tales or the Dingo versions, I’m totally kidding. The characters in this ballet have to be simpler than their book counterparts because of the nature of the medium. However since I have more or less groove to these reviews, I have to look at the characters so starting off with the real titular character, La Esmeralda.

Alexandra Timofeeva as Esmeralda & Gringoire, La Esmeralda Bellet, Kremlin Ballet Company, Moscow

Actually this version of Esmeralda is on point. She comes off very sweet, childish, has romantic notions and is innocent. She has all of Esmeralda’s best book traits. She doesn’t pout, doesn’t seems shallow or foolish, seriously what person would prefer wilted flowers because the vase of was prettier than fresh flowers is a clay pot? That’s not a scene you ever see adapted.

Esmeralda & Fleur de Lys, La Esmeralda, Kremlin Ballet Company, Moscow

I’ll admit it’s been awhile since I have re-read the book so you guys can correct me if I’m wrong, since I’m wrong a lot, but I think there was a part where Esmeralda was trying to rationalize Phoebus’ relationship with Fleur de Lys as not romantic. I bring that up here because Esmeralda doesn’t do that. She sees Fleur de Lys with Phoebus and gets very depressed even though she is supposed to be performing for them, ballets seem to have lot of meta moments like that.

Alexandra Timofeeva as Esmeralda, La Esmeralda Bellet, Kremlin Ballet Company, Moscow

There isn’t that much to say that is negative about this depiction since it’s all of Esmeralda’s more positive attributes and it done very simply and straightforward. She’s youthful, kind and pretty yet tragic no wonder this story has such staying power as ballet.

Alexandra Timofeeva as Esmeralda & Gringoire, La Esmeralda Bellet, Kremlin Ballet Company, Moscow

Just a side note, I really enjoy Esmeralda walking on pointe around the stage, I can only guess this is a difficult move but the way they convey it to express a certain vulnerability is very lovely.

23Mar 2017

Once Upon a Time Season 2 Episode 17, 18 & 19 Review

by jess

Episode 17: Welcome to Storybrooke

Lana Parrilla as Regina & Benjamin Stockham as Young Owen

With Cora now gone there needs to be a new bad guy, and fortunately they have been introduced. This episode pertains to Storybrooke’s formation even though only Regina knows about it and two campers are a little suspect. See a father and son from New Jersey were camping in Maine when Storybrooke appeared around them. Regina gets bored quickly with how everyone acts the same and no stands up to her. It’s only the outsiders Kurt and Owen who pose any interest to Regina. Basically she takes a liking to young Owen and wants him to stay even if that means by arresting his dad. Regina does managed to arrested Kurt but Owen runs off. When Owen returns with the police but he can no longer see Storybrooke as it’s cloaked or shielded, point is no one can get in unless they are Fairytale people while the curse is active.

In Storybrooke. Regina wants revenge on Snow, Rumpelstiltskin tells Regina to get over it as it will cost her Henry. But Regina has a new curse in mind that will make Henry love and will get rid of Snow White. Meanwhile Snow is in a state of deep depression over what she did to Cora. Henry demands Emma and Charming be honest with him but he can’t believe Snow would hurt anyone. Henry then thinks he can blow up the magic to stop all this but Regina tells him he can’t but burns the scroll so she can cast the curse.

Snow then asks Regina to kill her as she can’t live with herself. Regina takes her heart but notices a black spot and gleefully tells Snow she will get everything she wants and puts Snow’s heart back. This is all recorded but Greg Mendall who is really little Owen.

So Storybrooke was “founded” in 1983 but the 80’s just missed it as it still in its 2010 styling. Just in case you missed 1983-ness of the setting Owen mentions Return of the Jedi and has a ROTJ blanket. Even his name is a Star Wars reference. Anyway episode was ok. It show why Regina wanted to be a mother and set-up Greg/Owen’s motivation. However it does raise one question, you would THINK Regina should have been suspicious of who Henry was if he could get into Storybrooke. Unless she got him and that negates the shield thing.

This episode wasn’t as good as previous episode but at it’s best ot was just ok. It was somewhat boring in parts.

Episode 18: Selfless, Brave and True

Eion Bailey as August Booth & Sonequa Martin-Green as Tamara

Gotta be honest this was a weaker than average episode even though some notable things happen. For instance we learn that the “her” that keeps calling Greg is really Tamara, Neal’s fiancee and her being with him was a ploy. Tamara has some plan involving magic. She also has a history with August as they went to same magical guy in Hong Kong and Tamara killed him.

August is also fully wooden because his motivations have always been selfish but at the end right thing before he dies, Tamara tried and killed him because he was going to warn Storybrooke, the Blue Fairy turns into a real boy again and yes he is a boy and he forgot what the warning was.
Also in addition to being a weak episode the effect work to make August look wooden are really bad. It’s hard to take seriously. Either makeup or a combination or makeup and effects would look better but it was hard to watch puppet August.

Episode 19: Lacey

Robert Carlyle as Rumplestiltskin & Emilie de Ravin as Lacey

The episodes send the plot in an odd direction. Regina uses some spell to revert Belle to her cursed self, which didn’t exist, since had amnesia in psych ward. So Belle is now called Lacey, a barfly who hustles people at pool. Sure, Snow White is a caring, sweet teacher and Jiminy is a therapist, while bookish sees the good in everyone Belle is a bad girl with a drinking problem, sure this makes sense. Anyway the point of this episode is to show that Rumpelstiltskin can try and change. Sometimes it works and sometimes it doesn’t, sort of depends on who is he with. So while Belle shows the good in Rumpelstiltskin, Lacey likes the bad Dark one.

Also Tamara reveals she has a captive Hook. Emma is introduced to the magic bean crop and Regina finds it.

In the character’s past Robin Hood steals from Rumpelstiltskin and Rumple tortures him, as he does. Belle frees him and Rumple gets mad and decides he going to track down the thief and kill him to prove a point to Belle. Turns out Robin stole from Rumpelstiltskin to save his dying pregnant wife. Rumpelstiltskin then spares him and Belle feels vindicated, as she does.

Not sure why Regina bother with reverting Belle to her cursed form. What good did that do her? We also see that bow that never misses its target again and Robin Hood is introduced. It’s was an ok episode but Rumpelstiltskin is pretty much the best character, so episode centering around him are mostly always a bit better.

Side Note – Trying three episodes at a time since there is two weeks left in March. Since I want to caught up and string these post along for another year, there will be two posts of OUAT a week now, once on Mondays and once on Thursday. The exception will be weeks where the seasons ends, which mean post will be once a week on Thursdays.

22Mar 2017

Billboard Critics Hate Disneyâ€™s Villain Songs

by jess

Clopin with Puppet Disney Hunchback of Notre Dame

On March 15th 2017 Billboard ranked every song from the Disney Renaissance (1989-199) and it was done by various staffers. Now everyone is entitled to their opinions but their opinions are wrong. You can read it here if you want.

For Hunchback the ranking are as follows;
42: God Help the Outcasts
41: Heaven’s Light/Hellfire
38: A Guy like You
37: The Bells of Notre Dame
34: Topsy Turvy
30: Out There

Clopin, Phoebus and Quasimodo Court of Miracles Disney Hunchback of Notre Dame

Court of Miracles didn’t count as the article called it “Super Slight” but Trashin the Camp ranked #26 even though it’s just scat, just saying. It’s important to know that the list was out of 45 songs, Hunchback didn’t get even in the upper half. Honestly it doesn’t really matter that as it seem the “staffers” have a very weird sense of what a “Disney” song should be.

Quasimodo during Out There Disney Hunchback of Notre Dame

First off they said God Help the Outcasts was “sombre and flat.” Heaven’s Light/Hellfire was “it’s one least memorable tunes” (Are they saying Hellfire is not memorable??? The Heck you say). The really didn’t say anything bad about A Guy like you. They said The Bells of Notre Dame “lacks a certain je ne sais quoi.” They called Topsy Turvy the “most Disney-like of the entire Hunchback film and soundtrack.” And Out There again nothing bad, though Out THere is pretty much Part of your World 2.0 and that song ranked #9 so it’s really not surprising that these people would like it more that the other Hunchback songs.

Shock the Priest Topsy Turvy Disney Hunchback of Notre Dame

Just looking at the way they ranked the Hunchback song I’m not sure these people understand anything about anything. They seem to like either bright happy song, love songs or the I want type song, you know typically Disney stuff. Oddly the highest ranking Villain song was Be Prepared at #15.

Frollo singing Hellfire Disney Hunchback of Notre Dame

With that in mind yes, their ranking make a weird sense but how does one say that Hellfire even if it’s paired with Heaven’s Light, is a worse song than A Guy like you? Sure, if you like bright happy things, but Hellfire is one of great villain songs and Heaven’s Light is the perfect foil. My guess is that these “staffers” collectively didn’t like Hunchback as much as other movies as Hunchback is one more a-typical Disney movies.

Clopin with Puppet Disney Hunchback of Notre Dame

They can rank the songs however they want, with bias or not but but I take their credibility as critics into question with how they dismissed Hunchback songs as being “unDisney” because they are not as bright and colorful as the “popular” songs.

Prove these critics wrong and get the soundtrack

and maybe if Hunchback products make money, Disney will see the merits of a Live-action movie.

21Mar 2017

The Visual Emotions of Ballet and the Story of Esmeralda

by jess

Esmeralda & Phoebus, La Esmeralda, Kremlin Ballet Company, Moscow

Ballets unlike movie have to convey all the story element through only motions and gestures. This makes ballets more like a silent movie without the intertext panels. For the most La Esmeralda does tell the basic story of The Hunchback of Notre Dame/Notre Dame de Paris however it does have some weird differences that don’t really impact the narrative but should be mentioned.

Esmeralda begging Phoebus o spare Quasimodo, La Esmeralda, Kremlin Ballet Company, Moscow

There is no pillory scene and so Quasimodo is never punished for Frollo’s crimes. He does nearly get arrested and Esmeralda begs for his release. This takes the place of the pillory scene as it’s the kindness of Esmeralda he falls in love with. Is it as impactful? No but it’s gets the job done.

Quasimodo as The Pope of Fools, Kremlin Ballet Company, Moscow

Quasimodo is crowned the Pope of Fools nearly halfway through the performance. Not sure why they bothered moving this scene so late in the show. Would have been better easier as at this point the division of Quasimodo and Frollo have already started and this felt tacked on and unnecessary. Sure it’s a very important scene in the story but to place it after Quasimodo expresses a love and loyalty for someone other than Frollo shows a misunderstanding of the characters.

Frollo and Esmeralda, La Esmeralda, Kremlin Ballet Company, Moscow picture image

Frollo & Esmeralda, La Esmeralda, Kremlin Ballet Company, Moscow

Another weird odd change is the movement of the Red Door scene. I didn’t even recognize it as the Red Door scene, or the scene where Frollo tries to force himself on Esmeralda during her sanctuary in Notre Dame, I thought it was an additional scene for the Ballet and I JUST figured it out was the Red Door scene. It’s a bizarre placement as it occurs right after Frollo tries to abduct Esmeralda and she returns to her dwelling. Frollo hasn’t even stab Phoebus yet, his torture, lust and lack of self control hasn’t gotten to this point yet. It comes off like an old cartoon from the 1930’s where the villain chases an innocent maiden around a room till the hero bursts in and Quasimodo does bursts in saves Esmeralda. Don’t misconstrues this, the choreography is lovely but it shows that the people who originally did this Ballet lack an understanding of the characters, mostly Frollo and Quasimodo.

Artemis & Apollo(?), Kremlin Ballet Company, Moscow

One thing that was really annoying about the ballet is the padding out it does especially with Fleur de Lys’ party scenes. There is one scene where Fleur de Lys is have a performance done of Artemis and maybe Apollo. I can only guess at Apollo because it would be a clever call back to Phoebus. Performances in performances are intriguing as it makes the audience part of the performance but here it just dragged things on. It could be for a practical purpose of allowing the principal dancers a ten minute breather but again I do not know the ins and outs of ballet. As beautiful as the performance of the myth was it interrupted the flow of the story.

Esmeralda & Quasimodo, La Esmeralda, Kremlin Ballet Company, Moscow

For most people these changes are not going to impact their overall enjoyment of the ballet as it does capture the emotional impact of the story but the seemingly minor changes does suggest that someone in charge at some point didn’t have a great working knowledge of the finer points of the characters and the story.

(Note- Not all the ballet version of La Esmeralda depict the story like this.)

16Mar 2017

Once Upon a Time Season 2 Episode 15 & 16 Review

by jess

Episode 15: The Queen is Dead

Bailee Madison as Young Snow White & Rena Sofer as Queen Eva

We got that three story structure in this episode, so let’s just start with Character’s past. This one centers on young Snow White. Snow White’s mother, Queen Eva is dying and Snow White ventures to find the Blue Fairy. The Blue fairy says the only way to restore the queen’s life is for someone else to die in her place and gives Snow a candle that will switch the lives. Very Game of Thrones. However young Snow can’t bring herself to do it and Snow’s kind mother dies. Turns out that Eva was poisoned by Cora who also disguised herself as the Blue Fairy to test Snow White and to lead Snow on a path of darkness. It also seems like Eva and Cora have a little bit of a history.

In New York, everyone is awkwardly trying to bond and then Hook stabs Rumpelstiltskin with a poison tipped Hook. Rumpelstiltskin says he will die unless they can make it back to Storybrooke. Neal/Baelfire says that the fastest way is to steal Hook’s boat and says he can captain it. Basically Neall did go to Neverland! Was he Peter Pan? Seems like it? Would make sense though Pan learning to sail a Pirate boat? Seems a little off. Maybe he was rouge lost boy? Don’t know I asked that question back in episode 4. Also Emma meets Neal’s fiancee Tamara.

The trouble is back in Storybrooke, Regina and Cora are after Rumpelstiltskin’s dagger. Snow calls Emma asking Rumpelstiltskin to reveal the location of the dagger. He tells them and they find in the clock tower of the library but Cora and Regina show up and threaten one Snow’s former loyal servant Johanna. Snow trades the dagger for Johanna’s life but Cora kills Johanna anyway. Snow then vows to kill Cora for what she did to both Johanna and her mother as she just learned of Cora’s manipulations and murder of her mom.

First off, there is a huge Star Wars reference. Snow White/Mary Margaret says the classic Leia line to Mother Superior, “Help Me Mother Superior, you’re my only hope.

Generally, I liked this episode. It was good to see a young Snow White be the focus of an episode and yet more character motivations in play.

Episode 16: The Miller’s Daughter

Robert Carlyle as Rumplestiltskin & Rose McGowan as Cora

This has to be one of the strongest episodes yet. It explores Cora’s backstory and her rise of a Miller’s daughter to royalty and her lust for power. So in the character’s past, Cora is a Miller’s daughter or more specifically the Miller’s daughter from the Rumpelstiltskin story. She is delivering flour to the King but Princess Eva trips and her and forced to kneel and apologize for doing nothing wrong.

Cora attends a ball for the hand of Prince Henry, who is being whored out for a wealthy alliance. Cora tells the king that she can spin straw into gold. So he locks up in a tower and should she produce gold she can marry Henry. Rumpelstiltskin shows up and offers to spin the straw into gold for her if she gives him her first born. She agrees but on the condition that he teaches her how spin gold instead, he agrees. Their lessons gets a bit sexually charged but she masters the process.

Cora and Henry become engaged but he is fifth in line to be King which doesn’t suit Cora. Her and Rumpelstiltskin are also having an affair. Rumpelstiltskin offers her love and asks her to run off with him. They amend their contract so that she would own him his child and he teaches her how to remove hearts so she can kill the king. She instead removes her heart as “love is weakness” and tells Rumplestiltskin she will not be going with him and any child she have will not be his.

In Storybrooke, Rumpelstiltskin is dying and Cora seems like she wants the power of the Dark one. Rumpelstiltskin manipulates Snow to use that candle to exchange his life for Cora’s and tells her that the heart is in the vault. Snow manipulates Regina to give Cora’s heart back so that Cora will finally be able to love her. Right before Cora is about to kill Rumpelstiltskin, Regina restores Cora’s heart thus killing her and saving Rumpelstiltskin.
Both plot were great, one of exciting and somewhat suspenseful and the other was intriguing. Personally I prefered Cora’s and Rumpelstiltskin’s past. It was great to see what motivated Cora to her icy yet power hungry persona and also it gave the reason behind Rumpelstiltskin and Cora’s relationship which has been hinted at for a while. It does beg the question is Rumpelstiltskin Regina’s father? If Cora was pregnant in that instance, which it vaguely hints at it would make Regina Baelfire’s half sister and Henry’s aunt. But there is not clear indicator as of yet how much time passed between Rumplestiltskin and Cora’s affair and Regina’s birth and with Cora now dead it could be hard to answer that question if it is indeed true though it’s probably not true. Anyway great episode, one my favorites so far.

15Mar 2017