Well this has been a thing for the last few years so why stop now?

Quasimodo – Start Online Dating.
Esmeralda – Start a Youtube Channel dedicated to dancing, being wonderful, and all things pretty.
Frollo – Stalk her more through Social Media!
Phoebus – Join Tinder,
Gringoire – Start a VlOG channel dedicate to my genius and poetic proses!
Clopin –  Start an Internet Scams.
Fleur de Lys – Start a Youtube Channel  about how to be fashionable, graceful and the classiest way to break up with men who are scum.
Jehan – Learn how to get money with no work or effort.
Djali –  Learn Python.
Sister Gudule –  Post more pictures of my baby on Facebook.
Notre Dame –  Join Myspace

 

 

Past Years ;

https://www.thehunchblog.com/2015/01/2015-hunchback-new-year-resolutions/
https://www.thehunchblog.com/2014/01/hunchback-resolutions-2014/
https://www.thehunchblog.com/2013/01/new-years-resolution/

There has actually been some decent amount of Hunchback related stuff that popped up in 2015 opposed the last few years where there has been much other that Josh Brolin popping up to say something about his movie that will never be I’m guessing.

So 2015 started off with the sad news. On October 24th 2015 Maureen O’Hara, who played Esmeralda in the 1939 movie version of Hunchback passed away at the age of  95.  The 1939 version is considered to be one of the best Hunchback version. It was also O’Hara’s American debut.

Musicals next; The Notre Dame de Paris 10 year anniversary tour in Korea which was French language. Notre Dame de Paris in Asian isn’t anything new but this was the first time in a while for a French Production to be presented.  There also a new Italian cast the uses member from the original cast. But that is set not next year, but this cast has been catching my attention and just recently did that cast come out so yeah, I’m including it here.

There was also the Disney Hunchback musical at the Paper mills Play house in March and April. Since it didn’t go to broadway there will more local productions so keep an ear out if one should be performed near you and it still might go to broadway someday, never say die. Also the cast recording of the Paper Mills and Lo Jolla casting is coming out next month so preorder here.

Also in April, Josh Groban did a cover of Le Temps de Cathedral on his Stages album. I wouldn’t say it did much to help Notre Dame de Paris’ popularity but people who didn’t know might have heard it so that is great.

Let’s what else. Eva Mendes and Ryan Gosling named their baby Esmeralda which they directly sited Hunchback as being a favorite novel of their. First is a little funning because I a while ago I was looking up Celebrities and their favorite books and Hunchback never came up. Les Mis did. I sort of abandoned the idea due to how pretentious and/or how self severing their picks were, so I’m glad some actors liked the book.

But the BIGGEST news of the year is that there are 2, not one but 2 Hunchback movies in the works. One has been in the works for a while and is a independent movie from some actor who was in the second Sex and the City movie, Max Ryan. This version I don’t even know what to say. Everyt ime I try to make sense of it I’m reminded that there is a giant and a figment in the cast list and The Mask directors is going to direct so my expectations for this movie are low to hoping ti hilariously bad, but we’ll see maybe we’ll be surprised and it will be a really good version. Strangers things happen.

The second movie seems to be an off-shot of an idea for Once Upon a Time from 2013, a movie for Esmeralda’s POV, which I’m excited about. There hasn’t been a Esmeralda centric Hunchback version since the 1950’s and that was mostly a French movie. For Hollywood there has been a Hunchback version focusing on Esmeralda since Theda Bara’s 1917 movie The Darling of Paris. Not much is known about this movie other than it’s being spearhead by Peter Cherin and will focus on Esmeralda. I hope this movie is good and happens, you never know with movies.

Let’s hope 2016 has more Hunchback stuff!

We’re Done! Also there’s a conclusion!

Chapter, 24, Barrels! Barrels!

yet another recount for our newest bestest pal Daroga the Persian, I wish he had a name but what are you going to do about it. The bulk of this chapter explains the toture in the forest room or heat. Basic the room makes people go crazy with thrist till the kill them selves on iron tree a.k.a the gibbet. Raoul kind or moans around and complains will Daroga tries super hard to find a spring which is the way out. He does find a way out which leads them to a SHIT-ton (that is the counter word) of barrel all filled with gun powder. Which comes back to Erik’s Ultimatum for Christine; Marry me or die with everyone else in the building.

Gotta say I don’t know what to say on this chapter. It’s mostly the Persian looking for that spring while describing the room and then the method behind the Phantom’s threat. But also maybe it’s just in my copy of the book but the word Phantom is never used, they use the word Ghost. Just interesting.

Chapter, 25, The Scorpion or the Grasshopper: Which?

Christine pulls the Scorpion, which mean yes she’ll marry him and with the turing on Bronze Scorpion it floods the cellar with the barrels nearly drown Raoul and the Persian. Just want to add the Scorpion and Grasshopper piece seems like they would be really pretty.

The chapter is pretty short. There is some confusion over if the Scorpion really means yes to the marriage or if will kill everyone. But Erik was being honest even though very dramatic.

The chapter end the Persian recount.

Chapter 26, The End of the Ghost’s Love-Story

So Erik saves Raoul and the Persian because Christine asked him. She also displays aspects that she will be his wife and stay a live, or what Erik called his “living wife”. She also let Erik kiss her, albeit on the forehead and not that passionate kiss like in the musical but that was enough him. His own mother never let him kiss so her so it was a big deal for him. Erik let her go to be with Raoul. He was redeemed just like Grinch. But then he dies.

It’s a good ending, very heart-breaking and sad for teh crazy, dramatic, genius who just wanted love.

Epilogue

And we’re back to Mr Leroux still trying to make us believe that this story is 100% true. This chapter tries to sum up what happened to everyone, though Christine, Raoul and her guardian lady all just disappear. Leroux claims to have found Erik’s skeleton which has the gold ring he gave to Christine which she lost which he back to her only for her to put of his dead figure after he announced his death in a newspaper. The skeleton was found in that area behind Christine’s dressing room, the place where he first carried her off. Where or not it’s Erik’s skeleton, Leroux’s character of himself believes it.

This ending chunk also gives some vague background of Erik, which is the basis for Susan Kay’s Phantom, which I would recommend reading. It’s sort of a Prequel, Midquel, sequel. There is actually a lot of novels based on Phantom. Most people think Christine and Erik should have been together. Heck, even Andrew Lloyd Webber has musical sequel based on a shitting book.

It’s an ok ending even if does offer a clear ending for the many of the character. Heck even that whole Safety pin thing is never explained. I did like the imagery of the Northern railway Station in the world, the end of it just feels like a cold winter’s night.

Conclusion
Over-all The Phantom of the Opera is an entertaining read. It’s way easier to read that Fricken The Man who Laughs. It’s not the deepesy or thought provoking story but it’s has nice gothic bitter-sweet vibe. I could have left out the stuff with the mangers and money talk, that was just boring. Also I’m not really a fan of the story within a story thing the book did. It meant that while the Phantom the object of the story he never was the subject. Would it have been better if we ever got into the Phantom’s head or is less more? I think not knowing what makes Erik ticks make him more interesting and it the reason why there is all the Phantom retellings. But presenting the book this way really Erik is only in the action a few times. He alluded to and flashback more than actually being a part of a scene.

But yeah, it’s a fun book. On to the movie versions! And lastly, Safety-Pins!!

This is my favorite Christmas song off my Favorite Christmas album.

And no matter your creed, I think everyone wants peace in the world.

Pierre The Secret of the Hunchback picture image picture image

Pierre

Pierre or as he more commonly known in Hunchback, Gringoire, has a lot of diversity in terms of the roles he can plays in Hunchback adaptations. He can be comic relief, the hero that saves Esmeralda or just the story teller. He is a bit like Phoebus whereas he can easily be a hero or a villain pending on the movie. Secret of the Hunchback use of Gringoire or Pierre isn’t that different but combines him as comic relief and hero. Also a you MIGHT have noticed, there is no Phoebus character and typically if Phoebus isn’t in the movie or has a tiny role, Gringoire is the hero.

Esmeralda and Pierre The Secret of the Hunchback picture image

Esmeralda and Pierre

For Gringoire to be the hero in a Hunchback movie he has to be Esmeralda’s love interest, which he is version. However his bad poetry in his first sense makes a comic relief. He also doesn’t do all that much to save the day, Quasimodo does most of the “work” i.e swings down and stops a wedding but Pierre helps and does “rescue” Esmeralda from Frollo once after the pillory scene. So he fit nicely into his two roles.

Quasimodo and Pierre The Secret of the Hunchback picture image

Quasimodo and Pierre

Now, that being said how is as a character and how does he stack up next to his book counterpart? As far as he is in this version, he’s a nice guy, that’s pretty much it. He’s nice to Quasimodo and is his pal. This doesn’t make him compelling or interesting but his bad poetry at least made him enjoyable, so gets a pass from him. He also isn’t that much like he is in the book. In the book Gringoire was a cowardly whiner who still wasn’t that great a writer, so they got one thing right about him. But to be fair, getting Gringoire’s characterization right isn’t the most important thing about adapting this story.

Pierre The Secret of the Hunchback picture image

Pierre

Also I just want to add that Pierre is a Protestant in this version. Which was for the sake of a joke.

Esmeralda and friends The Secret of the Hunchback picture image

Esmeralda and friends

 

 

Next Time  The Goons Esmeralda travels with

Chapter 20, In the Cellars of Opera House

In this chapter the Persian and Raoul venture down into the world of the Opera House’s Cellars, of which there are FIVE! They meet with crazy things like the Rat-Catcher. Which I could never figure out, is it a dude or an invention? I know the Julian Sands version takes this Rat-catcher idea to a WHOLE new level. Another than I think a weird cartoon that was pretty damn accurate had it but no other version.

I really wish this underworld of the Opera was shown more in the movies. Some do it but not within the context of the book. Like for example the Charles Dance version he has little a weird underground forest.

I think Tim Burton should direct a phantom version, if only for this chapter. I think his take on it would be so awesome and I would be totally ok with Johnny Depp playing Erik. Maybe Helena Bonham Carter as La Carlotta. You know a true to form Phantom of the Opera a la Burton.

Chapter 21, Interesting and Instructive Vicissitudes of a Persian in the Cellars of the Opera

In this chapter our friend the Persian tell us stuff from his perceptive. We also learn that he also called Daroga which just mean chief of Police. We also learn a little bit of his past with Erik in India and his favorite weapon of choice the Punjab Lasso, which pretty much a noose. It seen in some movies but never named, and I’m not sure if his time in India is ever mention.

Anyway this chapter is interesting, it back paddle a little bit to get more of a picture of Erik who is crackers.He doesn’t like the Persian Daroga meddling his courting, which is involves kidnapping and filling a young lady with terror and guilt, can’t deny the guy a method. This chapter also explains the Siren trap, which will come up later. Basically it’s just Erik in the lake, singing through a reed till her drown the person trying to cross the lake.

So despite the back tracking it’s a good chapter.

Chapter 22, In the Torture-Chamber

More from Persian Daroga, I do not know what to call him. This one doesn’t backtrack. Persian Daroga and Raoul are in the torture chamber which is akin to the the spinny room in the 2004 movie.

So this chapter, Erik gives Christine an ultimatum the grave or his bed. Wait! That’s not right, I need to calibrate, that was Frollo’s ultimatum, Erik’s one the Wedding mass or the requiem. Basically marry me or everyone in the Opera will die. It’s worse than Frollo’s or was Frollo’s just less grand? We also see Erik use the Siren to kill someone though we don’t know who yet. And Christine tried to commit suicide which is a character trait we don’t see in the movie versions.

Over all I like this chapter, it’s great to see how crazy Erik really is. Also his idea of marriage is so naive for some one is a crazed genius killer, he just wants to take walks on Sundays. Doesn’t sound like sultry guy in the musicals.

Chapter 23, The Tortures Begin

Again more from Persian Daroga, I hope you like this guy because he will be narrorating till the almost end sadly he is like never in the movies.

Erik AGIAN mentions Sunday scrolls with his wife. Really he just wants a cozy normal life, though with his flair for the dramatics I doubt it would be all that normal. Speaking of his flair for drama, the Torture Chamber and no it’s not some bad pop music. Christine tries to get the key from Erik’s bag of life and death, see drama. But she fails and then Erik shows her through a little window the chamber which has an iron tree. Erik says it’s a joke but the torture comes in the form of hear because it’s an African Forest, oh such weird twisted humor.

These chapter were WAY better than the later batch. Without all the mysterious this story is way more interesting but then again everyone knows the story so there is no more mystery which is a little sad stylistically. I still would like a more by the book movie where at least the bulk of Christine’s first kidnapping is told in flashbacks but that is just me, say goes for Frollo’s confession.

Remember you can make suggestions for which movie versions of Pahntom you want to see reviewed, https://en.wikipedia.org/wiki/Adaptations_of_The_Phantom_of_the_Opera#Film otherwise I have to pick myself.