The Slipper and the Rose Cinderella picture image

The Slipper and the Rose

The Slipper and the Rose is another title I randomly found. It was made in 1976 and it was based on a book of the same name. From what I can gather it was musical movie not based on a stage show, which was more of the standard back then. These days it’s more typical that movies are based of a pre-exiting stage show unless it’s Disney.

Anyway this is a Cinderella movie. So we have have seen intellectually ass-kicking Cinderella, a Gandhi type Cinderella and one who likes nuts but how does this one compare? Well Cinderella in this one is nice, as in the norm but this movie isn’t really Cinderella’s story it’s more about the Prince.

Gemma Craven as Cinderella and Richard Chamberlain as Prince Edward The Slipper and the Rose Cinderella picture image

Gemma Craven as Cinderella and Richard Chamberlain as Prince Edward

The plot is quite simple but have some differences. Prince Edward of some made-up European country, Euphrania, is being pushed to marry a royal princess for both succession and secure an army. Edward however would rather marry for love and doesn’t fancy any of the princesses.

Meanwhile, Cinderella’s‘ father has died and she is pushed into serving for her mean stepmother and dum-dum step sisters. It was either that or go to an orphanage. One day Cinderella seeks off to her parents graves. She then spies on the Prince who does notice her. When she returns home her stepmother is mad at her and gives her a mountain of vegetables to prep. She then gets a visit from a woman who has magical powers who gives her a dog and while Cinderella’s back is turned finishes her prep work.

The King arranges a ‘Bride Finding Ball” for the Prince which he is not keen on but his  foppish cousin wants a lady. Also there is a subplot that Edward’s servant companion, John, is in love with a lady too far above him and his position in life makes him unable to anything about. The king extends invite to his subject to fill up the room. The stepmother and the step-sisters miss their chance to get new gowns she Cinderella is forced to rework old gowns into new ones. She doesn’t do a good job and the magical woman visits her again and she reveals she is a fairy Godmother. The Fairy Godmother does Cinderella work and stepmother and the girls are please. The Fairy Godmother decides to revisit Cinderella and decide she will borrow magic to get Cinderella to the ball. The magic has to be return at midnight so she must leave before then.

Cinderella makes her entrance as Princess. Edward falls instantly in love with her. They dance and bond for a little but she runs away at midnight and leaves her very dainty glass slipper. Edward does the customary slipper search but can’t find her. Three months later Edward makes a monument to his lost love. He then elevates John to a knight so he can go after his lady love. Edwards get mad and throw the slipper away off some tower.

Cinderella’s dog finds it and brings her to it. John sees Cinderella and tells Edward. Edward and Cinderella reunite and decide to get married. Edward asks the stepmother for permission which she grants and Cinderella forgives her which the stepmother doesn’t take kindly too.

The political implications of Edward marry a girl without the aid of a strong country backing her prompts the king to send Cinderella into exile. Cinderella then asks the Chamberlin to lie to Edward saying that she never loved him. Edward mad that he has lost his love twice says he will marry who ever father wants but the line ends with him.

On the day of Edward’s wedding, The Fairy Godmother sees Cinderella in exile saying this wasn’t her plan and now she will have to something spectacular. As Edward is getting married Cinderella comes down the aisle after the bride which causes a commation. The Fairy Godmother convinces the King to allow the marriage and makes it so Edward’s cousin and the Princess Edward was suppose to marry to fall in love. And thus Cinderella and Edward get married.

Gemma Craven as Cinderella and Annette Crosbie as the Fairy Godmother The Slipper and the Rose Cinderella picture image

Gemma Craven as Cinderella and Annette Crosbie as the Fairy Godmother

I knew nothing about this movie so I was very surprised to actually like it as much as I did. It’s very entertaining. Is it deep with developed characters? Yes and no. There isn’t much to Cinderella though she does have a bit of a mouth of her when the stepmother first made her a maid. She also doesn’t except anything from the ball and meeting the Prince. He wanted marriage and she wanted a fun night out, they make that clear. But this movie does give the Prince a.k.a Edward and the Fairy Godmother more to do.

A common complaint I have seen about the Fairy Godmother is that she only helped Cinderella go to ball after years of abuse. Here she does help her more than once and Cinderella wasn’t subject to years of indentured servitude, maybe nine months, tops. Also I like that movie gives a reason for why Cinderella must leave before Midnight instead the standard magic shit just wears off.

Gemma Craven as Cinderella and Richard Chamberlain as Prince Edward The Slipper and the Rose Cinderella picture image

Gemma Craven as Cinderella and Richard Chamberlain as Prince Edward

This movie is really about the Prince. His motivation is just he just wants to be in love with someone he wants. Not a deep or novel motivation but it works. The movie builds up the class systems and how it’s in opposition to Edward’s desire. In fact every song with the exception of the the Fairy Godmother/Cinderella’s make over song is either about Positions in society or love/marriages.

Gemma Craven as Cinderella The Slipper and the Rose Cinderella picture image

Gemma Craven as Cinderella

The reason why the simplicity of the characters work is because this movie is really well acted. The actors sell everything. Edward and Cinderella have such a good chemistry with each other that it makes up for their love at first sight love. I don’t think the roles are hard to play but they do a good job conveying everything. For example right before Cinderella enters the ball Edward makes this face the indicated he annoyed by another Princess arriving but then his face lights up when he sees her. It’s a subtle little thing but it a good example of the acting in this movie.

Gemma Craven as Cinderella and Richard Chamberlain as Prince Edward The Slipper and the Rose Cinderella picture image

Gemma Craven as Cinderella and Richard Chamberlain as Prince Edward

So at last we come to the technicals. Well this movie is very stagey in its editing and direction. I can see this being off putting to some. I didn’t mind it. It’s not the best but I think it adds the tone of the movie. The songs aren’t amazing but they are fun. I didn’t hate any of them. Protocolligorically Correct might have been my favorite.

Now the costumes. They were wonderful. They were all impeccable and just added so much to the vibe of the movie. They were in that 1740’s style of fashion. They even recreate Jean-Honoré Fragonard’s Swing painting for Cinderella’s exile gown. Even Cinderella’s working dress is pretty. However there is an subtly in the way the movie presents the costumes that it doesn’t really call attention to itself as it just woven seamlessly into the film. I think comes the movie keeps to one style and all the costume even for the extra seems just as lovely as the ones for the leading characters, with some exceptions.

Gemma Craven as Cinderella and Annette Crosbie as the Fairy Godmother The Slipper and the Rose Cinderella picture image

Gemma Craven as Cinderella and Annette Crosbie as the Fairy Godmother

Is The Slipper and the Rose the best Cinderella movie version? Maybe not but it is very enjoyable. I would recommend it if you want 2 hours of fun songs, beautiful costumes and likable acting.

One clue this week because I’m making it too easy.

Last week this Live Action Disney Hunchback of Notre Dame Fan Casting came up on my google alerts. So let’s review their choices.

First off on the whole this article seems to think singing is needed in the casting though so far none of the Live-action Disney versions have been musicals so that shouldn’t be  a factor.

Josh Gad as Quasimodo

Josh Gad for Quasimodo picture image

Josh Gad

I don’t see it. Gad has a goofy comedian vibe but I don’t see him as sweet, insecure Disney Quasimodo. I would hate, HATE to say it but he is better suited for Hugo and I hope the Gargoyles would be cut out or at the very least CLEAR figments of Quasimodo’s imagination.

Rosario Dawson as Esmeralda

 

Rosario Dawson for Esmeralda picture image

Rosario Dawson

I’m a little torn on this one. On the one hand I can see her pulling of Esmeralda as Disney depicted her but on the other hand I don’t think she is the best casting choice there is.

I think Disney should try for some Bollywood IT girl or something. Deepika Padukone is popular fan choice as well as Priyanka Chopra who is one few Bollywood actors to make the jump to Hollywood as she on ABC’s Quantico which makes Chopra the first South Asian to headline an American network drama series.   Or Jana Perez would be a good option for Esmeralda and has the benefit of being in another Live action Disney movie before like Mr. Gad.

Zachary Levi as Phoebus

Zachary Levi for Phoebus picture image

Zachary Levi

I can see this one working. He has the right type of look for Phoebus and could pull off Phoebus’ witty and brave personality.

Alan Rickman as Frollo

 

Alan Rickman for Frollo picture image

Alan Rickman

This a yes and a no. First yes, Rickman as Frollo is like ideal casting that people all want but for Disney Frollo, it’s a little more iffy on that super austere design he has. But considering Disney Frollo’s design is based on Sir Cedric Hardwicke and Rickman has a similar screen presence I will go with a yes. I agree.

Neil Patrick Harris as Clopin

Neil Patrick Harris for Clopin picture image

Neil Patrick Harris

Again yes and no. Harris could pull off Clopin’s personality BUT he does not have the look. His look should resemble Esmeralda unless there something in the script to address it. Like Clopin in the book was the head of thieves I.E the Court of Miracles and not the leader of the Gypsies. In Disney movie he is the leader of  Gypsies. So it’s up to the script and or filmmakers who they can cast. But I think  the role should go to  someone else.

What do you think. Do you like these suggestions?

Let us start off the character potion of the review with Quasimodo or the Hunchback in question.

Quasimodo The Secret of the Hunchback picture image

Quasimodo

First off this Quasimodo, like other Quasimodos, he talks to his pals the stone gargoyles.  However these Garagoyles don’t take back they sing back and cry. This begs the question Are they real or imaginary. The dream song part leads me to believe yes they are imaginary but the tears say no they are real. Or is Quasimodo is imaging they are crying for him but that seems a little too out there for this kind of movie.

Quasimodo and Pierre The Secret of the Hunchback picture image

Quasimodo and Pierre

Also this Quasimodo follows the other versions of being solely nice. He has one cheeky remark on Gringoire’s poetry being so bad that it could hurt someone but that is it. Which is more snarky than any other versions but it wasn’t that mean, just for a laugh at Gringoire’s expense.  Still without that one minor throw away joke he would have been 100% bland nicety-nice. The line give a .3% edgy factor. Good job!

Quasimodo and Frollo The Secret of the Hunchback picture image

Quasimodo and Frollo

Basic plot of Hunchback plot says that meany-face Frollo raises Quasimodo when Quasimodo is a young baby. This version forgoes this and he is raised by unnamed Archdeacon and a monk dude.

Other versions where Frollo is separte from his role as the Archdeacon still gives him a  relationship to Frollo for drama . Even the Enchanted Tales version gave Quasimodo and Frollo or whatever his named was in that crappy version, a connection of being brother. Oh Good God! I’m looking at the Enchanted Tales version as a positive, help me. So there is no real internal conflict for Quasimodo aside from being ugly aside from that is pretty chill and laid back.

Quasimodo The Secret of the Hunchback picture image

Quasimodo

Would I say this Quasimodo is boring? Yes, I would. Aside from that joke about Gringoire’s poetry and the being an angel, he was a weak Quasimodo. No pathos, no drama just a nice angel.  Also his deformity is paint by numbers. It’s all accounted for but not interesting really all I can say is that it looks like he has some major dark circles.  At least he REALLY likes the bells.

The Secret of the Hunchback picture image

Quasimodo in Angel form

Ok one more thing, in this version Quasimodo is an angel, so does that he born an angel and abandoned because of the ugliness? OR was always an angel and his being abandon part of a plan? Or was he never an angel and insane? I don’t know any option makes sense.

Next Time Esmeralda

Esmeralda The Secret of the Hunchback picture image

Esmeralda

 

Apollo’s Lyre

Why only one chapter this week? Well a few reasons, it’s a very long chapter, it’s a very important chapter and it’s my favorite chapter.

Very simply in this chapter Christine explains the voice, the Opera Ghost, and Erik. How they met and all their interactions. How he loves her and how she pity him, lies to him and horrifies her.

Much like the confession scene or rathe chapter in Hunchback, Christine tells Raoul the story as in flashback. Most movies and stage show just show theses scene as they happen in the narrative. Which isn’t bad at all, I just like the mood it create as a story. Though if I was director or screenwriter, I would present this scene as flashbacks with cut back to Christine telling the story to Raoul on a dark roof with shadow lurking on Apollo Lyre This same goes for Frollo’s confession.

Ok so some points of interests that I don’t believe you see in movie or stage versions, remember how it was mentioned that Erik first took Christine right after the chandelier fell during Faust? This means Christine HAD to have been dresses in her costume which was male. No frilly dressing gown or romantic gown when she was taken underground. Not that I don’t like the dressing Gown of Webber’s show but it’s interest to remember that she was in boy clothes as Siébel. I mean given Christine’s urgency to find the voice after the Chandelier fell I doubt she changed.

Second thing, when Erik grabs Christine she struggles to escape but she says that his hand past over her mouth and she smelled death. Now I was on a forum ages ago and someone suggested that Erik used chloroformed on her. She also mented she felt she under teh influenced of some kind of cordial or alcohol. It’s possible that Gaston Leroux didn’t know what chloroform smelled like and just suggested it smelled like death, from some quick research it seem to smell like acetone but also somewhat sweet and chemically. It’s also possiable that he didn’t but it seems likely given Christine passing out and acting a little drunk/drugged.

Anyway this is my favorite chapter, makes all the build up mystery totally worth. Read it!

Penelope picture image

Penelope

There is a lot of films that are modern takes on Fairy Tale or more precisely fairy tales with a modern setting. Placing a Fairy Tale type story is tricky, you have create certain atmosphere to make it believe for the setting but you can’t have the movie take itself that seriously, I.E. it has to know its place and not be a brooding Twilight-shit storm of a mess.
One such movie with a Fairy Tale modern setting is 2008’s Penelope. It’s by accounts a nice movie and by that I mean pleasant but not really super memorable either.

Christina Ricci as Penelope and James McAvoy as Johnny/Max Penelope picture image

Christina Ricci as Penelope and James McAvoy as Johnny/Max

Penelope tells the story of super elite Penelope who due to a family curse has pig nose. This causes her mother to keep her apart from the world and even goes as far to fake her daughter’s death. The only was to break the curse is to have one of their own kind accept her.

So her parents, or really just her mother, Jessica had rich other blue blood young men to win her heart but all are scared off by her nose. One man tell the papers about Penelope and he is dubbed crazies. He and a newspaper gut then you a in debt blue blood named Max to get a picture of Penelope to prove both them right.

However Max and Penelope bond and when she reveal herself to Max she miscontrue him not wanting to marry her to break the curse for him finding her ugly instead of him being unable to break it as he not really Max the rich blood blue but just Johnny some guy.

So Penelope leaves home and makes some friends. But the she sells her own picture to the news guy. The city then falls in love with Penelope and the first blue blood then is made to marry Penelope in order for people to like him and to break Penelope’s curse even though he can’s stand her cursed face. Penelope can’t go through with it and decide she likes herself curse and all which breaks the curse.

Penelope then becomes a teacher and a popular halloween costume. She then learns the Max/Johnny couldn’t undo the curse but it’s ok because they are in loves.

Christina Ricci as Penelope Penelope picture image

Christina Ricci as Penelope

Ahh, the beautiful ugly, I know you well. Jolie Laide is a French expression that means the psychical flaws are embraced as a part of the person’s overall beauty. Quasimodo, The Phantom, The man who laughs and the Beast fall into this concept but to a more extreme degree.
However all these are dudes, Penelope is a lady with the ugly trait and she has to embrace it to be herself. It’s a weird moral, when she loves herself it makes her look normal despite the point that she wasn’t really all that ugly in the first place. It’s a weird little moral that is really mixed up in its scope. Love yourself and then you’re normal? I don’t it feel like it was sincere in its sentiment but presented badly. Though I do like that it a female who is the Jolie-Laide even if her deformity is still adorable.

Christina Ricci as Penelope and James McAvoy as Johnny/Max Penelope picture image

Christina Ricci as Penelope and James McAvoy as Johnny/Max

I give this movie credit, it explains the fairy tale elements well while mixing it into the modern world. Like why can’t Penelope get a nose job? Because some weird reason that it lodged into brain and will kill her. Instead of being a Princess locked in a tower, she’s a blue blood socialist from an old family kept away from the world.

There is some stuff I don’t think work out that super well, like Penelope in real world and how well she deal with it and makes friend. But it could have been that part wasn’t as interesting as it should have been.

Christina Ricci as Penelope Penelope picture image

Christina Ricci as Penelope

There nothing wrong with this movie as a whole but nothing about really stands out. It’s cute but there anything really interesting? No. It should have been, the characters are all likable in their ways and it acted well but it just alright.

Perhaps if the technical were more stylish it would have stood out. As they were they were just okay. I remember Penelope’s nose and like two costumes but that is it. I give the movie had like a kid like sense of style like clothing from Anthropologie. It has the calculated DIY feeling but is really commercial and basic but trying to be cutesy. I didn’t hate it, I like stuff from Anthropologie, I can’t afford it but I like it but doesn’t make for a good style in a movie with nothing else really going on save for a pig nose and Peter Dinklage in an eyepatch.

 Christina Ricci as PenelopePenelope picture image

Christina Ricci as Penelope

I want to say Penelope is charming but it’s clunky in its storytelling, delivery and style. Really it’s just lukewarm.

Clue 1 and Clue 2

To get ready for Black Friday/Cyber Monday and Christmas the Hunchback characters are doing a secret santa.

Quasimodo picked Frollo and got him Opteka 650-2600mm High Definition Telephoto Zoom Lens for Nikon Digital SLR Cameras for Stalking Esmeralda better.

Esmeralda picked Clopin and got him Southpole Men’s Marled Full-Zip Hoodie Sweatshirt, so her can be fashionable and warm but it’s a shallow girt.

Frollo picked Fleur-de-Lys and got her a Selfie Stick, He doesn’t know her at all.

Ben Sherman Novelty Socks picture image

Ben Sherman Novelty Socks

Phoebus picked Quasimodo and got him Ben Sherman Novelty Socks, socks, not thoughtful at all.

Gringoire picked Master Florain and got him Plant Theatre Herb Garden Seed Kit , Gringoire thought he was being clever but I can’t see the deaf judge caring for it.

Clopin picked Sister Gudule and got her Zalman King’s Red Shoe Diaries Movie #15: Forbidden Zone, Clopin is being wicked with this one.

 

Outdoor Gargoyle statue picture image

Outdoor Gargoyle statue

Fleur-de-Lys picked Notre Dame de paris and got her Design Toscano Florentine Gargoyle Statue, Notre Dame could use a new cute statue.

Jean picked Djali and got her Caution Attack Goat Sign, gag gift

Sister Gudule picked Phoebus and got him 1 X Snowman Mug w/ Shovel Spoon – Christmas Decor, she know he liked a good drink but it’s super misguided

Djali picked Esmeralda and got her Quiddler, Djali likes words.

Notre Dame de Paris picked Gringoire and got him Une Nuit De Noel a Notre Dame De Paris CD, who wouldn’t ant a new Christmas CD

Master Florain picked Jean and got him Corkcicle Chillsner Beer Chiller, It’s useful but Jean won’t use it.

Frollo and his goon The Secret of the Hunchback picture image

Frollo and his goon

If I might generalize for a moment, most Disney Knock-off movies try to capture and fail to make their work as Disneyesque as they can. They do this the first the story, songs, and characters designs. But they lack the charm that Disney has in terms of likabilty and even humor.

Rotten Vegetable vendor The Secret of the Hunchback picture image

Rotten Vegetable vendor

While Disney’s humor is very hit or miss The Secret of the Hunchback is very different and it isn’t really trying to be like Disney in the way the approach their silliness.

Bell guy getting bumped on the head The Secret of the Hunchback picture image

Bell guy getting bumped on the head

The jokes and visual gags of The Secret of the Hunchback is one of the first thing that you notice about this version, even before the main characters are introduced you get the style of humor.

Andre in drag with some guy drooling over him The Secret of the Hunchback picture image

Andre in drag with some guy drooling over him

The humor is more akin to that of Animanicas or saturday morning cartoon. It’s very tough and cheek. From the rotten vegetable vendor, from Quasimodo telling Pierre that someone could get hurt from his poems, to one the thieves dressing in drag and having an extra sexually attractive to him, to Frollo comparing Quasimodo to his first wife,  and lastly Pierre saying that he is a Protestant, which technically shouldn’t have been a joke but they treat it as one. There is more example and more slapstick, plus jazzy gargoyles.

Esmeralda and Pierre The Secret of the Hunchback picture image

Esmeralda and Pierre

This humor isn’t the Disney style. It’s  watered Looney tunes humor which makes this version weirdly interesting on that front. Without it would suck so much more but it does add to The Secret of the Hunchback’s over all dumbness.  It defiantly makes it stand out though from just another stupid insipid Disney knock-off.

Next Time Quasimodo

Quasimodo The Secret of the Hunchback picture image

Quasimodo

Chapter 10, Forget the Name of the Man’s Voice

Unlike the first time that Christine goes missing this time she returns to her the next day but with a plain gold ring, or a wedding ring. This make Raoul all kinds of mad. This chapter takes at Christine’s home with her patroness, Mamma Valérius, who is a silly woman who believes in the Angel of Music.

Most of the chapter is Christine and Raoul at odds with Erik, who Raoul reveals to Christine that he knows the Angel of Music’s name which mean that Christine learns that Raoul was in her dressing room or he just tells her, she isn’t that smart. I do like that Christine tries to assert herself by telling Raoul she doesn’t have to answer to anyone as she is not married and does intend to do so.

At the end though Christine tells Raoul not to go to her dressing room unless she asks which is the next day.

It’s a good little adds more to mystery of things.

Chapter 11, Above the Trap-doors

In this chapter Raoul and Christine pretend to be engage and have a grand time going about the opera house. However then they hear a trap door being closed behind them. Raoul wonder if it’s him but Christine tells Raoul that Erik is working and is consumed but when he is. But she seems to be convincing herself of that more than him as she gets agitated. Raoul tells her he will take her away from Erik and his power over her. She then tells Raoul that they must go higher.

I liked this chapter it was kind of cute, the way the played at being engaged. The two seem like simple idiots in love with Christine being paranoid and Raoul is trying his hardest to win her over.

Into the Woods Picture image

Into the Woods

Here is a conversation I had with this movie right after I wanted it.

Me: You can’t have your characters sing/say how they feel, that makes me feel angry!
Into the Woods: Look, what do you want?
Me: I want my two hours back!

This is common info but I have to say it anyway, Into the Woods is a 2014 musical fantasy movie based on the musical of the same name by Stephen Sondheim. It’s a parody of classic fairy tales as multiple fairy tale characters meet in the woods, get it?

Apparently this movie was in development for a long time, like early 90’s but it wasn’t till the  another musical that this movie got the interest of Rob Marshall, director of Chicago.

As you might be able to gauge from my conversation with Into the Woods, I didn’t care for this movie, but you would be wrong, I utterly loathed it.

 Emily Blunt as The Baker's Wife, James Corden as The Baker and Daniel Huttlestone as Jack Into the Woods Picture image

Emily Blunt as The Baker’s Wife, James Corden as The Baker and Daniel Huttlestone as Jack

The “story” goes that this Baker and his wife want a baby but they can’t for some reason. Reason comes busting through their door in the form of a witch who tells them that it was a curse that was put of the baker’s family for his father stealing her vegetables so that the family tree would stop. However he also stole some magic beans which cursed the witch into be old and ugly. So she makes the Baker and his wife get some items, A white cow, a red cape, a gold shoe and yellow hair. And they have to find them in the woods.

Lucky all the characters they meet in the wood have the items they need. Jack an idiot, has the cow. The Baker and wife trade the beans which they happened to find in the Baker’s pocket. Jack uses the bean to climb up the beanstalk and steals from the giant to get his cow back. Red Riding hood, a kleptomaniac with a sugar addiction has the red cloak. The Baker at first tries to steal it from her but she gives it to him after he saves her and her granny from the pedophile wolf. The Baker’s wife then runs into Cinderella, a shy insecure girl who just wanted to go to festival a.k.a the ball. The Barker’s wife tries really hard to get that shoe. The Baker’s wife gets it when on the third night of the festival Cinderella runs away from the prince and she just lets her have it. The barker’s wife also get Rapunzel’s hair, who is locked in a tower and no real personality what so ever. She is locked up there by the same witch who they are getting the items for. Rapunzel is also the baker’s little sister too and his also mixed up in a love story with random prince #2. The hair turns out a bust since the witch can’t have touched the items, that’s a rule and then cow died so Baker had to get another and covered it with flour. But it’s really whatever since the witch just brings the cow back to life and the use corn silk. So yeah wife gets pregnant instantly and witch gets pretty and happy ending for Cinderella for her prince seems to come but then LADY GAINT attacks. She is pissed for Jack killing her husband and robbing them and he’s the good guy.

Then I guess things go to shit. Cinderella and her prince aren’t working out. Jack’s mom dies. The Cinderella’s prince cheat on her with the barker’s wife and then she dies. The witch wants to give jack to giant but no one agrees with her so she just peaces out. And then Cinderella uses her birds to beat the giant and happy ever after with the baker.

Anna Kendrick as Cinderella Into the Woods Picture image

Anna Kendrick as Cinderella

So what makes this movie bad? Well lots of things but let’s just focus on the only positive I had about it. And if you read my reviews with any regularity you might think it’s the costumes but nope, I will get to that later. It would be the actors. I think all the actors try really hard to make it work while movie itself doesn’t care. They all sing well though Little Red Riding Hood’s singing style I find annoying.

Also I don’t really believe Anna Kendrick as the shy demure Cinderella, she does try but I don’t believe it but she sings it well. Really this movie should have been more about the actors conveying emotions than then telling us how they feel.

Lilla Crawford as Little Red Riding Hood Into the Woods Picture image

Lilla Crawford as Little Red Riding Hood

Which bring us to greatest sin in this movie, this movie at EVERY SINGLE turn just tells the a viewer what the characters feel through narration, dialogue and singing. I feel like a broken record but show don’t tell is a cardinal rule of movie making.

In a stage show you say a little more since there is an energy that is part of the experience but not in a movie. In fact at one point in this movie, the narrator says that Red Riding Hood is suprised but it doesn’t show in her acting and then she SAYS that she feels uneasy. Just fuck you movie.

Chris Pine as Cinderella's Prince and Billy Magnussen as Rapunzel's Prince Into the Woods Picture image

Chris Pine as Cinderella’s Prince and Billy Magnussen as Rapunzel’s Prince

This anti show don’t tell concept is a massive step further as the movie tells the audience about the things that are happening to the characters. For instance we never see Cinderella at the ball in fact we never seen Cinderella interact with the Prince at all, save for like two exchanges with them same with Rapunzel and her prince. We do see them talking about it though. In fact the princes sing about the their agony of not being with there lady loves to each other despite the fact that we never seen them together. The two princes whining constitutes more scene time then with their loves. So any character development is told to us after the fact.

This make the musical numbers boring as instead showing us what they talking about in creative ways it’s just basic editing as someone sings about what just happened. Though in one instance there is a flashback but the movie literally presented the same scene like 90 seconds before the flashback so even the flashback is boring and pointless.

I won’t say I’m an expert of musical movies but I alway want to like them. But if you’re just going have a characters sing and spin around you might as well just have then say lines. Musicals in movie form need something visually interesting to help keep attention. Climbing a tree or moving around a set doesn’t work. Play with the lightening, editing, or something. It very bad and telling that at the ten minute mark the movie becomes exhausting to watch and the first song was the most visually interesting as it moved from character to character.

Anna Kendrick as Cinderella and Emily Blunt as The Baker's Wife Into the Woods Picture image

Anna Kendrick as Cinderella and Emily Blunt as The Baker’s Wife

Speaking of lightening and sets, why does it seem like all recent live-action musical movies are gritty and dark? Why is Hollywood trying to make musical movie real life?

This worked a movie in Les Mis though I still didn’t like that movie because it was all sort of pretentious shlock, but it worked in Chicago but that movie played with Roxie Hart as she imagined the musical numbers. Considering Rob Marshal directed both Chicago and Into the Woods he should had a handle on what a musical movie good and entertaining. People wandering in a dark forest and singing about their feeling without giving a reason for them and cutting all the pesky story parts doesn’t a good movie make, I don’t care what your bubble of Hollywood says. You know Hollywood I hate to tell you this but if you’re a musical where singing is a norm to convey information you kind lost the right to give the movie a weird sense of legitimacy but making it “real.”

Then there are the costumes which I could barely see through the dark lightning of the movie. Though when you can make them out they aren’t really anything. They are just adequate at best at worse they are uninspired. Really they could have just had wearing back unitard with their role written on them and it would have had the same effect.

Meryl Streep as The Witch Into the Woods Picture image

Meryl Streep as The Witch

Into The Woods could have been a good movie if the movie cared enough to tell the story instead of reporting it through songs that were performed with ugly sets and poor lightening. It they had done more interesting things with adapting the original musical into a film it could have been so much better. Skip it but then again the movie skips itself.

Clue 1 and Clue 2

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame

Last week it was announced  that one Peter Chernin was developing a new Hunchback of Notre Dame movie from Esmeralda’s perspective. This is a big deal for a few reasons.

First and foremost this idea originally was announced in 2013 as an idea for Once Upon a Time. Once it was announced that was the last anyone heard about it. It’s very unclear if this movie idea came from the Once Upon a Time idea or is a separate concept.

Second this is the first movie since the freaking lost films that Esmeralda as the focus character. Evert movie version since 1923 has been a Quasimodo movie. This also mean most movie versions made are vanity projects lead by a 40 something male actor looking to play emotional yet physically demanding role.

Looking in to Peter Chernin who is not and actor or a director but a business man turned producer who has his own production, Chernin Entertainment. So it’s more likely that this film will happen than other film version that are being made who wanted to be made. Though Max Ryan’s upcoming version which is set to start filming in Serbia is an independent movie.

Also all the new outlets that have report on this are calling it a Live-action. This that either they are connecting it to the Disney version because of the trend of live-action Disney movies is REALLY big right now, they are confused or does Chernin have titles to Disney? That is unclear and it’s still really early in development. But it’s fun that there are two new Hunchback movies in the works, good or bad.

Also one person on http://screenrant.com/hunchback-notre-dame-esmeralda-retelling/ implied Mila Kunis, Penelope Cruz, Aishwarya Rai, or Vanessa Hudgens for the role of Esmeralda. To which I say;

maybe, interesting because her sister Moinca was listed in negotiation for Esmeralda for the Max Ryan movie in like 2007, pushing it on age and her Hollywood debut never really panned out but we could get a kickass dance number if they cast a Bollywood actress, and lastly nope please no on Hudgens.

 

I hope they give the role to a new actress but I doubt they will but it will depend on Esmeralda background who they cast. I wish they would go with Esmeralda’s original backstory but they don’t I don’t care that much.

 

Who do you want to play Esmeralda?