Let’s kick off this month of wedding stuff by discussing the only actually wedding in the Hunchback of Notre Dame, the wedding of Esmeralda and Gringoire.

So what goes down? I’m sure most of you know that Gringoire wanders into the Court of Miracles and as thieves and beggars are  very rule based, the tell Gringoire that he can either join them via a entrance exam or he will die. Gringoire opts to take the test of stealing from a dummy covered in bells and he must do the theft on one foot, I don’t think I need to say that he failed miserably.

However there is a secret third option, one of the ladies can claim him as her husband. Most of the ladies tease him but Esmeralda takes him as her husband to save his life.

Unlike most weddings with cakes, gowns, flowers, vows and boring speeches, the Court of Miracles weddings are delightfully short and include a easy divorce out. All they do is break a pitcher and the number of shards it breaks into is the length of the marriage. Gringoire and Esmeralda are slated for a four year affair. In that time Gringoire is suppose to care for Esmeralda.

Of course Esmeralda makes it clear that the marriage is in name only (no sexy times) but Gringoire is  suppose to take care of Djali and help with money matters. Pretty much except for the initial sting of learning she married him just save him and that there will be no sexy times, Gringoire takes it all in strides, I mean he is getting food and shelter and isn’t that what marriage is all about?

This scene also sets up some movies to have  a romance between Esmeralda and Gringoire and of all the romance options Esmeralda gets in the movie adaptations, the ones with Gringoire are more natural and sweet than her with Phoebus or Quasimodo. There has yet to be a version where she and Frollo end up together, that would be a very messed-up version.

As Long as there's a moon Disney Hunchback of Notre Dame

As Long as there’s a moon Disney Hunchback of Notre Dame

I’m happy and excited to announce  June is going to be a theme month for the blog and it’s going to be WEDDINGS. I actually like wedding in theory because I like the idea of prettiness and romance but I sort don’t love going to them but that isn’t the point. June is one of the most popular times to get married and since there were three kinda weddings in Hunchback there is a precedent for the theme and I have been wanting to do another theme month.

So here are the scheduling for the month since I’m going to postpone the regular posts but going to keep the some general ideas for the days.

Mondays – the weddings in the novel
Tuesdays – how the movies handled the weddings
Wednesday – Fun Hunchback wedding stuff, I hope
Thursday – Bad Wedding movies, it’s not too far removed from live-action fairy tales ^_~.

So that is the theme and the plan, should be fun.

Legend movie 1985 picture image

Legend

When I got it in my head to these Live-action Fairy tale-like movies, I ended using IMDB lists to get movie ideas. Many movies I had never heard or knew anything about and Legend, a film by Ridley Scott and released in 1985, was one movie that I had never even remotely heard of before. So prior to watching it I just read a quick little summery on google and based solely of the first three words I knew this movie was going to be the greatest and best movie in the history of the human experience. Those words were and I quote “Darkness (Tim Curry.)” I mean how could this movie not be greatest movie ever with that casting? But then I watched the movie…

Mia Sara as Lili with the Unicorn Legend picture image

Mia Sara as Lili with the Unicorn

Don’t get me wrong, I enjoyed the movie in parts. The plot is a Princess named Lili and a forest dude named Jack sees some unicorns which are scared animals that keep the darkness away, Darkness is also literally the fricken Devil. Also Unicorns in this world make Humpback Whale noise, how confusingly awesome is that? As Jack and Lili are viewing the Unicorn, Darkness‘ minion are trying to kill the unicorns. Lili pulls a taboo and touches one of the unicorn which gives the minion the opportunity to get the male unicorn‘s horn which freezes the world except for Jack and Lili and fairy type Children of the Forest like people (pardon the Game of Throne reference there) the main one is named Gump.
Anyway, Lili* and the female unicorn get captured by Darkness so Jack and the good fairy type people have to save her and unicorn. Most of it solving riddles and going into dungeons. Darkness also falls in love with with Lili and her tries really hard to woo her and even gives her a sexy black gown, her scene when she dancing with the gown is great. Lili then tricks Darkness to let her kill the unicorn but she frees it instead and then they all save the day and the unicorn comes back to life, hooray Jack and Lili smooch.

(*I have seen her name spelt Lily but IMDB had it Lili so I will just go it that)

Tim Curry as Darkness Legend picture image

Tim Curry as Darkness

Ok so what is GOOD about this movie? Well for starters, it has a really good look. It’s both cheesy and dark. I have seen people complain about the use of glitter on the set pieces but it adds the style and flair of the movie. There is nothing so great as cheesy dark fantasy from the 1980’s.

Mia Sara as Lili in her evil gown Lily Legend picture image

Mia Sara as Lili in her evil gown

Second, the parts with Darkness and Lili (Mia Sara) are really engaging. They are the most interesting parts of the movie as they just play off each well as they have way better chemistry than Lili has with her lame love interest. But also I really have a soft spot for romances between demonic-type dudes and innocence maidens, like Hades and Persephone. But I think most people would agree that those scene are great if for no other reason than Tim Curry.

Mia Sara as Lili and Tom Cruise as Jack Lily Legend picture image

Mia Sara as Lili and Tom Cruise as Jack

I also I like Lili as a character. She is both naive, romantic, impulsive but she tries to fix her mistakes and does own up to them and she does stand up for herself. I also like that she didn’t scream when she saw Darkness but gasped. It was a nice touch. Also her being a seductive femme fatal to save the unicorn and persevere innocence was a nice reversal.

Tom Cruise as Jack with David Bennent as Gump Legend picture image

Tom Cruise as Jack with David Bennent as Gump

What really drags the movie down, down are the adventure parts. They are not bad but they are chalked full of Jack scenes. Jack is played by Tom Cruise and let me just say, Cruise sleepwalks through this movie and for a guy playing hero that is just appalling and most of the movie’s run time.

What is good about the adventure scene is that they are very much like the Legend of Zelda. There are rumors that the creator of the Zelda games, Shigeru Miyamoto, used Legend as inspiration and yeah I can see that especially in the riddle solving and Onna, the fairy gave shades of Navi at one point. If only Jack had been more like Link and not a comatose victim.

Mia Sara as Lili and Tom Cruise as Jack Lily Legend picture image

Mia Sara as Lili and Tom Cruise as Jack

All in all, the darker parts of Legend are really great and imaginative but anytime Jack enters the frame prepare for lots of massive yawns. But I would recommend this movie because “Darkness (Tim Curry!!!!!)

Lily James  picture image

Lily James

Skylar suggested in the comments on https://www.thehunchblog.com/2015/03/the-top-ten-worst-non-disney-princess-movies/ that Lily James should play Fleur de Lys, and I agree I think she was make a fine Fleur de Lys.

Lily James as Lady Rose MacClare Downton Abbey picture image

Lily James as Lady Rose MacClare Downton Abbey

Lily James is most well known for her role as Lady Rose MacClare on Downton Abbey and as Cinderella in the 2015 live action version. She is also in a few big name upcoming projects like Natasha in a War and Peace mini-series and playing Lizzie Bennet in Pride and Prejudice and Zombies. She has also been in Fast Girls (which is about running,) Wrath of the Titans, and Secret Diary of a Call Girl . I just want to say this is my third hypothetical casting post with Downton actors.

Lily James as Lady Rose MacClare Downton Abbey  picture image

Lily James as Lady Rose MacClare Downton Abbey

I have seen a few clips of her in Fast Girls and Secret Diary of a Call Girl in addition to Downton Abbey and Cinderella. I’m just going to say that her role as Cinderella is not a very good bias to judge her as Fleur de Lys as she is all sweetness and dreams in that flick. But considering her other work and Rose in Downton Abbey I think that she could carry the role of the haughty yet insecure Fleur de Lys very nicely.

Lily James  picture image

Lily James

As far as looks goes, Lily James sports blonde locks which is the general look for Fluer de Lys, although at times she has brown hair. But more than just her hair, she has this innocence look to her that can look supreme at times. Like a super upper-crust kind of look that a noble like Fleur de Lys would have. In a weird way she reminds me a little bit of Julie Zenatti from original cast of Notre Dame de Paris but I’m not sure why.

Lily James  picture image

Lily James

What do you think, would Lily James make a good Fleur de Lys? Wouldn’t it be cool if he had a Hunchback version that was fill of Downton Actors? And don’t forget to read War and Peace and Pride and Prejudice and Zombies!

L’Ombre (The Shadow)

Daniel Lavoie as Shadow Form Frollo with Patrick Fiori as Phobus performing L'Ombre Notre Dame de Paris picture image

Daniel Lavoie as Shadow Form Frollo with Patrick Fiori as Phobus performing L’Ombre

I always found this song a little more than silly as Phoebus asks why his shadow is wearing a coat and a hat. I get that it’s lyrical but I would buy that Phoebus would wonder why his shadow was a better dresser that him. Also Frollo’s pose is kind of funny as he holds up his arms.

Again, L’Ombre is a bridge songs to get us to the encounter scene. It’s taken from the book which is called something like the Goblin Monk. It’s not as funny as the chapter. Frollo and Phoebus don’t have their witty banter where Phoebus wants to fight and is broke and Frollo offers to pay for the room but wants to watch.

The song is ok. I like the beats and melody. The Lyrics are a little weird. they start silly but then Phoebus aska who would follow him and them asks if he’s a man of god and he likes of course. So I have no clue if Phoebus knows who the shadow is or if he just being dumb. But it’s a good bridge song and it’s really the only song in Notre Dame de Paris that is suppose to be humorous.

Le Val d’amour

Bruno Pelletier as Gringoire with dancer during Le Val d'amour  Notre Dame de Paris picture image

Bruno Pelletier as Gringoire with dancer during Le Val d’amour

Literally means Valley of Love but it’s a brothel. What kind of guy would ask for a tryst at a brothel? Phoebus, what a charmer. My guess is that because he a frequent visitor, he gets a discount for the room.

This scene is a vast departure from the book as Phoebus meets Esmeralda at a inn type house called Pomme d’Eve (or something like that). I guess that isn’t as romantic of a name. Le Val d’amour brothel was mentioned in the book however as the place Jehan goes to for some paid loving.

Le Val d’amour itself is a fun number. Gringoire sings it and sells it as THE brothel to visit when you’re in town as it offers good quality for low, low prices. He even gives detailed directions which is so Victor Hugo. It’s also a great number for Gringoire as he back into his fun party mood like in the Feast of Fools number. Plus this also really the last fun number in the show, so enjoy it.

The dancing is very sensual but in the Italian version is even more sexual. Also when I first heard the original London version I swear I heard the lines “Guitars implore Ga-Glor-ka-Glor.” Not really sure how to spell what I heard….

La Volupté (The Sensuous)

Patrick Fiori as Phoebus in La Volupté with his prize winning Smug look Notre Dame de Paris  picture image

Patrick Fiori as Phoebus in La Volupté with his prize winning Smug look

I’ll be blunt, I have never really liked La Volupté. The only thing I have really liked about is Phoebus’ smug look and that could just be Patrick Fiori. That being said I don’t think it’s a bad song, it didn’t make my hit list.

The music is fine and it has a nice sensual electric guitar thing but everything that is silly about the scene in the book is gone, except for that smug look. Also the song indicates that Esmeralda should have a darker skin tone than Phoebus, so at least with original cast, it takes me a little out of things but that is a major nitpick.

But you know what is NOT a major nitpick, we see shadow Frollo stab Phoebus but you also see Gringoire make the same gesture down stage. What this is meant to indicate is that Gringoire is telling the story and is pantomiming the actions, but it gets a little lost as it looks like Gringoire is the one doing the stabbing even though he is not.

All in all, it’s a okay song for moving the plot along but it’s a bit confused in execution. Thank goodness for that almighty smug look.

Fatalité (Fatality)

Bruno Pelletier as Gringoire singing  Fatalité  Notre Dame de Paris picture image

Bruno Pelletier as Gringoire singing Fatalité

Again like La Volupté, Fatalité is not my favorite. But it is one of the few songs in Notre Dame de Paris where all the principle leads are on stage together. I think Belle is the other time unless you want to count the encore.

Again Fatalité has that nice guitar riff that is heard in La Volupté. It is very dramatic as Gringoire sings about how no can escape Fate. It’s a nice closer to Act I but it seems a little lacking if I were to compare it to Le Mis (One Day More) or Phantom (All I ask of you reprise) or even Der Glockner von Notre Dame (Esmeralda). I mean it’s fine but it’s not a song I’m inclined to listen to a lot.

I’d give it a B- as a grade, though I’m not grading the songs so that doesn’t really mean that much.

End of Act I!

All in all, despite my criticisms, Act I is great.

Get the whole GLORIOUS ALBUM HERE

The Man who Laughs Part II:  Book 5: The Sea and fate are Moved by the Same Breathe

Ok, I have to say before I get into this part of the book I read it like a few days ago maybe like a week or so before writing this blog post and I have been doing a lot work cleaning and moving stuff around my house and a family member’s house so I’m just really exhausted so if this post is missing anything major from this part of the book, I’m sorry.

That being said, not a lot happens in this part of the book, shocking I know considering all the action this book has had with its 900 pages about snow on the sea, I kid but still.

Basically we learn the back backstory of Gwynplaine and those people from that doctor dude. The king at the time of Gwynplaine’s parent’s sold him to the child nappers and disfigured him. The doctor then dies right before they were going to execute him.

Barky then takes Gwynplaine to his large and beautiful home where he tells him of his new position in life and offers him a single chance to turn it all down, which he doesn’t. He also going to marry Lady Josiana which I guess is like an insult to her according to Barky and Queen. I think Josiana’s fiancee is now disinherited or something because of Gwynplaine. If you know the particulars of that plot point* leave a comment though my guess is it will probably resurface later. I admit it, I do a lot of skimming, so I do miss stuff.

Oh and at the end of the part Gwynplaine thinks of Dea.  But I mean come on, this is a Victor Hugo novel, I’m sure everything will work out happily from our lovers, all sunshine and roses and general happy romance things.

* I read a spoiler so I sort of know now, tehe, also I got a “delightful” vague spoilery warning, which is why I end the post will sarcasm. As much as I have been complaining about this book, I’m looking forward to the movie versions at least it will clear up parts I have skimmed.

Also a little warning- I’m taking June off from these posts. I’m going to try and finish the book during the break, hopefully, my June could be busy too but a later post will explain why I’m doing this.

The Red Shoes picture image

The Red Shoes

The Red Shoes is a take on the story by Hans Christian Anderson of the same name and gives it a modern take, and by modern I mean 1948. I had no knowledge of this movie beforehand, I just randomly found it on a live-action fairy tale list and I really wanted to like it and most people seem to enjoy it. I mean it has a 96% on rotten tomatoes and it won and was nominated for a few academy awards including Best Picture. However I really didn’t enjoy this movie and let me tell you why.

Moira Shearer as Vicky practicing The Red Shoes picture image

Moira Shearer as Vicky practicing

Basically it follows aspiring ballerina named Victoria Page, or Vicky. She lands a spot in this fancy ballet. Also there is this aspiring composer named Julian Craster who also gets into the company. The Ballet is ruled erm run by this seemingly ruthless dude named Lermontov.

So one day the principle ballerina decides that love is good and leaves the ballet to get married because honey you can’t do both as love ruins dancing according to meanie-face Lermontov. So Vicky gets the lead in a new Ballet based on Hans Christian Anderson’s The Red Shoes. Craster is conducting and wrote the score. He and Vicky butt-heads about tempo but the ballet goes well and their careers pick up. Then they fall in love and they leave the ballet. Craster writes an opera and Lermontov lures Vicky to perform The Red Shoes again. Craster leaves his opera opening night to make Vicky chose between him and dancing the part. Vicky can’t choice as dancing is like breathing to her so she kills herself Anna Karenina style. Her dying wish is for the red shoes she is wearing to be removed and The Red Shoes is performed without Vicky but the spotlight follows her as if she was dancing. And my friends, that is a 2 hour and ten minute movie.

Moira Shearer as Vicky The Red Shoes picture image

Moira Shearer as Vicky

Now before I tell you why I disliked this movie, I will tell you what I did liked, besides when it ended. The best part of the movie and what held my interest was the ballet proportion. The movie presents The Red Shoes ballet is its entirety and it was really magical. I really like that Moira Shearer, the actress who played Vicky was a ballet dancer first. It seems to me that ballet was the reason for the movie. Like the story and characters were built around that.

Moira Shearer as Vicky having to choice between love and dancing The Red Shoes picture image

Moira Shearer as Vicky having to choice between love and dancing

That being said this movie broke the first rule of screenwriting, SHOW, DON’T TELL! They did that with the ballet and it was magic but the rest of the movie was all tell. The big plot of the movie is Vicky’s struggles with love and dancing and that plot thread was like thirty minutes tops.

In fact Vickey and Craster’s love story was blatantly told to us. We didn’t see them fall in love they just said that they were so in love. They literally have three conversations and one they were arguing about tempo and them BAM they’re in love. WHAT THE FUCK Movie?

You know what this means? Anakin and Padme have a more believable love story in Attack of the Clones than Vicky and Craster, at least Anakin and Padme spoke more to each other. I should never, ever point to the Star Wars prequels as positive unless it’s a costume. I feel so dirty, thanks movie.

Moira Shearer as Vicky The Red Shoes image picture

Moira Shearer as Vicky

Also, I never saw Vicky’s need for dance and that is kind of what linked her to the story of The Red Shoes, the addiction and it leading to downfall, pain and death. Didn’t get that from her character. I mean she said she needed to dance but the feeling of her yearning for dance was not expressed just said.

Moira Shearer as Vicky with Anton Walbrook as Lermontov The Red Shoes picture image

Moira Shearer as Vicky with Anton Walbrook as Lermontov

The Red Shoes was shot in Glorious Technicolor but I didn’t see the glory, I just saw dull brown tones. It just made everything seem more boring than it had to be. For a movie called The Red Shoes, the shoes should have popped more and yes they probably could have done something to that effect is late 1940’s. And again only the Ballet had interesting color tonalities. (see 2022 edit below I more or less retract this paragraph.)

Also the shots seemed more for a stage than a movie and the scene that was literally on a stage seemed more cinematic. Was that a style choice or did they just really liked the ballet scene over the rest? I’m going with the second one. 

Moira Shearer as Vicky The Red Shoes picture image

Moira Shearer as Vicky

The acting was also dull. The ONLY time I felt emotion which is needed to fairy-tale movie was in the Ballet scene, figures, and I guess the ending but with the ending it was too little too late. There was like no build up to Vickey pain and it was dumb of Craster to make her make that choice. I mean the movie tried to paint Lermontov as this demon who hated love but Vicky and Craster expressed as much love as limp dish towels. It was WAY too forced to be effective.

Also was it just me or was the actor playing Lermontov doing a Lawrence Olivier impression? It was both hilarious and jarring.

Moira Shearer as Vicky The Red Shoes picture image

Moira Shearer as Vicky

One truth there is to fairy tales is they are emotional pieces, not logical, not deep but they evokes feelings. I don’t need all my movies to have compelling characters with deep stories but all The Red Shoes evoked from me were yawns, except for the ballet part, if that had been the movie it would have been great.

Oct 2022 edit – I recently rewatched this movie and it wasn’t not all that 2015 me wrote. For starters the version I was watching might not have been restored because 2015 me complained about the colors and the shoes not popping well that wasn’t an issue this time around. Or I watched a version that wasn’t high quality or my setting were bad. There are numerous reason but I was wrong, It’s fine. I also wasn’t annoyed by the acting.

I do wish the film considered making more of point of the jealous between Vicky, Lermontov and Craster more. I do think the love story was a more in name only since it was less about “love” and more possession. I read a brief analysis from Adrienne McLean (on wiki) which is “ Victoria seems pushed by those she loves who would rather possess her than support her,” and that the film ultimately illustrates the impact of “ruthless personalities” can have on “the weaker or more demure.

Lermontov is the embodiment of the red shoes pushing her to dance even though her human nature compels her to stop. This is mostly obvious to smart people but I only caught on this watching, though to be honest I wasn’t paying much attention on my first viewing either. I guess Craster would be the expression of humanity but it’s a shade unclear why Vicky doesn’t dance or met her ambitions after she goes off with him but he can write his opera. Can she only dance under the shadow of all consuming obsession?

I do not disagree that the triangle is more about possession and not supporting Vicky. Honestly I just wish we got more of Vicky and Julien’s dynamic before and after they left the ballet. So yes I was wrong with regards to this movie though I maintain that the Ballet segment is amazing.

I was over a friend’s house and we decided to play this game a call Smart Ass. It’s a trivia card game and it’s really fun. So it was mine turn to read one of the cards and the player who guessed the answer right  landed a  bonus tile, so I had to read a card from the hard-ass pile. On card you have a choice of two questions  and I kid you not this is the card I drew to read.

Quasimodo Card from the game  Smart Ass picture image

Quasimodo Card from the game Smart Ass

 

Even though I knew the player knew the answer I had to pick the Hunchback reference. Smart Ass is also really fun, I would recommend it plus it has a Hunchback reference so clearly it’s awesome.

I won the first game, and the next two games I kept getting bad rolls that forced me back three spaces but it’s a really fun game. Photo credit to my pal Jackie ^^.

This part have FIVE songs because of someone’s weird decision to change a song

Ma maison c’est ta maison (My House is your House)

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

Ma maison c’est ta maison is one of the sweetest songs in Notre Dame de Paris. In it Quasimodo offer Notre Dame as both protection and a home to Esmeralda, very nice. This is the only version really do this as Esmeralda isn’t in any trouble.

It also just a nice duet between Quasimodo and Esmeralda but it offer some character development, like what Notre Dame means to Quasimodo, like it’s his passion, his air, his prison his homeland etc. Esmeralda admits to being afraid of Quasimodo but through this interacting she changing her mind as he reminds her of the gargoyles which make her laugh when she is bored. That could sound mean but it’s not meant that way.

Melodically the song is very gentle and sweet. Unlike the other songs in the song the built isn’t with music, it’s Esmeralda and Quasimodo singing together which is a nice little change.

This song also makes Notre Dame seem great, cool in the summer and warm in the winter, I live in New England so that sound wonderful as we have insane winters and crazy humid summers.

One more thing, I really like when Esmeralda takes Quasimodo’s hands, it’s very nice. It’s always nice when the performer have good chemistry and Garou and Helene Segara have really wonderful chemistry.

Ave Maria Païen (The Pagan Ave Maria)

Helene Segara singing Ave Maria Paien in Notre Dame de Paris picture image

Helene Segara singing Ave Maria Paien

Ave Maria Païen is one of Esmeralda’s big musical numbers. It’s a clear homage to the 1939 version when she prays to Mary. Disney had a similar scene but the tone and message was a little different.

In this song Esmeralda ask for protect for herself and she asks that barrier like race, nationality and other creeds that divide people be lifted which is her philosophy. So while she asks for protection and also ask for the welfare of people who get trampled on people in power much like God Help the Outcast.

The song itself is rather simple but gorgeous. Instead of having complex chords and music it instead has a children choir which just adds a lot of beauty and atmosphere. Also Helene Segara sells with song with a lot of passion in her voice.

Jens sens ma vie qui bascule (I feel my life slipping)

Daniel Lavoie as Frollo singing Jens sens ma vie qui bascule Notre Dame de Paris picture image

Daniel Lavoie as Frollo singing Jens sens ma vie qui bascule

While Esmeralda was praying Frollo was watching her and he becomes more fascinated by her. Really, this bridge song is meant to link Ave Maria Païen with Tu vas me détruire but in some way it’s more of introdution to Frollo’s song. It makes that point that Frollo is becoming vulnerable.

As a bridge song goes, Je sens ma vie qui bascule was perfect for Frollo’s character and the flow of the show and then they ruined it.

Si Tu Pouvais Voir en moi (If you could see inside me)

Gio di Tonno as Quasimodo, Notre Dame de Paris Itlaian version picture image

Gio di Tonno as Quasimodo, Notre Dame de Paris Itlaian version

Sometime in 2001 someone changed Jens sens ma vie qui bascule to Si Tu Pouvais Voir en moi song by Quasimodo, who is now the one watching Esmeralda pray taking Frollo out of the scene which makes his following song come out of no where which makes for sloppy flow.

But more than that this song is basically Quasimodo calling Esmeralda out for being shallow and not loving him as every other guy’s love is not true like his. This song is just fucking pointless, we already know this from Belle. I just don’t understand the thought process of ruining the pacing, the following song, and ruining Quasimodo’s character. Quasimodo is calling her shallow for not seeing inside and yeah Quasimodo did something like that in the book with vases but this song feels wrong for his character.
Really it would have been fine for Quasimodo to watch Esmeralda pray but it ruined too much to be meaningful to the show. I HATE this song, hate, hate, hate. Boo!

Tu vas me détruire (You will destory me)

Daniel Lavoie as Frollo Notre Dame de Paris picture image

Daniel Lavoie as Frollo Notre Dame de Paris

This is Frollo’s first big solo number. In Tu vas me détruire, Frollo sings about how his obsession is going to destory him and he on the one hand cares as he curses her but on the other he doesn’t care. He is going to sink into his obsession without any remorse.

The performer playing Frollo typically put their own spin while singing this song. Some are more angry while others are tragic. What I like about Lavoie’s version is that he has a great combination of pathos and desperate anger which is perfect for the character. I also like the way he hold his hand with a lot of tension like he trying to retain what little control he has left.

The staging is also really great. As Frollo sing pillars are trying to crush him. Literally his issues of purity and purity are trying to kill. If you really look at those pillars, you can see eyehole and a doors.

The music has a weird mix of being gentle but really off and I don’t mean off like the timing but like a stirring madness which again is perfect for the character and mood.

When I was first into this show, this song was one my favorites.

Get the whole GLORIOUS ALBUM HERE

The Man who Laughs Part II: Book 4: The Cell of Torture

Much like Hunchback we get a torture scene though it’s pretty different. First let me backtrack a little bit. Back in Book 3 there was this chapter called The Wapentake. A Wapentake was an administrative division of the English court. Basically in the context of this story, if they touch with their staff thing you’re pretty much arrested and here in Book 4 one comes for Gwynplaine. However prior to that Gwynplaine torments himself over the beautiful duchess or the heavenly Dea, poor guy, two women want his love, does he have to spilt his heart in two? Dare I say he’s torn apart. Actually, No, he burns the letter and then the court cop shows up. Gwynplaine is taken silently as to not upset Dea.

Ursus then follows Gwynplaine and the Wapentake to the jail, the Southwark jail. There Gwynplaine sees a prisoner pretty much being torture but not quite because they didn’t torture people in England as that time, instead they deny the poor guy food and drink. The man also claims to know Gwynplaine which Gwynplaine denies and freaks out.
The Sheriff then says to Gwynplaine,

I have before me,” said the sheriff, “Lord Fermain Clancharlie, Baron Clancharlie and Hunkerville, Marquis of Corleone in Sicily, and a peer of England.”
Rising, and offering his chair to Gwynplaine, the sheriff added,–
“My lord, will your lordship deign to seat yourself?”

Gwynplaine is a lord! WHAT! I should go back and skim through that chapter on the English nobles, because even if I had paid attention I would have forgotten. *
Anyway this book was okay, I mean really only a few things happen but the twist was nice though.

 

*Thanks to magic, (CTRL+F for the name Clancharlie) I found the the mention of the title in that boring part way back at the start of the book.
Linnæus, Lord Clancharlie, Baron Clancharlie and Hunkerville, Marquis of Corleone in Sicily, derives his title from the castle of Clancharlie, built in 912 by Edward the Elder, as a defence against the Danes. Besides Hunkerville House, in London, which is a palace, he has Corleone Lodge at Windsor, which is another, and eight castlewards, one at Burton-on-Trent, with a royalty on the carriage of plaster of Paris; then Grumdaith Humble, Moricambe, Trewardraith, Hell-Kerters (where there is a miraculous well), Phillinmore, with its turf bogs, Reculver, near the ancient city Vagniac, Vinecaunton, on the Moel-eulle Mountain; besides nineteen boroughs and villages with reeves, and the whole of Penneth chase, all of which bring his lordship £40,000 a year.

Now how could one possibly forget that at the end of chapter full of paragraphs like it? My sarcasm aside it was still a nice twist though.