Can you guess the theme of these songs?

Le Mot Phoebus (The word Phoebus)

Bruno Pelletier as Gringoire with Helene Segara as Esmeralda in Notre Dame de Paris picture image

Bruno Pelletier as Gringoire with Helene Segara as Esmeralda

Le Mot Phoebus is one of my favorite little bridge songs in Notre Dame de Paris. First off the melody is very pleasant and sweet. Second this the ONLY time that Gringoire and Esmeralda get a duet, which is a shame, makes sense but a shame, though in other versions the get two lines in La Cour des Miracles but still.

In Le Mot Phoebus Esmeralda tells Gringoire he has been Friend-zoned and Gringoire isn’t that upset about it. I think he would have been happier with her be his muse, nymph, his lady but Gringoire is a chill dude and just goes with it.

It’s just a few nice lead into the next song.

Beau comme le Soleil (He is like the Sun)

Juie Zenatti as Fleur de Lys & Helene Segara as Esmeralda, Notre Dame de Paris Original Cast, picture image

Juie Zenatti as Fleur de Lys & Helene Segara as Esmeralda, Notre Dame de Paris Original Cast

And what is this? It’s the next song, fancy that. Beau comme le Soleil is a rather interesting song as it’s another duet sung by Esmeralda and Fleur-de-Lys in tandem but not really together about the man-whore know as Phoebus.

Now Esmeralda has known him for a solid day and had two interactions with him. One she was more-or-less flirtatiously gave a vague account of her life and the second time she refused him after he saved her and then somewhat agreed to met him at a brothel and now she in totally in love with him, teenagers am I right? Whether or not it’s believable from a logical stand point, Esmeralda’s part is a directly foiled by Fleur-de-Lys’ part.

Esmeralda’s part is just about a growing love or fascination for a guy she doesn’t know at all. All she knows is he is handsome. Fleur-de-Lys knows more about him like he is rascal but she is attracted to me on a more physical level than romantic idolization. It’s an interesting pairing of two loves that are both shallow and immature.

The melody is nice and the part they sing together is really pretty. I love how great the original cast harmonizes toegther.

Also I haven‘t talked about the editing very much but that overlay at the end with Phoebus is so derpy. In other versions, Phoebus appears between the ladies but on the Original cast DVD, that overlay makes me laugh every single time.

Déchiré (Torn)

Patrick Fiori as Phoebus from Notre Dame de Paris picture image

Patrick Fiori as Phoebus Notre Dame de Paris

Ah Déchiré, Déchiré and I go way back to my first AMV, the character was pretty the embodiment of this song. And what is Déchiré all about? It’s about how Phoebus is super duper happy that two lovely ladies want him.

Unlike in the book, Phoebus here expresses a desire for having both women in his life instead of Esmeralda being a one night stand. Fleur-de-Lys would have been the wife and Esmeralda would have been the mistress. At some points in times, mistresses were totally ok, I’m not sure if that was the case for 1482 France but the point is two women want his love and he is normal for being happy about it.

I really enjoy this song. I would say this song is upbeat even though it’s a little disguised as being being moody and other versions don’t have the same level of dark wit. The song defiantly has great energy and is a testament to the stupid male ego.

Get the whole GLORIOUS ALBUM HERE

Gwynplaine and Dea

Well, well, well  our dear pal of Ten-Year-Old-Nameless-Boy has a name and it’s Gwynplaine, I’m going to have so much fun typing that, copy & paste powers activate!

Anyway much like Quasimodo, Gwynplaine is rather deformed and monstrous. Unlike Quasimodo, his afflictions of a mutilated face were the result of the child-trader, Comprachicos, that were mentioned forever ago. His face is a permeant smile which he likens to a mask. The book hints that genetically he would be attractive and has an athletic body.  And again unlike Quasimodo, Gwynplaine is a little be more ok-ish with his face because he has made a living off it and because of the blind baby girl.

The Blind baby girl’s name is also given and it’s Dea, which is a very pretty name and it means Goddess in latin. Dea is described as being very beautiful in a fair fragile way, almost ethereal. For the record I don’t know what Gwynplaine mean, Hugo seems to have made it up. Two possibilities could be is that it means “White Plains” in Welsh or it comes out of the Arthurian legends of a character named Guinglain meaning “Fair jewel”. But I have no idea.

Most of the core subject matter that is talked about OVER and OVER and OVER again through these twelve chapter is that Gwynplaine and Dea are in love. They grew up together being cared for by Ursus and Homo and they grew to worship each other. Gwynplaine has some feeling of remorse that he feels like he is tricking a blind girl into loving him but Dea really truly loves him. It actually rather sweet and Ursus is a nice little foil trying to convince them not to love each other because he is a misanthrope.

Anyway these chapter are backstory from Gwynplaine and Dea because we need the set-up but at the end I think the plot sort kicks in with them going off to London.

I actually enjoyed these chapters, the were needed and they expanded characters that were part of the story, though I’m seeing how things are fitting together but really did 50% of this book need to be set-up? Guess it a style thing of the 1860’s or Hugo. This section was the reason I didn’t quite quit these post and opt to take a part at a time, we’ll see if the plot actually does kick in and what the plot is.

Ladyhawke picture image

Ladyhawke

My first experience with this movie is an episode of The Critic by the same name. To be honest I had no idea it was a play on a movie but when I was looking at live-action fairy tale movies this one from 1985 crossed my path. From the start I was pumped, I wanted to like Ladyhawke. It was a fantasy movie from the 80’s, Fuck yeah, but then the credits with most cheesiest 80’s music you could ever imagined ended and this snooze-fest began.

Rutger Hauer as Navarre with Isabeau in Hawk form Ladyhawke picture image

Rutger Hauer as Navarre with Isabeau in Hawk form

Actually, the beginning with Matthew Broderick’s character, Philippe “The Mouse” Gaston was fine. Broderick plays this thief who is the only person to escape this place call Aquila, that is run by this dweeb Bishop, if he has a name I don’t care. No, where this movie gets bad and quite boring is when Philippe meets Captain Navarre a.k.a the plot. You see Navarre has this hawk and him and the hawk are cursed. The hawk is actually his lady love, Isabeau, played by Michelle Pfeiffer. Isabeau is cursed to be a hawk by day and Navarre turns into a wolf by night. They can only see each other in human form for a few fleeting moments.

Turns out the bishop cursed them with the powers of satan no less because he wanted Isabeau. Geeze a holy guy being obessed with a pretty lady, where have I heard that one before? Let me think…… oh yeah The Monk , that book sucked.

Not going to lie, I wasn’t playing that much attention but here is what I think happen. Navarre wants to kill the bishop even though that would mean they can’t break their curse. To break the curse they have to appear together in human form before the bishop. Navarre wants Philippe to sneak him into Aquila. Navarre is told by some monk guy that there is a day when there is no day and night or something, it’s an ellipse. Why couldn’t the monk guy just say that? Drama. Navarre goes to fight and tells the monk dude that if he hear church bells to kill Isabeau, which is stupid but in the end it all works out, they break the curse and I got to stop pretending to pay attention.

Michelle Pfeiffer as Isabeau Ladyhawke picture image

Michelle Pfeiffer as Isabeau

 

So why was this movie bad? Well much like some major criticism of Disney’s Hunchback this movie has no idea what it wants to be, it has no identify. Is it a darker fantasy? A light fantasy? A comedy? Some movies and TV shows has such great writing that they blended the genres into a balanced and cohesive story. Ladyhawke does not. And I will get this out of the way, the stereotypical 80s music does not even help one iota. If anything it just further confuses.

Matthew Broderick as Philippe

Matthew Broderick as Philippe “The Mouse” Gaston

Then there is the acting, it sucks. The only characters I believe are the wolf and the hawk and the horses too. At least I believe that they were the animals they were. Otherwise the acting was either hammy or bland. If the tone had been more comedic, Broderick’s would have been fine but his dramatic parts were boarder on PAINFUL and the dude who played Navarre, one Rutger Hauer, I swear was channeling Charleston Heston the whole movie, which was weird.

Frankly the only character who has any personality was Broderick’s character and that is because practically all his lines told us what his character was like, no need for acting.

Navarre as the wolf Ladyhawke picture image

Navarre as the wolf

However some movies just like to say “fuck it, style over subtense,” so you might think this movie was all about the style. Well maybe that is true but I didn’t see anything that resembles style. The editing was weird, the costumes were boring, and most of the shots were too dark to really see anything. In fact I think this movie was the opposite, it was all about the subtense, that the love story was movie and tragic.

Michelle Pfeiffer as Isabeau with the evil bishop Ladyhawke picture image

Michelle Pfeiffer as Isabeau with the evil bishop

The love story might have been good if the characters were not so stupid or if they had personalities, maybe if their back story was a flashback instead of a monologue told to us by the monk dude. With a flashback we could have felt for Isabeau and Navarre more. Speaking of their curse, why fuck would the devil make THAT the curse the bishop would use. Turning a couple into animals at difference times of the day sounds more like mark of witch for pissing her off or something not the devil for a dude who wants a woman. Also we know an ellipse is like a loop-pole but are there other loop-poles? Like a serve overcast day? IS the curse really time specific to the sun? Would sunblock have helped? I don’t know this story seems better on paper than as a movie.

Michelle Pfeiffer as Isabeau Ladyhawke picture image

Michelle Pfeiffer as Isabeau

Ladyhawke is a boring and genre confused movie with little logic and no likable characters. Of all the 80’s fantasy movies this one is better left forgotten. Though it could be worse, it could be a shallow high school remake of Beauty of the Beast, wait that is the next movie isn’t it? Cries.

Samantha Barks  picture image

Samantha Barks

A movie version of Notre Dame de Paris is a compelling idea. It has an artistic representational quality with a gritty style that could be really fun as movie but who could you get for the roles of such a movie? Oddly, one can just look to the last big budget Victor Hugo movie for a candidate for Esmeralda, one British actress Samantha Barks.

Samantha Barks as Emily Barstow in The Christmas Candle  picture image

Samantha Barks as Emily Barstow in The Christmas Candle

Samantha Barks played Eponine in the 2012 version of Les Miserables which rumor has it she beat Taylor Swift for. Prior to that Barks was part of reality show where the winner got to play Nancy in Oliver, called I’d Do Anything (appropriate name for a reality show) and played Eponine on stage. Since Les Mis (and at the time I’m writing this post) she has been in two other movies, Christmas Candle, and a minor role in Jack And The Cuckoo-Clock Heart. However Barks is in a few upcoming movies, so we’ll see how her career goes.

Samantha Barks as Eponine in Les Miserables picture image

Samantha Barks as Eponine in Les Miserables

On an acting front, Barks seems to be fine. Her depiction of Eponine was heartfelt but I don’t think the role of a tragic girl doomed to the friend zone isn’t all the hard to convey effectively. And her role is The Christmas Candle, it was was okay, though to be honest I really couldn’t get in that movie at all maybe because watching a Christmas movie in April doesn’t have the same impact, also it was beyond sappy, like chokingly saccharine. And I didn’t see the Jack And The Cuckoo-Clock Heart movie. However I think she could pull off Esmeralda on acting and singing end as Barks does have a lovely voice.

Samantha Barks  picture image

Samantha Barks

But how is she on the looks? Much like Esmeralda, Barks has the dark eyes and the dark hair that Hugo described Esmeralda has having, though Notre Dame de Paris does seem to like Esmeralda with red hair, though I think Barks might look ok with a touch of red but that it not a necessity to the role. Barks also has an earthy, natural quality about her which I think for a Notre Dame de paris Esmeralda is a good thing. The musical Esmeralda never seem to be the innocent celestial creature that Hugo described but a beautiful, free-spirited dancer who loves life.

Samantha Barks  picture image

Samantha Barks

Samantha Barks has everything that a good Esmeralda should have, now we just need someone to make the movie and cast her in it. I would love to hear her sing Live for the One I Love, plus how fun would it be if Taylor Swift were to play Fleur de Lys off Samantha Barks’ Esmeralda? Fun might be the wrong word.

Anyway what you guys think of Samantha Barks for Esmeralda in a movie version of Notre Dame de Paris or just in Hunchback in general because she could just pull of the role in a straight adaptation though I see her more as Notre Dame de Paris Esmeralda.

Le Portes de Paris (The Gates of Paris)

Gringoire singing Le Portes de Paris Bruno Pelletier Notre dame de paris picture image

Gringoire singing Le Portes de Paris

This song is kind of funny and I don’t mean like it’s hilarious, I mean this song set-ups a trend in Notre Dame de Paris that is very clear in all three of these songs. Where the plot and story are reduced to one or two lines of song over setting up mood or emotion. Typically this is fine but in this chunk of the overall story we kind of need story being told.

In Les Portes de Paris, Gringoire tells us he met a girl, followed her and lost her. That’s it. It’s like drive-by exposition. I mean if you don’t know he meant Esmeralda, would you REALLY know he meant her? The rest of the song tells us Paris is a dark and sexy place. It’s very moody and Gringoire is a delight in the song but alas isn’t a little more than forgettable.

Tentative d’enlèvement (Kidnap Attempt)

Phoebus and Esmeralda Tentative d'enlevement Helene Segara Patrick Fiori Notre Dame de Paris picture image

Phoebus and Esmeralda

Ah, yet another song to make that worst list, at number six. First off what the fuck? This song depicts the critical scene where Quasimodo tries and kidnap Esmeralda. This is also the scene in the book where Esmeralda and Phoebus meet for the first time. And it just all so sloppy in Notre Dame.

So when Quasimodo goes in for the kidnap, Esmeralda is in mid-run from some weird extra, so it just looks like she is running from the other guy and not even Quasimodo, so that ruins it.

However that not even the tip of the messed up-ness of Tentative d’enlèvement. When Phoebus saves Esmeralda he puts the moves on her and she rebuffs him, telling him he as gotten the wrong girl as Esmeralda isn’t a soldier-girl. So then what happens? He tells he he’ll meet her at a brothel the “Cabaret de Val d’amour.” And for whatever that line worked and she’s now like Phoebus, in fact later on she says her heart beats for him, but I’m getting ahead of myself. It’s just like what! In under two minutes the ruined a very pivotal scene.

The music for the song is okay, it has a nice mystery and dark tone but it’s not enough to save the song.

La Cour des Miracles (The Court of Miracles)

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris



At last another big number. La Cour des Miracles tells us about the Court of Miracles and Clopin’s outlook on the world as a world without much divide of status and religion. Then there is the drive-by exposition where Gringoire just literally pops in, is hanged in a bag, which looks like fun and married off. Any humor of the scene is gone.

As far of the song itself, it’s fun and has good enegry. I do like Clopin singing it off a gilder from the ceiling. Not a favorite song of mine but far from the worst. I kind of wish that the camera guy got more of Gringoire and Esmeralda dancing.

Speaking of Esmeralda and Gringoire, other version added lines for them, where Esmeralda tells him that she is not into him which the next song did anyway so it was a weird addition.

Get the whole GLORIOUS ALBUM HERE

So I have thought about it and considered the polls and have decided that I will combine both options and I will just the posts with more chapters at a time hopefully a part at a time. For this post we’re just going to quickly  finish off Part II Book I, which gets us through these English Court Shenanigans, well at least the 12 chapter set-up.

To be honest I really don’t recall much of these chapters. Our old pal  Barkiphedro, I’m going to call him Barky from now on,  plots more against Lady Josiana. The book seems to indicate that he loves her so we have a Frollo-Esmeralda thing and considering deformed supposed main character it very Hunchback-y.

Then I think there is a dual or something, I read or skimmed these chapters a week ago. Okay I re-read the last chapter (a little) and it was boxing match, I mean of course yes, boxing lovely.

Most of chapter 12 describes the boxing match and there is some dialogue and it whatever one guy wins, yay. And at the end of the chapter this is said;

As she left, Josiana took the arm of Lord David, an act which was tolerated amongst people “engaged.” She said to him,–
“It is very fine, but–“
“But what?”
“I thought it would have driven away my spleen. It has not.”
Lord David stopped, looked at Josiana, shut his mouth, and inflated his cheeks, whilst he nodded his head, which signified attention, and said to the duchess,–
“For spleen there is but one remedy.”
“What is it?”
“Gwynplaine.”
The duchess asked,–
“And who is Gwynplaine?”

Ok, I thought she meant spleen as in her organ which could have been some weird 1860’s slang or something  but silly me, she meant as bad temper or spite which makes more sense. I won’t lie this confused me for a while.

Labyrinth picture image

Labyrinth

For today’s review I’m donning nostalgia goggles and wearing my I APPRECIATE THE MUPPETS ON A MUCH DEEPER LEVEL THAN YOU T-shirt because today we’re reviewing the 1986 Jim Henson movie, Labyrinth.

Labyrinth is a sort of companion piece to Jim Henson’s 1982 movie The Dark Crystal, Unlike The Dark Crystal, which is a dark serious fantasy movie with only puppets, Labyrinth is a light-hearted coming of age story with a few human characters. However, it does have its surreal moodiness that makes for a great children’s movie, then again that was the style of kids movie in the 80’s.

Sarah entering the Labyrinth jennifer connelly Labyrinth picture image

Sarah entering the Labyrinth

Labyrinth centers on fifteen-year old Sarah played Jennifer Connelly. Sarah frenquetly has to babysit her step or half baby brother, Toby. One night while babysitting Toby she asked the Goblin King from her favorite book, Labyrinth, to take Toby away. As it turns out the Golbin King, Jareth, played by David Bowie, takes Toby to his castle at the center of the Labyrinth beyond the Goblin city. Sarah begs him to giver her brother back and he gives her thirteen hours to solve the Labyrinth and reach the castle. The rest of the movie is Sarah meeting creatures and friends while Jareth tries to thwart her and falling in love with her all.

Jareth offering Sarah her dreams jennifer Connnlley David Bowie  Labyrinth picture image

Jareth offering Sarah her dreams

Labyrinth has an interesting kind of moral. It’s a coming of age story but the way it handled isn’t very common. Sarah is on the cusp of childhood and adulthood. She rather likes living in her fantasy world of toys, storybooks and costumes and doesn’t like the reasonability of taking care of her little brother. She does haven’t sort wants the freedom to do what she wants, like when she argues with her stepmother about how she doesn’t ask Sarah what her plans for her evenings. It sort of plays at being and adult but keeping a sense of childhood which is fitting for a Jim Henson movie.

Sarah in the Labyrinth Labyrinth picture image

Sarah in the Labyrinth

That being said Labyrinth doesn’t have a very strong story, it’s really just a girl in a strange place meeting strange creatures and characters. Is is because most of the movie was done from the artwork of Brian Froud. So it was a collaborative movie that was unified with a script. But I think it works here, I think going from point to point but having a larger goal in mind works for a story.

Sarah and Jareth dancing Jennifer Connelly David Bowie Labyrinth picture image

Sarah and Jareth dancing

Of course the premise structure that with movie has only really works because the technically and the character work well. Let’s start with the characters. Sarah has a lot of growth. She starts off bratty but grows and accepts her adult responsibilities and when she is offered her dreams she rejects them. Jareth is kind of like Sarah. Bowie talked about how he saw his character has taking the responsibility of being the Goblin King but hating the job. So he does his job of taking children and trying to scare the ones who would save them. Bowie brings a lot of complexity to character who might not have had any. The other characters like Hoggle, Ludo and Didymus are also great. Hoggle grows from being a coward and not very nice to be being brave and kind. Ludo is just kind despite being somewhat scary and Didymus is amusing.

Jareth singing Dance Magic David Bowie Labyrinth picture image

Jareth singing Dance Magic

As is standard with Henson movies the technicals are great and a lot of fun. The CG work looks very dated but it was 1986 so it’s forgivable. The costumes are also great. It rare that a movie gives the male villain more costumes than the lead female. The ball-gown she wears is wonderful, it’s like pure 80’s fantasy mixed with Art Nouveau. The whole of the ballroom scene is stunning.
The movie also has a great sound track that David Bowie provided. Who doesn’t love Dance Magic?

Sarah, Ludo, Didymus and Hoggle Labyrinth picture image

Sarah, Ludo, Didymus and Hoggle

However the movie does have some pacing issues. It drags in parts, like the battle has some fun parts BUT it goes on and on and on and then on some more. There also a part before she meets the Fire Gang that is a little dull, also the fire gang is a little bit of a what the fuck scene and in this movie that is saying a lot.

Goblins Labyrinth picture image

Goblins

Despite Labyrinth having a very simple premise you could write a thesis on on the symbolism of this movie from a number of different disciplines. Was the whole real or did Sarah imagine it? Was the worm helpful or deceptive? And just the Ballroom scene in general, that is my favorite scene. The movie has so many layers and richness.

Also there is a comic book sequel series, Return to Labyrinth .

I’m late to the party on this one but I did listen to it when it was released, on my phone at an Anime Conventions I’m sure it was intended to be listen to in that manner. This post is off the cuff.

So first off this is a very lovely version. It is technically very well done. The orchestration and Groban’s voice is very pleasing. However Groban does not have the power and emotion of Bruno Pelletier or Matteo Setti of the Italian cast, I’m sure there are other great Gringoires I’m just lazy and I don’t feel like listening to the song over 20 times to list on in a tangent.

Also another personal issue I have and this could relate to the lack of power is that Groban seems disconnect to the lyrics. I’m sure he is know what he is singing but the language could just disconnect him a bit. Though I do recall him singing in other language and hearing more passion so maybe that wasn’t it.

It is a very pretty version and I like that people who may have not heard the song otherwise get a taste of the musical.

Pre- order Josh Groban’s Stages

Also Groban was in this movie which I love so despite my criticism I don’t care, anyone who was ever in one these movies is  beyond reproach, beyond it I say (not really.)

Doing four songs this week.

La Fête des fous (The Feast of Fools)

garou Bruno Pelletier Gringoire spotting Quasimodo during the Feast of Fools Notre Dame de Paris picture image

Gringoire spotting Quasimodo during the Feast of Fools

Much like Bohémienne, La Fête des fous is a fun uptempo number with a lot of dancing. It brings us to the start of the book so to speak.

Unlike the book Gringoire isn’t merely having his play ignored, he is running the show much like Clopin in the Disney version. This song also introduces us to Quasimodo, who make his first appearance on stage during this number. AT first he walks down, through the openings of the rock climbing wall of Notre Dame. To be honest it’s not that dramatic but then again there was no build up to Quasimodo so it’s not that bad. Also it might be different if you’re sitting in the audience and you see this shadowing figure vs having a fixed perceptive with edits. Though the flip side of that is you get to see Quasimodo’s expressions which are adorable.

I really do love the lighting, the dancing and Gringoire’s energy in this number however this song is not a favorite of mine. It’s really one note and even for this musical it’s SUPER receptive, take a drink every time they sing La Fête des fous and you will smashed in less than three minutes.

Request – Someone make a Notre Dame de Paris drinking, please drink responsibly

Le Pape des fous (The Pope of Fools)

Garou as Quasimodo Notre Dame de paris picture image

Quasimodo as the Pope of Fools

I mentioned last time about a top ten worst songs of Notre Dame de Paris list, well Le Pape des fous ranked in at number #10.

Why? There are a few reasons but number one, for an introduction song it’s a stall and it gets a very core aspect of Quasimodo’s character just wrong and for a show that is regarded as one of the most accurate to the book it’s just a big problem. That being Quasimodo express a desire for Esmeralda prior to her doing anything nice. Maybe I’m just a book purest but he is basing his affections of her looks but get mad at other for judging him on looks.

The one things I like is that Quasimodo gets a little mad and hoisting him into the air but it’s still a dull introductory song that got its character wrong. On the other hand, most people think this song shouldn’t have been on the worst list.

La Sorcière (The Sorceress)

 

Frollo, Quasimodo and Esmeralda La Sorcière Notre Dame de Paris picture image

Frollo plots to kidnap Esmeralda with Quasimodo’s help

Ah yeah this song, at one point I had that opening guitar rift as my ring tone. I also love Frollo’s point, classic him. Also spit sync, delightful.

So while I do like La Sorcière it’s a silly little bridge song meant to move the plot forward. It also gives us some insight into Frollo and Quasimodo’s relationship which flows into the song.

L’Enfant trouvé (The Orphan)

Frollo and Quasimodo L'Enfant trouvé  Notre Dame de Paris picture image

Quasimodo swearing devotion to Frollo

The reason why we have four songs this week instead the three* is because La Sorcière and L’Enfant trouvé flow into some much that it’s like they are one song. THough there is a melody and subject shift that it is clear but the way the transition is done in La Sorcière it mean they are companion songs.

Anyway L’Enfant trouvé goes deeper into the Frollo and Quasimodo. It’s the same as it in the book really. However Quasimodo adds that he doesn’t know Frollo’s heart. It’s really great how Frollo is like cold and emotionless as Quasimodo bares his devotion out to him. Gotta love Quasimodo emotions in this song. Is it the best song in the show, nope but it‘s okay.

(Four songs might be a norm, damn bridge songs)

Get the whole GLORIOUS ALBUM HERE

So let’s be really real for a minute. I think It’s pretty damn apparent that I am not digging The Man Who Laughs but it more could be that blogging about X many chapters per week isn’t REALLY working with this book so much as it’s slow paced. Also I have just been getting my ass-kicked in my day-to- day life with personal stuff and other stuff, so reading this book isn’t really high on my list of how I want to use my time and while I don’t get a ton of comments  mostly, I do just get the feeling that no one REALLY cares about these posts.

More or less the reason why I do a few chapters at a time is that I’m a notoriously slow reader so it just made sense to do that way and it gives me content for a few months and content is what blogs need to live. But it’s a double edge sword, it’s giving me content but if it’s boring people then it’s no good to any of us.

I’m just really disappointed because I have wanted to read this book for awhile and I thought it was a good idea but ultimately it’s not working and I’m not really enjoying the book, I sort of enjoyed blogging about the lack of interesting plot but at 37% a little more than four things should have happen and this English Court stuff is dull.

So here are some questions, I’m I wrong and are this post working and enjoyable? Or Should I just read the book and do one post on that and watch the movies/mini-series like I intended? For the record, I have a bad track record of not finishing things so I do want to finish what I have started.

Are the Man who Laugh Post working?

  • Yeah, keep at them (56%, 5 Votes)
  • No, move on (44%, 4 Votes)

Total Voters: 9

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And then after that, two options, Read The Phantom of the Opera, which I have read before and is more enjoyable and it connects to Hunchback or take a break from books post for awhile and blog about a certain TV show that deals with fairy tales (you can guess it). Or something else, make a suggestion but please be serious about it, I’m not really in the mood for silliness.

After the Man who Laughs posts

  • Phantom of the Opera book (63%, 5 Votes)
  • Tv Show (25%, 2 Votes)
  • Other (leave a comment with suggestion) (13%, 1 Votes)

Total Voters: 8

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Let me know what you think!