Alain Cuny | The Hunchblog of Notre Dame

15Sep 2014

Project Re-Read Book 9, Chapters, 1-3

by jess

Book 9, Chapter 1, Delirium

Esmeralda (Gina Lollobrigida) and Frollo (Alain Cuny),

This chapter is Frollo freaking out about Esmeralda’s death. He doesn’t know that Quasimodo saved her. At the end of the chapter when he sees Esmeralda walking in Notre Dame he thinks its her ghost. All and all this chapter is pretty cool and fun to read as it really just Frollo’s insanity.

Movies haven’t really tackled this one chapter. You see touches of it in the 1982 version and the 1956 version. I understand that movie would rather focus on Quasimodo and not Frollo but this chapter would be so much fun for a movie version. I t really has everything a dramatic movie could want for a director, actor, cinematographer, lighting, etc.

Someone do it!

Book 9, Chapter 2, Deformed, Blind, Lame

Maureen O’Hara as Esmeralda & Charles laughton as Quasimodo

In this chapter we learn a little about the history and concept of sanctuary and that it can be suspend but that rare. It also is

Esmeralda recovering her sensed that her time in jail rob her of. Quasimodo also gives her clothes food and his bed. We also learn that Djali is a-ok.

This chapter and the next one are often merged in films versions. Though movie favors the last bit of this chapter with Quasimodo’s interactions with Esmeralda and just have it go into the next chapter with one scene.

Book 9, Chapter 3, Deaf

Salma Hayek as Esmeralda & Mandy Patinkin as Quasimodo,

Yeah, this chapter is in like every Hunchback movie version, pretty much. It’s the first conversation between Esmeralda and Quasimodo, about why he saved her and how to talk to him, you know the drill.

But you know it’s a lovely meaningful chapter. I have no complaints. Movies tend to do this chapter well enough even if it’s at the expense other chapters/scenes.

21May 2014

The Many Styles of Frollo

by jess

In the realm of Hunchback we know that Quasimodo will (or should) be ugly and deformed and Esmeralda should be pretty, these are truth in in the novel, they have set looks. Frollo, while he does have a set look in the novel and is supposed to have an austere harsh look gets a wide variety of looks in the movies. So today we’re are going to look at some Frollo’s various hair styles.

Frollo’s hair in the book is balding. he had tuff of ugly gray hair on the side which give him a natural tonsure. Movie never go for this look

Jehan 1923 Hunchback of Notre Dame Brandon Hurst

In the 1923 we have two Frollo, Pious Claude and Jerk Jehan. Jehan has black hair that goes to ears and he also seen wearing a bowler-like hat. Claude has sepia color. He has a receding hair line.

Jehan Frollo, Sir Cedric Hardwicke 1939 Hunchback of Notre Dame

In the 1939 version we again have Pious Claude and Jerk Jehan. Jehan has black hair that is a straight cut across his forehead. He has lock that curl on the side his face. Claude has white hair and he wears a bishop hat.

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

In the 1956 version, Frollo has a full-head of brown hair. He keeps it short.

Kenneth Haigh as Frollo 1977 Hunchback of Notre Dame

In the 1977, Frollo has the brown hair with a straight bang line.

Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame

In the 1982, Frollo hair at is at it’s most stupid. It’s a blond bowl cut.

Frollo singing Hellfire Disney Hunchback of Notre Dame

In the Disney version, Frollo has the same cut of 1939 Jehan but with gray hair. His bangs cut straight along the center of his forehead and then it recedes.

Richard Harris as Frollo

In the 1997, he is bald.

Daniel Lavoie as Frollo Notre Dame de Paris

In original Notre Dame de Paris version, he has very short brown hair.

Richard Berry as Frollo 1999 Quasimodo d’el Paris

In the 1999 parody version, Quasimodo d’El Paris, he has short black hair with long thin sideburns.

Frollo’s look in the movies (and musicals) are very different than the novel but they seem based Frollo’s look on the past movies than on the novel.

07May 2013

Conclusion to the 1956 version

by jess

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame

The 1956 version of the Hunchback of Notre Dame is a disappointment. It had a great set-up with its concept making a Hunchback movie that was almost accurate to the book. We had Ananke as a theme, Frollo is a Priest, Esmeralda dying and the Quasimodo lying down beside Esmeralda to die at the end.

The Ending of the 1956 Hunchback of Notre Dame

But the movie is plagued by bad execution on almost everything. The actors seem to be not into it, the script boring, the music is nonexistent, the camera work in a sea of flat angles, it lacks directional style, the set are fake looking , etc.

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

This is a seems to be a problem with Hunchback movie. Either you get a movie that is really good but way off from the book OR you get something that is really close to the book but the execution sucks. I think this film has a fair regard with some Hunchback fans because of its accuracies but give them a well executed movie that is also accurate to the book and this version fade from memory.

Anaykh craved on the wall, 1956 Hunchback of Notre Dame

Next Time – we’re going to look at the Wishbone version

Wishbone as Quasimodo

19Feb 2013

Useless Poet; The 1956 Verion of Gringoire

by jess

Robert Hirsch as Gringoire, 1956 Hunchback of Notre dame

Gringoire is another character that can be a lot of different things pending on the needs of the version. He can be the hero, comic relief, narrator or a useless poet.

The 1956 version of Gringoire is the useless poet variety. That’s not to say he isn’t enjoyable. He gets a few funny lines but not enough to say he is the comic relief.

Robert Hirsch as Gringoire, 1956 Hunchback of Notre dame

So what does this Gringoire do in this version? Well, this Gringoire pretty much acts like he does in the book. He write a play that no cares about, he knows Frollo, he is smitten with Esmeralda, he almost gets hanged and marries her but doesn’t push the relationship and is just happy that she knows his name. He does want to help save Esmeralda for the removal of sanctuary but he told to stay behind and so he writes instead. And we never see again.

His character gets no resolution. I mean did he write that poem of the Court of Miracle’s victory with Jean as the hero? We’ll never know and I guess that makes him tragic.

Robert Hirsch as Gringoire, Alain Cuny as Phoebus, & Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre dame

All kidding a side, Gringoire’s depiction in this may keep to book with exception of the ending as he is not tricked by Frollo and doesn’t runs off with Djali but as he doesn’t do much that for the main plot we can’t connect with him.

He’s just a guy who goes with the flow, likes to write and hangs out with pretty ladies and goat. Maybe if we saw his reactions to Esmeralda’s death or if we saw him react to any of the drama it would have added to his character. So Gringoire is dull but he’s few silly lines make him slightly enjoyable.

Robert Hirsch as Gringoire & Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre dame

Next 1956 Article; Clopin

Philippe Clay as Clopin, 1956 Hunchback of Notre dame

05Feb 2013

Failed Frollo; The 1956 version of Frollo

by jess

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

Frollo is the one of the major players in the story as he is the one who gets the story moving. In a way a Hunchback version needs a Frollo that the audience can enjoy whether he is just a dark and twisted man or a tortured priest who is in conflict with his heart and his mind.

So how does the 1956 version hold up?

Frollo (Alain Cuny) practices alchemy, 1956 The Hunchback of Notre Dame

To the film’s credit this is the first time we see Frollo as a priest who practices alchemy and lusts after Esmeralda . Too bad he’s boring, I have seen pieces of toast more interesting than him. Much like this version’s depiction of Quasimodo, this Frollo fails.

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

First off, his looks. It’s not Cuny is ideally handsome but he is WAY too handsome to play Frollo. Frollo, while he isn’t suppose to be old, he is suppose to look austere not rugged. It doesn’t help the story when Frollo and Phoebus look like they could be the same fashion show.

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

Now this Frollo marks the first time we see Frollo as he was must to be; a tortured, lusty priest who practices alchemy on the side. The way Frollo showcases his torment in this movie is by scowling, hiding behind walls, and burying his face in this hands.

On the whole we don’t connect with his torment for Esmeralda. We get a few scenes where glares at her but we never see him bear his soul like Frollo does in the 1939 version or in Disney version.

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

The only scene that serve to show Frollo as a more than a pseudo tormented lusty priest is during Esmeralda’s trial where he sort of defends her without giving himself away as the real attacker. But he turns on her when she speaks of love and life.

Also Esmeralda says that during the trail he was the worst face of all so I guess that little scene didn’t have much of an impact the characters. But I guess it’s nice that they tried.

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

Like I have said Frollo should have a scene where he bears his soul. Whether it’s directly to Esmeralda or to audience, that is where his drama culminates. Keeping bottle up like this Frollo does adds nothing. The only “soul bearing” this Frollo does is he tell Esmeralda that she is his as he tries to force himself on her.

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

I feel rather cheated that this version has the right basis for Frollo but fails to make him interesting and engaging. The Jetlag version of Frollo has more interest than this one and that it is really saying something.

We really can’t feel any torment or conflict from this Frollo because I think the director doesn’t know how to convey it. So in the end we have a great set-up for Frollo but the execution fails to give the drama that the character is meant to bring to the story.

Next 1956 Article – Phoebus

Jean Danet as Phoebus, 1956 The Hunchback of Notre Dame

29Jan 2013

Quasi Quasimodo; The 1956 version of Quasimodo

by jess

Quasimodo (Anthony Quinn), 1956 The Hunchback of Notre Dame

Gotta say the 1956 version of Quasimodo was quite a disappointment. For a version that works so hard to maintain the plot of the book it really failed with Quasimodo’s character.

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

First off this Quasimodo isn’t a Hunchback, he is a slouch-back. He stands up fairly straight. I’m not sure if was this was the director trying to make Quasimodo more human or Anthony Quinn being lazy. My guess this was the director’s decision and I don’t agree.

You can’t really have the Hunchback of Notre Dame without the Hunch. If the director wanted to humanize Quasimodo he could have done it with the make-up but I think he missed the point. The point of Quasimodo is he the most human character but he looks like a monster. Having him not have the hunch takes away a big part of his character instead of being deformed he is just ugly. Although in the pillory scene you do see a hunch, too bad it disappears when he puts his shirt back on.

Quasimodo (Anthony Quinn) giving flowers to Esmeralda (Gina Lollobrigida) 1956 The Hunchback of Notre Dame

That is not it though, Quasimodo’s personality is very watered down to point where I’m not quite sure if he has one. He makes comments about people being bad but he spends most of his time mumbling and giggling. He just comes off a childish but with zero charm or interest.

You don’t feel for him; his pain, his love, his despair, nothing. So when we get the the original ending to the book in a movie you can’t feel anything because you have sent two hours not feeling anything for the emotional core of the movie.

Quasimodo (Anthony Quinn) laying down next to Esmeralda (Gina Lollobrigida) 1956 The Hunchback of Notre Dame

The movie tries to make you feel for Quasimodo but due the performance you really can’t connect with this Quasimodo and that does weaken the second half of the movie. It’s like all the pieces are there to make an good Quasimodo but they don’t connect right and we’re left with a half-form Quasimodo.

Quasimodo (Anthony Quinn) on the Pillory 1956 The Hunchback of Notre Dame

The only good thing to come from this Quasimodo is after Esmeralda gives him water he says â€˜beautiful” or “Belle” and that inspired one of the greatest Hunchback songs ever.

Quasimodo (Anthony Quinn) with a cat, 1956 The Hunchback of Notre Dame

Also why is Quasimodo holding a cat? What’s up with Hunchback versions instering cats into shots?

Next 1956 Article – Frollo

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

22Jan 2013

Too Sexy for the Role; The 1956 Esmeralda

by jess

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

Without a doubt this is Esmeralda’s movie. This is made very clear by her 3 minute long dance scene that only cuts away to Frollo staring at her but you can still see her in a reflection. Many consider the 1956 version of The Hunchback of Notre Dame Esmeralda to be one of the best Esmeraldas. Many feel she has the right look, grace and free-spirited nature that Esmeralda should have. I personally have a few issues with this version of Esmeralda.

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame

First off, I feel like I’m being lied to with this Esmeralda.What she says and how she acts feel in opposition to how she looks and her mannerisms. I feel like this Esmeralda was written to be played by a young actress but then Gina Lollobridga was cast and the sensuality was turn up.

Lollobridga reads too mature and sultry but then she tries to act innocence and carefree. I don’t believe her when she says that she “has never known men before.” I don’t buy it.

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame

Although I admit, my issue with Esmeralda’s duality could be because of her costume. Color aside, her two main costumes age her. I will get to costumes in a later post so I won’t so into too much detail but I feel the veil, the very define corset waistline and the 1950’s cat eye age her.

She looks far more believable as a young women when she in the simple prisoner shift at the end of the movie.

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

Since Esmeralda is the main focus of this movie you would think that the dynamic between Esmeralda and Frollo would be really strong but Esmeralda and Frollo don’t really have many interactions with each other in this movie.

Esmeralda admits that she afraid of him but she seems to be more uncomfortable around him which robs the would-be drama from their interactions. It fact there scene are a pretty dull.

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame

I think the dance scene sums up her character in this movie perfectly. She is aloof, mysterious, very sensual and slightly exuberant. I mean her personality is there I’m just not sure if it’s the costume, Lollobridga’s mannerism or her natural sex appeal that holds back this Esmeralda as being a great depiction of the character.

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

Next 1956 Article – Quasimodo

Anthony Quinn as Quasimodo

Tag Archives: Alain Cuny

Project Re-Read Book 9, Chapters, 1-3

The Many Styles of Frollo

Conclusion to the 1956 version

Useless Poet; The 1956 Verion of Gringoire

Failed Frollo; The 1956 version of Frollo

Quasi Quasimodo; The 1956 version of Quasimodo

Too Sexy for the Role; The 1956 Esmeralda