anarkia | The Hunchblog of Notre Dame

12May 2015

Songs of Notre Dame de Paris Part 6

by jess

Anarkia

Bruno Pelletier as Gringoire & Daniel Lavoie as Frollo performing Anarkia

Ok, I love this bridge but it is 43 seconds of three completely different subject matters.

Subject Number 1; 0:00-0:17

Frollo asks Gringoire about Esmeralda. Gringoire says that she is his wife and Frollo orders Gringoire not to touch her which Gringoire would never permit himself to do but not for the lack of trying, am I right?

Subject Number 2; 0:18-0:33

Gringoire asks about the word craved on the wall, Anarkia. Frollo tells him that it means “fate” in greek. Which is a simplified definition of the word but it’s not wrong.

Subject Number 3; 0:34-0:43

Gringoire sees Quasimodo being taken away and Frollo says (or sings) that God know why he got arrested but the jerk knows.

Anyway three magical subjects and my goodness do they not blend together at all. I mean they needed a song likeAnarkia but this song suffers from Attention Deficit Disorder. I mean I love that they put concept of Ananke in the musical but it so shoe-horned in.

ReallY just find the three subjects throw together hilarious but it does get us to the next scene, it sort of lifted from the books and helps the plot so I don’t hate it.

A Boire (A Drink)

Quasimodo and Esmeralda

This scene is one of the most important scenes in the book as it’s when Quasimodo falls in love with Esmeralda after she gives him some water and pity. The song itself is fine, Quasimodo is emotional and pathetic as he tied to the pillory. I like how he is rocked back and forth as it’s a nice visual.

There isn’t really too much to A Boire though. It has a nice tonal shift with a march at the beginning then become sad and haunting. But that is pretty much it. It feels more like a bridge song to get us to the song of the show.

Belle

Garou as Quasimodo , Daniel Lavoie as Frollo, Patrick Fiori as Phoebus and Helene Segara as Esmeralda performing Belle

There is very little contest over what the star of the show is and it is Belle. For many it was that first song they heard from the show, myself included.

Belle is a highly emotional song as it perfectly expressives the feelings for Esmeralda from three different perspectives. Quasimodo sings about a tenderness with underlying sexual desires, Frollo sings about a conflictions of desires against seeing her as combination of evil and pure and Phoebus just can’t resist wanting to have sex with her even though it hurts his fiancee.

These perspectives are not only perfectly captured by the lyrics but the key changes. Quasimodo is sweet and melodic, Frollo is a little stronger and his a heavy drum beats, and Phoebus has a more rock-like vibe.

The staging is also wonderful. Pending on the version, Quasimodo either sits on top of the pillory for his part or his hands are still tied but he can make lunges towards Esmeralda. With him on the pillory it makes the part seem more dream-like but the other way makes him seem more protective towards Esmeralda. Frollo and Phoebus more of less just stare intently at Esmeralda, though Frollo knells before her and Phoebus motions toward Fleur-de-Lys. At the end when they all sing together Esmeralda lies on the floor in a crucifixion like pose as the three mean close in around her, foreshadowing these loves are fatal for her.

If I had one criticism of this song, it’s that I don’y have any criticism of it. It’s pretty perfect. Well maybe one but it has to with the staging, what are those guys doing with Fleur-de-Lys. they like push her around and then Phoebus saves her? Huh? Is it to show Phoebus likes Fleur-de-Lys while still desiring Esmeralda, because we kind of got that already. It’s just weird. But again that is staging and not the song.

Get the whole GLORIOUS ALBUM HERE
<br />

27Jan 2015

Notre Dame de Paris Plot- Big on Emotion, Weak on Story

by jess

Quasimodo and Esmeralda

One of Notre Dame de Paris‘ core weaknesses is the way it presents the story. The narrative is very patchy and filled with a lot little gaps. To really understand what is happening you have to know that story before going into it.

Gringoire spotting Quasimodo during the Feast of Fools

For instance it takes seven songs for the story to get to the beginning of the book. Before that it’s all set-up plus a few lines that marginally tell us about the characters. But seven songs for the Feast of Fools to start. And the plot kind of trots at weird pace, giving us the bare minimum to get to the plot points

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Notre Dame de Paris Ending

However the larger point of the musical isn’t so much to tell the story of Hunchback, as I suspect the creators were under the impression that the audience already knew the story prior to seeing it but the to tell the emotions of the story which the musical does very well. The emotions in this musical are like that of The Phantom of the Opera, over-the-fucking-top, I still get misty eyed during Danse Mon Esmeralda. Does that excuse the musical for some of its jarring weirdness?

Clopin and the Court of miracles and the Attack of Notre Dame

Nope. I don’t care how emotional effective the songs are, so many of the transitions from emotion to pivotal story points are down right jarring. For instance to get from Phoebus’ song, Dechire, when he sings about two ladies wanting him to Quasimodo’s punishment we have the bridge song Anarkia which is 42 seconds to explain Gringoire being married, the word “Ankaria” and then OMG look it’s Quasimodo, let’s go check that out. Or how about going from the lovely song where Esmeralda sings about wanting to live to BAM attack on Notre Dame. And for the record Notre Dame de Paris sports a very sloppy hastily done attack scene. First off Quasimodo is not around, Frollo can just end sanctuary and I’m unclear if Clopin and the court of miracles are defending Notre Dame or attacking it.

Frollo

Despite the narrative weakness, Notre Dame de Paris is faithful in some ways to the book. For instant the fate of the characters is all on point and this is the best portrayal of Frollo in any version outside the book, even better than the opera that Hugo himself wrote the lyrics to.

Quasimodo and Esmeralda

It is easy to over look the weak story telling of Notre Dame de Paris because you do get lost in the big emotions. Does that make it ok? No, but thank goodness the musical is so powerful, that is its very mighty strength.

Next Time – Differences between the book and the musical, (I wrote them once for my Hubpage, so outline, done)

Helene Segara as Esmeralda and Daniel Lavoie as Frollo NOtre Dame de Paris picture image

Esmeralda and Frollo

29Mar 2012

Happy Ananke Day Everyone!

by jess

March 29 is apparently Ananke Day according to the good people at The Frollo Forum. Ananke was the original inspiration for the character of Frollo. Victor Hugo say the word carved into a wall in Notre Dame and wonder about the person who carved it. It’s a greek concept that means roughly (very, very very roughly) “Death Destiny”.

So in honor Ananke Day here’s a video of “Anarkia” from Notre Dame de Paris peformed by Daniel Lavoie (Frollo) and Bruno Pelletier (Grongoire) Enjoy

http://www.youtube.com/watch?v=S0sGpSBzuLg

Also I know I put this song as number 7 in the worst song list of Notre Dame de Paris but I really do enjoy it. So many subject changes for such a short song, I think Gringoire has ADD.

05Sep 2011

The Music of the Disneyâ€™s Hunchback of Notre Dame â€“ Heaven’s Light

by jess

Quasimodo's figurines from "Heaven's Light"

Frollo Hunchback of Notre Dame Hellfire Disney picture image

Frollo and an illusion of Esmeralda during Hellfire

Heaven’s Light and Hellfire are meant to be listened together. Both parts represent the basic nature of The Hunchback of Notre Dame; how feelings can be internalized and twisted according to the individual. However I’m going to look at Heaven’s Light and Hellfire separately, because of the intensity of Hellfire and the simplicity of Heaven’s Light.

Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame

Heaven’s Light is the second ballad in the film and is Quasimodo’s final song though it is reprise later in the movie. It’s the only romantic song to make into movie. In this song Quasimodo equivalents love to being heavenly. Since Quasimodo believes himself to be hideous, he thinks he not meant for love. However since Esmeralda gave him a peak on the cheek without fear, he calls her an angel and he’s hopeful that she could love him. This hopefulness is gestalt of song.

Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame

There is lot going on in this song: Quasimodo explains what love is like, he feel he’s not meant for it but then not a beat goes by and he turns his hopeful-o-meter up to max, as he hopes that Esmeralda could love him because she wasn’t afraid of him. The song seems to do a lot. This is because it’s such a short song and that’s it feels kind of ADD. Quasimodo goes from being emo to sappy. Anarkia in Notre Dame de Paris has a similar ADD feel to it.

Victor and Laverne's drawing of Esmeralda Disney Hunchback of Notre Dame

Hugo draws Djali Disney Hunchback of Notre Dame

The elements of humor in this song by the gargoyles are actually good. It’s relevant and cute to the song. In the song each gargoyle draws a picture. The pictures reflect their personalities, Laverne and Victor draw Esmeralda and Hugo draws Djali. It’s cute relevant humor. I like Victor’s drawing the best.

Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame

I have to admit that for me this song gets a little lost because it’s the song that comes right before Hellfire, which is for many people is their favorite song in the film and their favorite villain. However listening to the song in isolation, it’s a sweet, well done song that develops Quaismodo’s character as both hopeful and naive.