Helene Segara singing Ave Maria Paien in Notre Dame de Paris picture image

Helene Segara singing Ave Maria Paien in Notre Dame de Paris

Esmeralda’s personality really comes down to what version of Notre Dame de Paris
you’re watching. In all likelihood I will talk about how the role as changed over time and the other actresses but for this post we’re just going to focus on the original.

Esmeralda Helene Segara Notre Dame de Paris picture image

Esmeralda

Now if you want to get super really technical, and you know I do, the Original Esmeralda and her personality sort of doesn’t exist. Esmeralda was originally going to play by Noa, an Israeli-American singer but she dropped out but she did record on the concept album. So we don’t know how Noa would have played the role. After Noa dropped out Helene Segara took over the role. Segara is a French singer and she had originally audition for the part. So this post is going for Segara’s version of Esmeralda.

Esmeralda Helene Segara Bohemienne Notre Dame de Paris picture image

Esmeralda

Without getting too much in Segara’s voice (because later posts), Segara uses a low, somewhat rough, sultry tone to her voice which she uses for the character. This gives Esmeralda a mysterious quality as she doesn’t know her what her life will bring and she comfortable in that. She’s also confident. She doesn’t seem afraid of Frollo as she just spits at him and tries to call him out nor that wide-eye about Phoebus when she first meets him but does get dreamy about him after he wants to meet up with her again. She does confess to being afraid of Quasimodo but she does get over that quickly and Esmeralda and Quasimodo do form a strong friendship as Quasimodo offers her protection.

Esmeralda praying Esmeralda Helene Segara Ave Maria Paien Notre Dame de Paris picture image

Esmeralda praying

One of the core facets of her personality is that she doesn’t like boarders or distinctions of race, nationality or religion. She also doesn’t have must faith in authority. This speaks to her upbringing of traveling from place to place but it gives Esmeralda a new dimension to her personality.

Esmeralda kind of Dancing Esmeralda Helene Segara Bohemienne Notre Dame de Paris picture image

Esmeralda kind of Dancing

There is a trade off to Segara’s Esmeralda that people are quick to mention. Esmeralda in this version isn’t really a dancer, outside of a few twirls Segara doesn’t really do many dance steps. Also Esmeralda’s winsome innocent is not really found in this version. Instead she comes off as more mature.

I will be first to say that I have demised other Esmeraldas for this but with this Esmeralda I’m more forgiving. Why? Favoritism, I just like this musical but seriously it’s because it’s a stage show, they are singing live. I prefer a singer for a singing role. As much as dancing means to her character I don’t find dancing to be the end all be end all of a good Esmeralda plus in the book, her singing was more charming than her dancing.

Would it have been better if she had tried to dance more? Maybe but not so much at the cost of the singing or a natural moment to character. I have seen pictures where it looks like Segara is dancing a bit more and maybe it was for the cameras that she isn’t, I don’t know, just a guess, the picture are in the booklet that comes with the DVD. Though there is A LOT of lines that are about her dancing, like a ton so it’s a legit issue that she doesn’t really dance.

Esmeralda Helene Segara Belle Notre Dame de Paris picture image

Esmeralda

Aside from Esmeralda’s philosophies there isn’t must too new about her in this version other than her playing up her mystery more. I would say it a good solid version of the character for a musical. She reminds me of a combination of the 1939 Esmeralda and the 1956 version.

Next Time Frollo

Daniel Lavoie as Frollo Notre Dame de Paris picture image

Daniel Lavoie as Frollo Notre Dame de Paris

 

 

 

 

 

 

And just so people are clear, I’m covering the characters as they are listed on the back of the DVD. And I’m sorry for the pictures, my rip of the DVD is not that great which makes me sad as I had a better rip of it when I made a little music video but I lost it or deleted it or something.

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

God Help The Outcasts is a very different Disney heroine song. Many of the Female Disney Characters sing about wanting something for themselves. While Esmeralda is singing about wanting something that is not for her. She is being  selfless which furthers elevates her into the mature sector.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The song is simple, it’s Esmeralda praying for the welfare of her people. This humble and selfless prayer is shown in contrast to the other parishioners who pray for selfish things like wealth, fame and love. This scene is pretty much lifted from the 1939 version albeit with some differences but the overall scene and content is the same.

 

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame

 

Unlike in the 1939 version, during the course of the song Esmeralda walks through the sanctuary of Notre Dame. It’s the only time in the Hunchback of Notre Dame where we get to see the interior of  Notre Dame other than the bell tower. While it’s nice to see the sanctuary portion of Notre Dame there are more than a few things wrong with how Notre Dame is presented. I’ll go more in depth on that later for now let’s get into the reviewing the  song’s content.

Esmeralda Disney Hunchback of Notre Dame singing "God Help the Outcast" picture image

Esmeralda singing “God Help the Outcast” Disney Hunchback of Notre Dame

 

The song musically is nice and is pleasant. It’s one of two ballads that made it into the film. It’s the prettiest song in the movie and it’s sung well by Heidi Mollenhauer. However there is an air of  condescension with this song. As Esmeralda is trying to sound humble she is saying some really condescending lines. She asks for nothing because she is lucky and better off then most of her people and if God doesn’t help no one will help them.  She also reminds Gods that everyone is “children of God” and that Mary should relate to her because she thinks Mary was once an outcast like her. This another fault with the song, she’s in Notre Dame de Paris, in any Notre Dame, Mary is the figure of reverence. However she starts praying to Mary and then instantly switchs to God. Maybe it’s her “outcast” “pagan” ways that she would do this flippantly  but my guess is God is more dramatic and fits song meters better,  Even though Mary embodies compassion. Then again Frollo prays to Mary to burn Esmeralda, so what is the movie trying to say about Mary? I mean everyone seems to be trying to get out of Notre Dame.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

There is also all her “I” statements that are kind of off putting. Her lines are “I ask for nothing, I can get by, but I know so many less lucky than I”  these lyrics just seem to reek with “I’m better than you” mentality.

Esmeralda looking at the Virgin Mary Maureen O'Hara 1939 Hunchback of Notre Dame picture image

Esmeralda looking at the Virgin Mary, Maureen O’Hara 1939 Hunchback of Notre Dame

 

In the  spectrum of the “Esmeralda’s Prayer”  which isn’t in the book,  God Help the Outcast is the worst. Beside this song there are two other prayers, the fore-mention 1939 version  and Ave Maria Paien from Notre Dame de Paris. In the 1939 version, Esmeralda (Maureen O’Hara) asks “The mother of God” to help her people, she says that Mary can take all that she has but Esmeralda presents Mary with a Method; she asks to speak to the King as he is a authority figure and can help her and her people, which he does as the end.  In the 1939 version, Esmeralda  is sincere and humble, and as she not insulting anyone by saying she’s better off. In Ave Maria Paien (The Pagan Ave Maria) Esmeralda is (pending on which version your listening to) asking for a few things, protection from the fools who are in control and the joining of all people. The essence of the song is she wants Ave Maria on her side. Is it humble and selfless?  Not really, she does come off as humble and sincere though. Disney Esmeralda is sincere but she seems to have a defeatist attitude, only god can help and no one else can, she’s powerless to do anything.  Maybe Esmeralda should have ask God to make Frollo tolerant. At least that would have been proactive.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The problem with God Help the Outcasts isn’t the music or the singing, it’s the content. While it’s great that Esmeralda is mature and is capable of praying selflessly but in the course of the song she’s pretty much insulting her people, and due to juxtaposition of the her prayer with other parishioners she is making them look bad. So she can’t be selfless and humble without bring others down?

Next Song – Heaven’s Light (I have a little bit  more on God Help the Cast, so stay tuned)

Quasimodo's figurines from "Heaven's Light" Hunchback of Notre Dame Disney picture image

Quasimodo’s figurines from “Heaven’s Light”