This Video is Garou (oringal Notre Dame de Paris Quasimodo) and Damien Sargue (the original alternate for Phoebus and Gringoire but is most known for playing Romeo in Romeo and Juliette) singing Le Temps des Cathédrales. The song starts at 58 seconds. Garou makes Quasimodo faces and Damien is wearing a Romeo costume.
Enjoy
Another Round of Find the Differences! There are Nine.
Esmeralda and Frollo Disney Hunchback of Notre Dame Differences
Frollo gropes Esmeralda Disney Hunchback of Notre Dame
Clopin with puppet during the Bells of Notre Dame Disney Hunchback of Notre Dame
The Bells of Notre Dame is the opening to the movie. Click Here to get The Bells Of Notre Dame
http://youtu.be/Tv4W0VkoUfM
The Opening Shot of Disney's Hunchback of Notre Dame
Paris during the Bells of Notre Dame Disney Hunchback of Notre Dame
Clopin during the Bells of Notre Dame Disney Hunchback of Notre Dame
The Bells of Notre Dame starts off like The 1939 version, very appropriately with Bells and Latin choir (unlike the 1939 version). The bells grow in intensity till the title screen goes away and the opening scene starts and the melody of the refrain from Hellfire is heard. From this you get a major sense of drama before you see a single person. Then tone turns gentle and quite, then intense, then more intense. This song is like a roller coaster.
Clopin with Puppet during the Bells of Notre Dame Disney Hunchback of Notre Dame
Quasimodo's Mother Disney Hunchback of Notre Dame
Frollo during the Bells of Notre Dame Disney Hunchback of Notre Dame
The Bells of Notre Dame does a few things for the movie, it introduces three main character, showcases Notre Dame’s importance as the setting of the film and explains the relationship between Quasimodo and Frollo. Disney had a bit of the problem with nature of Victor Hugo’s Hunchback of Notre Dame, Frollo isn’t the colossal jerk he is in the Book. He takes Quasimodo in after being moved by empathy for him, not by getting scared by a Statue and the Archdeacon because he murder an innocent women in front of the most important spiritual centers in France and fears hell that takes the baby of his victim as an act of contrition. But Disney villains are never ones for charitable act so Frollo is co-forced into looking after Quasimodo. The Bells of Notre Dame also presents the viewers with the moral of the story, “what makes a monster and what makes a man”.
Frollo chases Quasimodo's mother during The Bells of Notre Dame Disney Hunchback of Notre Dame
Quasimodo's Mother Disney Hunchback of Notre Dame
The Murder of Quasimodo's Mother Disney Hunchback of Notre Dame
The Song also sets up the tone of the movie. Disney boosts that Hunchback is their darkest film, and yes it is, but it is after all a Disney film and there is a lot of “humor” in it. The Bells of Notre Dame present both facets, the humor, light-hearted Disney Flair and the darker aspects. The dark aspect are easy to see, the backstory, Frollo kills a women, tries to kill a baby and saddled into raising it. The humor comes from Clopin regaling the children with his puppet (love the Clopin Puppet). But even Clopin here is delighting in the dark dramatics of the story.
Frollo seeing Quasimodo for the 1st time Disney Hunchback of Notre Dame
The Well Disney Hunchback of Notre Dame
Archdeacon Disney Hunchback of Notre Dame
But is the song itself successful? Yes, yes it. I would so that it’s one of the best song in the movie right up there with Hellfire. It’s dramatic, epic, and grand. Unlike Hellfire which has a benefits of being more focused, Bells of Notre Dame has to fulfill it’s purpose and has a lot of ground to cover musically. It’s starts with a Latin choir, goes into a more gentle tone and the gets darker as the Gypsies are introduced along with Frollo, The Choir returns but more intense as Frollo chases Quasimodo’s mother. There are so many vignettes in this song that it could have been a mess but it’s handle musically very well and the music intensifies the dramatics of the action.
Frollo in fear for his soul during the Bells of Notre Dame Disney Hunchback of Notre Dame
Notre Dame Sees all Disney Hunchback of Notre Dame
Frollo and Baby Quasimodo during the Bells of Notre Dame Disney Hunch back of Notre Dame
Originally this wasn’t even going to be a song, it was going to be spoken dialogue. I’m glad they made it into a song because it’s one of the better songs in the movie. It was the perfect way for the movie to start. Your given a tone, setting, characters, motivation, drama, and some light humor. I would say it’s one the best Disney’s openings. Seriously, Clopin’s crescendo at the end is amazing, it’s probably the single greatest bit of singing in the movie, maybe even Disney History.
Clopin during the Bells of Notre Dame Disney Hunchback of Notre Dame
A Puppet of Quasimodo during the Bells of Notre Dame Disney Hunchback of notre dame
Bells Disney Hunchback of Notre Dame
Next Time – Part of that World, oh wait, I mean Out There.
Quasimodo singing "Out There" Disney Hunchback of Notre Dame
I found this Fan-Art here and thought it was GENIUS and I had to post it;
Notre Dame de Paris Fan-art featuring the Simpsons
It’s the Simpsons as Notre Dame de Paris character pose from the end shot of Belle. Which Looks like this
Notre Dame de Paris end shot from Belle with Garou, Daniel Lavoie, Patrick Fiori and Helene Segara
I just want to take a moment and get this out there.
Tim Burton
Quasimodo Rescues Esmeralda Illustration
Josh Brolin
A few months ago it was announced that Tim Burton was rumored to be directing a new adaptaion of The Hunchback of Notre Dame slated for 2013 and attach to this is actor Josh Brolin of such movies as Jonah Hex and True Grit as Quasimodo. I was reading some of comments people left on the websites that announced this and mostly they were discussing how Johnny Depp was not playing the leading character in a Tim Burton movie. Unusual? Yes but does this mean that Johnny Depp will not be in the film?
Johnny Depp
My guess he will. Let’s face it Quasimodo not exactly a Depp role, sure he played Ed Scissorhand but I can’t envision Depp as Quasimodo. However I could see him as Gringoire. Gringoire is a poet and sometimes he used as a story-teller (as he more less is the voice for the writer) and more often than not he has been paired up with Esmeralda. I would predict that Johnny Depp will play Gringoire, I can see him as Frollo or Phoebus, however he could play Clopin. For Depp to Play Clopin it would depend of the direction of the film. Clopin is not actually a gypsy in the book but in the film Clopin takes on all of the leaders of the Court of Miracles, so sometimes he’s a Gypsy and sometimes he’s not. However I could see him as Clopin or Gringoire. Though I would lean towards Gringoire.
Helena Bonham Carter
As for Helena Bonham Carter (another staple in a Burton movies), there is a lack of females in Hunchback of Notre Dame and it’s up to the film’s direction if they’ll have more than just Esmeralda. I wouldn’t cast Carter as Esmeralda or Fleur de Lys ( if Fleur de Lys is in this adaptation). Pending on film direction I would cast her as Sister Gudule, Esmeralda’s mother. However if the film doesn’t go for Esmeralda’s back story which I’ve only ever seen twice in adaptations, Carter will have some cameo of some sort maybe La Falourdel (the women who house Phoebus rents a room from in order to seduce Esmeralda). In case I would predict her to be in the film is some capacity.
I hope they get someone who is more akin to Esmeralda in the book; someone who is not overtly sexy and youthful, that would be refreshing to see.
Anyway these are all rumors and predictions, but I would love to hear what you think on this upcoming movie.
Ah, the voice acting in Disney’s Hunchback of Notre Dame. Some of it’s great, some it is just ok and some of the casting is off, which seems to weaken the believability of the characters. This is more or less in the order of rank, as I see it or hear it.. yeah.. I know lame joke.
Tony Jay
The highlight of the voices in the movie is Tony Jay’s rendition of Judge Claude Frollo. Jay’s cold sounding baritone mixed with his british accent makes for the perfect bad guy voice. He gives Frollo’s voice an air calm control that at any second could explode into fevered anger. Also his voice is seductive, you can believe this guy is a charmer and yet he speaks with command and authority. Jay’s voice helps make Frollo a more interesting character.
Jay had been a veteran Disney voice actor and voice actor in general. He’s been in a number of Disney related films and television shows as well many other non disney films, television and recordings of broadway shows. On his IMDB page he has 150 credits but I think he most known for Frollo mainly because Frollo is a horrible person and his voice accentuates brilliantly.
Tony Jay was nominated for an Annie Award for Outstanding Achievement in Voice Acting.
Paul Kandel
Paul Kandel voiced Clopin and is a Broadway performer. He’s probably the best singer in the film (the crescendo at the end of Bells of Notre Dame gets me every single time) and that’s probably why he ended up with the most songs in the movie. In fact Clopin sings more than he actually speaks. Kandel gives Clopin a sense of fun and whimsy but he also gives him a flair for the dramatics which is a boon for the introductory scene since it’s not funny.
David Ogden Stiers
David Ogden Stiers voiced the Archdeacon. Stiers like Jay is a veteran voice actor and has been in many major Disney movies. He’s also primarily a television actor. Stiers runs the gambit of tones with the Archdeacon’s voice; tenderness, command, authority, concern and a little amusement (the Archdeacon sounded a little amused when he thinking about Esmeralda’s merry chase). Just because the Archdeacon is by all account a glorified extra Stiers’ voice helps makes the character more interesting.
Kevin Kline
Kevin Kline voiced Phoebus. Kline does well as Phoebus but I think he falls short of Jay and Kandel because I mean really, Phoebus isn’t a hard role to play. Phoebus has a dry wit but so Kline, I mean Kline is practically playing himself. I give Kline credit, he made Phoebus funnier than probably was originally intended which makes him more interesting as character. Because without the humor would Phoebus have been memorable? My guess is no. Kline is also partly responsible for Achilles’ name. He insistent that horse have a name, so they gave the Phoebus’ horse a name at Kline’s insistent.
Fun Fact about Kline’s process – to get into the character of playing a knight, Kline held a sword in hand during recording sessions. He even ruined some recordings because he would hit the microphone (accidently, I’m sure.)
Jason Alexander
Jason Alexander voiced Hugo. As much as I dislike the gargoyles, I think the voice acting is fine. Jason Alexander is best known as George Costanza on Seinfeld. George is uptight and neurotic, the total opposite of Hugo. Hugo is fun-loving and laid back. I think Alexander does very well in the role. But again, is a fun-loving partier a demanding role? No, not really.
Charles Kimbrough
Charles Kimbrough voiced Victor. Kimbrough has been in many types of media; film, TV and voice acting. Kimbrough does well enough as the prim, more serious-minded Victor, but it’s hard to lay out Victor’s personality compare to Hugo and Laverne. So it’s hard to identify how well Kimbrough did as Victor.
Mary Wickes
Mary Wickes voiced Laverne. Later in Wickes’ career she played cranky old ladies. Two of the movies I remember her in were Little Women (Aunt March) and Sister Act (Sister Mary Lazarus), both characters are tell-it-like-it-is, cranky old ladies much like Laverne. So while she does well in the role she definitely playing her type of role.
Jane Withers
I want to mention Jane Withers briefly. Mary Wickes died as the film was being recorded and so Jane Withers stepped in to finish the recording and took over the role of Laverne. There are some lines where Wickes started and Withers finished, which is testament to Withers; acting to able to sound almost identical to Wickes.
Tom Hulce
Tom Hulce voiced of Quasimodo. Tom Hulce is most known for his role in Amadeus Mozart. I do not find any fault with Hulce’s acting, I think he does a good job giving Quasimodo tenderness, gentleness and a bit of pitiable emo-ness. I also think Hulce does well exhibiting both Quasimodo’s natural disposition and in contrast to his attitude when he’s with Frollo. So Why is Hulce’s performance second to the last on this Blog post? Well that is because I wonder what the directors were smoking in making Quasimodo a school boy that’s gentle and sweet. Quasimodo is suppose to be gentle but only to Esmeralda. He’s not suppose have a school boy. I can understand why Disney did this and I understand why Hulce’s voice is good for this type of role but just because I can understand it doesn’t mean I have to condone it. Honestly they made Quasimodo into a Disney Princess. Hulce has a clear voice which is a commonality to the Disney Princess trope. Think about, Quasimodo is a Disney princess, he just a male and not very pretty.
Demi Moore
Demi Moore voiced of Esmeralda. Like Quasimodo, I think casting was way off. I get that they wanted something different. The directors liked Moore’s husky and rough tone of voice and they liked that she also had a tenderness to it, but Moore ages the character. It’s weird looking at the concept art, how youthful Esmeralda started and how mature she looks/acts in the movie. I understand that the decision to cast Moore was intentional and as part the process of animation is that Esmeralda took on Moore’s looks and mannerism but I don’t think the pay off was good in the long run. I think Esmeralda is too much like Moore and effectively Moore was playing herself (or at the most her type-cast role) so she didn’t exactly have to exert her acting prowess. Also I think Moore got the role due to sex appeal and popularity. And point Deductions for being the only one of the cast not able to sing her character’s song, though if can’t sing than she can’t sing, but they could have just had Heidi Mollenhauer do the role in it enitety, she is an singer/actress after all. They fact they they didn’t just mean that Moore was cast for her popularity and appeal.
Shout Outs/Kudos to:
Gary Trousdale
-Shout out/Kudos to Gary Trousdale voice of Djali (that not a bleat) and the Old Heretic.
Corey Burton
Bill Fagerbakke
-Shout out/Kudos to Corey Burton and Bill Fagerbakke, Brutish and Oafish Guards these two made those characters hilarious.
Agree or Disagree, I’d love to know your opinions
Next Time- Going to Start Looking Music/Songs, starting off with beginning “The Bells of Notre Dame”
Archdeacon Disney Hunchback of Notre Dame
What can we say about Disney’s Archdeacon in terms of looks? Well he’s old, he has white hair, he has long bushy sideburns and eyebrows. He has a square-ish face with a bulbous nose. He’s not much of a looker.
Archdeacon Stopped Disney Hunchback of Notre Dame
Archdeacon Disney Hunchback of Notre Dame
Much like the 1939 version his duds look modern and not medieval. I give Disney a little credit this vestments look less modern than the 1939 version, but not enough to praise Disney for their astute costume research.
Archdeacon Disney Hunchback of Notre Dame
Archdeacon Disney Hunchback of Notre Dame
The Archdeacon is also ages during the film. When we first see him in the flashback, his hair is just grayish black. In the DVD commentary
David Ogden Stiers, voice of the Archdeacon
Cogsworth from Disney Beauty and the Beast
The Archdeacon also bares a striking resemblance to his Voice Actor David Ogden Stiers. It’s part of Disney’s process to record the voice actors during their recodring session and infuse the voice actore into character’s animation and character design. This would mean that the Archdeacon and Cogsworth from Beauty and the Beast look-alike
Archdeacon smiling oddly Disney Hunchback of Notre Dame
That’s pretty much it, he’s not in the movie for long and he only kind of a main characters so I think his looks are more functional than indicative of personality. But he does make a creepy smile. Expressions are one thing Disney excels at. (I don’t know, I find that smile really odd, maybe it’s the half closed eyes and the downward tilt of his head and the upward eyebrow.)
Well that’s it, we’re done with the character analysis of Disney (Hooray!)
Next Time – Voice Acting….
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Hugo, Victor and Laverne are the agents of forced levity in Disney’s Hunchback of Notre Dame. They all have distinct personally and looks.
Hugo is the short and fat one. He has a pig nose, thin horns that point straight up, bat-like wings, hooves for hand, rounded teeth and animal-like ears. He also for some reason is the only one of the three gargoyles to have a belly button. Hugo is the most animal looking among the three. This is he is the crudest and I think Disney thinks that he’s the funniest, in the infantile sense so he has to look somewhat amusing or people are going to believe he’s the “funny” one.
Victor is the tallest and largest of the three. He also the most muscular of the three. He’s the only one not to have horns, instead he has elf-like ears, large angel wings, an underbite, two fanged teeth and his hands are more like claws , almost human but a tad more beastly than human. His nose is stylized but almost human. His more human-like form is indicative of his prissy-like, prime, introverted personality.
Laverne is the female of the group. She has the most human-like hands. Her face looks old and she has no teeth. She has cherub wings, fatter and short horns than Hugo and there’re wider. She also have like a crown like detail that frames her horns. Her ears and nose like the most human too except her nose is a bit bulbous. Her no nonsense, tell it like it is personality is the reason why her features look more human than Victor and Hugo. The human-look enables Laverne to be take more seriously. I mean if she looked like Hugo, I doubt people who believe her “old women who tells it like it is” persona.
Looking at the concept art
Early in the production and this can be seen on the gargoyles in their introductory scene, the gargoyles have stains on them from the elements. The studio had maps for each gargoyle in order to keep the stains consistently placed. Then the idea was abandoned as the film progress. Funny it’s it, they tried so hard to be consistent on a detail that few noticed and then abandoned it but they very inconsistent with the light in the characters eyes.
Next Time – The Looks of the Archdeacon
This is a little photoshop image I did. It’s essentially Disney Hunchback of Notre Dame Esmeralda, Quasimodo, and Phoebus in the costumes of their counterparts from Notre Dame de Paris. The costumes are like Digital Textures.
Disney Hunchback characters cosplaying as Notre Dame de Paris Esmeralda, Quasimodo, Phoebus
Here are the pictures I used from Notre Dame de Paris for the fan-art;
Helene Segara as Esmeralda from Notre Dame de Paris
Garou as Quasimodo from Notre Dame de Paris
Patrick Fiori as Phoebus from Notre Dame de Paris
Clopin with Puppet Disney Hunchback of Notre Dame
I’ve already mention Clopin’s over all look in his character analysis.
so to re-cap
“Clopin has looks very similar to Kuzco from the Emperor’s New Groove. Has a long pointy long face, straight long black hair, pointy nose, and thin. Clopin is older and has a few age lines, balding (a little bit) a beard, bushy eye brows and some missing teeth. Clopin gets two costumes, a performance look and a casual look. Unlike Esmeralda he is seen more in this performance outfit. It Harlequin that is purple and yellow with bells on his neck piece, a purple mask, and long back gloves. He has wears a purple hat with a big yellow feather. The hat is akin to the one that Thomas Mitchell wore in the 1939 version. Clopin casual costume looks similar to this performance garb but it all purple and less festive. He also wears the same hat. Like Esmeralda and Djali, Clopin also wears a single golden hoop earring. He cosplays (costume play) as Frollo. He also makes awesome expressions.”
Clopin noticing Quasimodo during the Feast of Fools Disney Hunchback of Notre Dame
Kuzco from The Emperor's new Groove Disney
Clopin Disney Hunchback of Notre Dame
Clopin’s look is kinda a model look of certain Disney characters. Much like how Disney villains can fall into two basic groups, thin and big, the good guys have their models too. For instance the fathers in Disney movies are usually dumpy old men.
Human Lumiere and Babette Disney Beauty and the Beast
Clopin at the end Disney Hunchback of Notre Dame
The point I’m getting at is Clopin is reminiscent to the look of other characters like him; the larger-than life sidekick. Typically this character is not human, Sebastian, Lumiere ( through is human spends the bulk of the movie as a candlestick), Genie, Timon, Mushu etc, etc . However take a look at Lumiere as human, and you can see the resembles to Clopin. Lumiere has a long face, pionty nose, and thin. Of course Clopin is a little more rough around the edges but Lumiere works in a castle and Clopin is a busker. But they are both entertainer, (what was Lumiere’s job exactly?)
Clopin with Frollo Puppet Disney Hunchback of Notre Dame
Human Lumiere Disney Beauty and the Beast
One could say that Kuzco as man character doesn’t fall into this catgeory and Clopin similarity to Lumiere is a considence. I would that Kuzco is pretty over the top and spend most of his time as Llama so I think he can fit into the category and he a slight exception.
Clopin Disney Hunchback Notre Dame
So Clopin’s look follows a grand tradition of Disney character design which places character into convientional models which aids them in their quest for more money, by making the same old stuff. Actually Disney can you go back to the same old stuff, I miss it.
Concept Art of Clopin Disney Hunchback of Notre Dame
And for no reason Clopin’s Concept Art.
Next Time – I suppose logically it would be the Gargoyles (Shudders)
Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame
