Clopin | The Hunchblog of Notre Dame

31May 2011

Deeper look at the Disneyâ€™s Hunchback of Notre Dame Characters part 3 Esmeralda

by jess

Next Character: Esmeralda; The Heroine

Esmeralda Disney Hunchback of Notre Dame

Disney Esmeralda Hunchback of Notre Dame dancing

Esmeralda Disney Hunchback of Notre Dame

Esmeralda is a gypsy dancer who is the subject of the three male main characters’ affections. She’s very beautiful and sensual. In this version Esmeralda is 100% Romani. She has a dark complexion (darker than Jasmine), thick black hair and emerald green eyes (attributive to her name). She wears a white chemise blouse that off shoulder, a blue corset with thin gold stripes, a purple skirt with a darker purple kercheif

Esmeralda Disney Hunchback of Notre Dame Dancing

worn at the hip with coin trim. She wears some gold jewelry; bracelets, an anklet and one gold hoop. She were a pink scarf in her hair to keep her hair back. She has a second outfit, that is used as an formal dance costume. It’s red with purple flutter sleeves and a purple sash at the waist. In addition to her normal jewelry she where a bindi and a crown.

Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda helping Quasimodo Disney Hunchback of Notre Dame

Esmeralda and Djali Disney Hunchback of Notre Dame

Esmeralda is a very different type of Disney Heroine, she’s mature and not a dreaming of new life. She deals with her lot in life and gets by the best she can. To make a income she dances.She also dabbles in fortune telling. She is also in the company or her goat Djali. Djali acts are her security system, warning her of danger and trying to protect her from would be harm. In the Disney version, Djali doesn’t get her into in trouble like in book. Infact Djali helps her get out of trouble by helping her deguise as an old begger man.

Esmeralda demanding Justice Disney Hunchback of Notre Dame

Esmeralda’s main motivation is social justice for mainly her own people but also for those on the outskirts of the social order (i.e. Quasimodo). It’s in this way she is the opposition of Frollo and she hates him and defies him every chance she gets. Prior to her defiance she teased/mocked him with her flirtatious dancing during the festival of fools. She also wary of those in power positions. That’s why she didn’t take a shining to Phoebus at first, but his persistent charm and wit won her over (plus saving an innocent family that almost cost him his life didn’t hurt much either).

Esmeralda dealing with soldiers Disney Hunchback of Notre Dame

Esmeralda and Frollo Disney Hunchback of Notre Dame red dress picture image costume

Esmeralda mocks Frollo Disney Hunchback of Notre Dame

Esmeralda defying Frollo by helping Quasimodo Disney Hunchback of Notre Dame

Esmeralda and Phoebus Disney Hunchback of Notre Dame

Speaking of Phoebus and Esmeralda here is a little point I would like to make. A few people feel that it was shallow of Esmeralda to choose Phoebus over Quasimodo. In movies, couples are usually established early, you can usually tell whose going to end up together. As a I mention in another post Esmeralda and Phoebus only have one scene without either Frollo or Quasimodo and that is where they are both introduced, meaning that their relationship was established before either of them met Frollo or Quasimodo. Also I can’t see Esmeralda and Quaismodo being anything but friends. She treats Quasimodo with kindness and politeness and comes off like an older family member; she really does treat him with kid gloves. There is no passion unlike Esmeralda and Phoebus. The creators wanted a romance between Esmeralda and Phoebus and that what the movie worked towards.

Esmeralda, Phoebus, and Quasimodo Disney Hunchback of Notre Dame picture image

Quasimodo accepts Esmeralda and Phoebus as a couple Disney Hunchback of Notre Dame

Esmeralda and Djali having a little fun Disney Hunchback of Notre Dame

As far of Esmeralda’s personality, she’s kind, she has a dry wit and she’s loyal to her friends. She is very resourceful, for example Phoebus owns his life to her make-shift sling shot that saved him from decapitation. She also has a bit of mischievous streak. During the chase after she frees Quasimodo she looks like she is legitimately having fun avoiding arrest while raising some hell. She also uses her feminine charms to get what she wants. She uses it to earn money from dancing but she also gives Quasimodo a peak on the check to get him to allow her to visit him. She is very physically fit; she dances, very agile in a fight (or chase), she can swim underwater, hold her breath long enough to get Phoebus out of his armor and pull up in record time. She also has seems to have some sway in the Court of Miracles as she can stop executions

Esmeralda exerting some power Disney Hunchback of Notre Dame

and order the people to leave. She also can seem to refer people to the Court, not sure if that map/cryptic instructions she gave Quasimodo are standrad issue in the Court of Miracles or if she is some high rank there. Not only that but the other Gypsies wouldn’t devalue her location, meaning either they’re loyal to their fellow gypsies or she is respected. She also seems to have a close relationship to Clopin who like in the book is leader in the Court of Miracles. She performs with him and he not put off with her meddling in the hanging of Quaismodo and Phoebus, which Clopin seem to be enjoying. It seems to me that she must hold some power amongst her people or the Court of Miracle is egalitarian.

Esmeralda Disney Hunchback of Notre Dame singing "God Help the Outcast" picture image

Esmeralda singing “God Help the Outcast” Disney Hunchback of Notre Dame

Esmeralda is not a dynamic character. She remains consistent throughout the movie; she’s mature, self-confident and kind at the beginning and she remains that way thoughout the end. The only aspect about that changes is her feelings towards Phoebus. In defense of static characters, Esmeralda is not a dynamic character in the book either and Disney doesn’t do dynamic characters very often.

Esmeralda and Frollo Disney Hunchback of Notre Dame grope picture image

Frollo gropes Esmeralda Disney Hunchback of Notre Dame

Esmeralda avoiding Frollo’s hunt Disney Hunchback of Notre Dame

Esmeralda and Frollo Disney Hunchback of Notre Dame picture image

Frollo arresting Esmeralda Disney Hunchback of Notre Dame

Esmeralda is not a typical heroine, the scarps she gets into are serious. She’s almost arrested, assaulted in a church, threaten, hunted down by a control-freak mad man, almost burned, nearly dies of asphyxiation and then chased with a six foot sword a top a massive edifice. Makes other Disney heroine’s tribulations look like a child’s play. All she really did to get into all that trouble was being a Gypsy and a defing a powerful public offical; she stayed in trouble because of her beauty and sex appeal.

Esmeralda Disney Hunchback of Notre Dame picture image stake

Esmeralda on the stake Disney Hunchback of Notre Dame

Quasimodo thinking Esmeralda has died Disney Hunchback of Notre Dame

Esmeralda and Quasimodo being threaten Disney Hunchback of Notre Dame

Esmeralda Disney Hunchback of Notre dame

I admit it was refreshing to see a different type of heroine when I first saw the movie in 1996 and it’s great that Disney ventured outside the profitable typical Disney heroine. If Hunchback had come out before this shift in heroine Esmeralda could have easily fit into the Disney princess line. Now if your thinking “Esmeralda’s not a princess” well I would say neither is Mulan but let me explain some minor points. The Disney Princess brand isn’t actually about the characters being princesses it’s about how their movies did with girls in a certain age demographics, hence why Esmeralda isn’t in the line up already. But if Esmeralda behaved more like Ariel, Belle, or Jasmine (dreamer wanting more) she may have done better with young girls, though it’s hard to say. I suppose the creators thought Quasimodo fit dreamer model better than Esmeralda and she would do better as an agent of Quasimodo’s liberation from being a focused shut-in. But another point worth mentioning is Esmeralda in the book fits the Disney princess mold very well and she was very well regarded in the Court of Miracles. So making like a princess wouldn’t have been a stretch and she does dream of a different life with regards to Phoebus. I wonder if Disney regrets this since the Disney Princess line was establish in 2001.

Esmeralda, Quasimodo and Phoebus Disney Hunchback of Notre dame picture image

Esmeralda, Quasimodo and Phoebus leaving Notre Dame

Next Character –Phoebus

Phoebus Disney Hunchback of Notre Dame

01May 2011

Characters of Disney’s Hunchback

by jess

Today is Quasimodo Sunday ( Low Sunday… First Sunday after Easter)

So since Disney’s Hunchback of Notre Dame is character driven let’s look at the main characters.

Quasimodo

First let’s start with the titular character Quasimodo (Tom Hulce). Quasimodo is depicted as caring, gentle, kind, shy and dreaming of something beyond his sheltered life (classic Disney Princess erm hero). At first all he wants is to spend one day among the people of Paris and sings about it ala Part of that World type song. When someone shows him kindness he answerx with loyalty. He does has a bit of an emo-side. Later in the film he hopes for love but that doesn’t come to fruition but he is happy that Phoebus and Esmeralda have each other and that is enough for him at the end of the film.

Judge Claude Frollo

The next important character is Frollo (Tony Jay). Frollo is a hypocritical judge who HATES gypsies, He regards them as the reason why Paris is going to hell in hand-basket. He sees no harm in killing people especially ugly babies if he views in the best interest of “justice”. He also has a pious streak, which he quite proud of. During the course of the movie he develops an unhealthy obsession with Esmeralda where he uses tons of public funds to barrack her in Notre Dame and when she escapes he set Paris ablaze and then blames it other people because hey he just doing his job (it’s a good thing King Louis IX is not a main character or somebody would have been fired).

Esmeralda

Djali

Esmeralda (Demi Moore), the beautiful Gypsy dancer, who is often referred to as girl but she comes off as older than Quasimodo who is 20. She is kind and has a fierce sense of justice and loyalty. She knows a wide assortment of parlor tricks that she can use in a pinch. She also can read palms though she is is a dancer by trade. Esmeralda is always accompanied by her pet Goat Djali. Djali turn offs include heights, ugly faces and hangings. Turn ons include dancing, money, and eating wood cravings.

Phoebus and Achilles

Phoebus (Kevin Kline), another attractive character, Phoebus has been called back from the wars by Frollo to protect Paris from the Gypsies; an assignment he takes with major annoyance and a grain of salt. He has a dry wit and is a flirt but he also has a high sense of morality and won’t kill people just because crazy old Frollo says so. He also has a horse named Achilles who enjoys heeling and sitting on people he doesn’t care for.

Clopin

Clopin (Paul Kandal) , the leader of the Court of Miracle and the story teller. He is an extrovert who loves to have a good time whether it’s entertaining small children, all of Paris at the festival of fools or hanging trespassers. Where Clopin is the party is.

Hugo Laverne, Victor

Gargoyles, the comic relief characters Victor (Charles Kimbrough), Hugo (Jason Alexander) and Laverne (Mary Wickes/Jane Withers). The three only come to life for Quasimodo and once for Djali. They have their distinctive personality, Victor is prim and calm, Hugo is loud and fun loving, and Laverne is old and tells it like it is. There loyal to their pal Quasimodo and to encourage him to follow his heart. But they’re annoying as all hell.

Archdeacon

Archdeacon (David Ogden Stiers), the kind, caring, gentle, wise Archdeacon of Notre Dame. As Archdeacon he has some authority over Frollo and Frollo while not happy is at least compliant. He the one who guilts or rather scares into taking care of Quasimodo.

Next Time more on the more characters of Disney’s Hunchback of Notre Dame

19Apr 2011

Review of Disney’s Hunchback of Notre Dame Plot

by jess

Quasimodo Hunchback of Notre Dame Disney

Quasimodo’s Reveal Hunchback of Notre Dame Disney

The plot of the Disney’s Hunchback of Notre Dame is a water-down and condense version of Hugo’s novel and the 1939 version. Because the film is for children the film couldn’t follow it 100% or even 75% so watering it down is understandable. To the film’s credit it did opt for a darker tone than most Disney movies especially where Frollo is concerned. And for the record there are worse children adaptions and as it stands, it is the best among the Hunchback for kids movies.

Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame

So the plot is stripe down to it barest essentials with a lens on Quasimodo and add-ons from the 1939 version. They added a moral, eliminated some characters (Gringoire, Jehan, Louis, Sister Gudule (who is hardly ever mention in the adaptations) and added some characters (The gargoyles).

Esmeralda Disney Hunchback of Notre Dame Dancing

The basic plot is really about a cute girl and the guys that “love” her and where these men take that love into their psyches. That’s Hugo’s book at it’s most basic level, the problem is that since this book was published in English the focus has been take off Esmeralda (Notre Dame de Paris) and went to Quasimodo (The Hunchback of Notre Dame). And to make it worse, two of the most famous “Hunchback” movies from the golden age of cinema, were vehicles for leading man playing Quasimodo. So the movies really do think that Quasimodo has to be the focus of the film and Disney really bought into this mentally (listen to DVD commentary).

Frollo and Quasimodo Hunchback of Notre Dame Disney

Frollo and Qausimodo Hunchback of Notre Dame Disney

So the Disney plot lies in the moral that Quasimodo inspires, sure he ugly as all hell but he’s beautiful on the inside, and that’s what the plot is trying to teach, don’t judge people. A corrupt, yet pious Judge can still be a an evil jerk. Of course, this moral is as subtle as a ton bricks and the scenes can never shift away from Quasimodo for too long unless it’s a counterpoint to how great he is, and that would be how terrible Frollo is. So Frollo can gets just as many songs and srceen time as Quasimodo. This is why you’ll only see one scene without either Frollo or Quasimodo, which is Phoebus and Esmeralda’s introduction, you could count their time in Notre Dame but Frollo is technically in that scene and since there no cut in locations Quasimodo is there too . That scene of Esmeralda in Notre Dame speaking with Phoebus, getting grope by Frollo, and singing God help the Outcast ends with her following Quasimodo to the bell tower, so it doesn’t really count. So there is only one scene without Quasimodo or Frollo. The plot lives and dies on Frollo and Quasimodo and so the film’s moral is ALSO being referenced during the film’s duration. Even the songs act a method to reference the moral. All of Quasimodo and Frollo’s song are linked by this man vs monster prespective. Clopin is the only character who gets some songs with any levity.

Clopin Disney Hunchback of Notre Dame

Phoebus, Quasimodo, Esmeralda Disney Hunchback of Notre Dame

So how was the plot of Disney’s Hunchback? Despite the film’s tunnel view of not giving a character that isn’t Quasimodo or Frollo 5 minutes of screen time. the film’s plot does well. It keeps the overall feeling of the story and makes it kid friendly and that was Disney’s angle and yet gives it a darker edge which help roots the film in Hugo’s book. But the book and the Disney’s version are character driven and not as plot driven so next time let look at the Disney version of Hugo’s characters.

Next time – a brief look at the Characters of Disney’s Hunchback of Notre Dame

10Apr 2011

The Plot of Disney’s Hunchback

by jess

Clopin Disney Hunchback of Notre Dame

The Disney version starts off with Clopin (Paul Kandel) regaling small children with the tale of the mysterious bell ringer and how he came the position. Though a song (The Bells of Notre Dame) and a flashback Clopin tells of a group of Gypsies entering Paris via the Seine, the notable Gypsy is a women with a child. After docking the Gypsies are caught by Judge Claude Frollo (Tony Jay). Frollo doesn’t care much for gypsies and orders their arrest but when he tries to take the baby from the women (he thinks it stolen goods) she runs toward Notre Dame. After the chase Frollo kills the women on the steps of Notre Dame and Frollo tries to drown the child who is deformed. Before Frollo can do it he’s stop by the Archdeacon (David Ogden Stiers) who guilts Frollo into taking care of child but Frollo demands that the child must live in the bell-tower. Clopin then asks us to consider what the bells supposedly say “who is the monster and who is the man”

Frollo and Quasimodo

After a lovely crescendo and the title screen featuring those crazy bells we’re introduced to Quasimodo (Tom Hulce) who is urging a baby bird to fly away as no one wants to be cooped up in Notre Dame forever. After the bird flies away Quasimodo’s gargoyles friends come to life. Victor (Charles Kimbrough), Hugo (Jason Alexander), and Laverne (Mary Wickes(and Jane Withers)). The three urge Quasimodo to go the Festival of Fools but Quasimodo says he forbidden to ever leave the cathedral by his master Frollo. After some a little encouragement he decides to go but Frollo shows up and tries to persuades him out of ever leaving because of his ugliness he’ll only meet with hate. Frollo does with via song (Out There). After Frollo is done singing and leaves Quasimodo takes over the song (Out There), and sings about a desire to have one day out among normal people.

Disney Esmeralda Hunchback of Notre Dame dancing

The scene switches to Phoebus (Kevin Klein), Captain of the Guard, returning to Paris. He catches the eye of pretty Gypsy girl, Esmeralda (Demi Moore), dancing for coins. After some other guards show up and accosted Esmeralda for stealing, Phoebus aids in her escape. Phoebus then makes the trouble-making, underling guards guide him to the Palace of Justice. He meets Frollo who explains that Paris must be rid of the Gypsies as they weaken the moral of the otherwise good Parisian and then they head out to the Festival of Fools.

Quasimodo Hunchback of Notre Dame Disney picture image

Quasimodo Disney Hunchback of Notre Dame

The Festival begins as a clocked Quasimodo swing down from Notre Dame and gets caught up in the festivity of the party as Clopin serves as the master of ceremonies by singing Topsy Turvy . While Quasimodo is getting thrown about he crashes into a tent where Esmeralda is changing. She asks Quasimodo if he is injured and compliments his mask, Quasimodo is instantly smitten with her. Frollo, Phoebus, and guards arrive on the scene and Esmerlada dances for crowd and gets the attention of Quasimodo, Frollo and Phoebus. After that the King of Fools contest starts, as the ugly masses came on to the stage, Esmeralda pulls Quasimodo up on stage. Once it is reveal that Quasimodo “mask” is really his face he is crowned king of fools, much to Frollo’s disapproval.

Esmeralda defying Frollo by helping Quasimodo Disney Hunchback of Notre Dame

After the song ends, the underling guards, throws a tomato at Quasimodo causing the crowd to pelt him with foodstuff and tie him down to the pillory. Phoebus wants to intervene but Frollo insists Quasimodo is learning a lesson. The barrage of food ceases when Esmeralda ascends the pillory, and apologizes to Quasimodo. Frollo orders her down and not to help. After a quip about justice and mistreat of people (especially her people) she free Quasimodo. Frollo orders her arrest and a merry chase ensues.

Frollo Hunchback of Notre Dame with Esmeralda Disney picture image

Frollo gropes Esmeralda Disney Hunchback of Notre Dame

After Esmerlada gives everyone the sip, Quasimodo apologizes to Frollo and returns to Notre dame. Phoebus sees an old man wander into Notre Dame and follows. The old man is Esmerlada who has chosen Notre Dame as hiding place. She senses a presence behind her (Phoebus) and she engages him in combat. As she fights, he flirts, which after a bit works but Frollo interferes demanding her arrest. Phoebus claims she claim sanctuary and he can’t do anything. Frollo demand that she be dragged out side but the good-old Archdeacon commands that Frollo can’t do anything. As Phoebus and the other guards leave, Frollo hides and grabs Esmeralda from the back and says he’ll wait for her to leave and then continues to grope her. He leaves and Esmeralda learns that guards are position all around the cathedral. Esmeralda sings a prayer for not just her people but for all outcast (Good help the Outcast {sung by Heidi Mollenhauer). As she sings Quasimodo hears it and follow it. When the song ends Quasimodo is told off and flee back up to the bell tower, as he flees Esmeralda pursues.

Frollo Hunchback of Notre Dame Hellfire Disney picture image

Frollo singing Hellfore Disney Hunchback of Notre Dame

The two becomes friends and learn more about each and how Frollo can be wrong about people. Quasimodo then decide to help Esmeralda escape but climbing down the building. Esmeralda ask Quasimodo to comes with her to The Court of Miracles (the Gypsy haven), but he refuses and she gives him a woven band to help if he needs sanctuary. Quasimodo returns to the tower and his gargoyle tease him about having a girlfriend. He sings a song about his feelings for Esmeralda and hope for love (Heaven’s light). Meanwhile, Frollo is also singing about his lust and obsession for Esmeralda (Hellfire). During the course of the song he learns that Esmeralda has escaped.

Disney Phoebus Hunchback of Notre Dame picture image hit by arrow

Phoebus being hit by an arrow Disney Hunchback of Notre Dame

The next day, Frollo has order the capture of Esmeralda. He uses force, bribes, and attempted manslaughter. Frollo tries to kill an entire family for harboring Gypsies, he orders Phoebus to burn the house where the family is trap but Phoebus refuses and sentence to death, but a disguised Esmeralda intervenes via rock. Phoebus gets away but is shoot by an arrow and falls into river. Esmeralda saves him.

Phoebus and Esmeralda Kiss Disney Hunchback of Notre Dame

Meanwhile, Frollo has set Paris ablaze. Quasimodo is worried about Esmeralda’s safety but the Gargoyle assure him that she’s fine and she’ll return to Quasimodo and convinces him that she is in love with (A Guy like you). The song ends with Esmeralda entering the tower and asks Quasimodo to hide Phoebus. As Esmeralda tends to Phoebusâ€˜ wound it became clear that she not into Quasimodo in the romantic sense. Quasimodo hears Frollo coming and Quasimodo tries to cover. Frollo reveals that he knows where the Court of Miracles is and is going to attack. Quasimodo and Phoebus set out to warn the Gypsies. Quasimodo relies that the woven band is a map and they find the Court of Miracles. The pair is ambush by Clopin (Court of Miracles), since the Court of Miracles doesn’t like uninvited guest they going to hang them, but Esmeralda stops them. Phoebus warns them about the attack but Frollo followed them and arrest everyone.

Quasimodo declares Sanctuary for Esmeralda Hunchback of Notre Dame Disney picture image

Quasimodo declares Sanctuary for Esmeralda Disney Hunchback of Notre

As Frollo prepare to execute Esmeralda, he asks her to chose him or the fire, she choses the later and the pyre is set aflame. Quasimodo then swings down from Notre Dame frees Esmeralda swing back up and yells sanctuary. Frollo the attacks Notre Dame and Quasimodo defends. Everyone get in on the battle, Phoebus, Clopin, the gargoyles, random extra and birds. Quasimodo uses molten lead but Frollo sneaks in.

Quasimodo accepts Esmeralda and Phoebus as a couple Disney Hunchback of Notre Dame

Quasimodo tells Esmeralda to come see his victory but it seems like she dies of asphyxiation. Quasimodo cries as Frollo slips into the room and tries to kill him but Quasimodo fights back and Esmeralda regains consciences, and Frollo goes on murderous offense. After a bit of fight Frollo is about to win as Esmeralda clings to Quasimodo who is dangling over the edge of Notre Dame but Frollo support gives out and he falls to his death. Esmerlada strength gives out and Quasimodo falls but he caught by Phoebus. Quasimodo then gives the couple his blessing. Esmeralda and Phoebus emerge from the cathedral and are met with cheers. Esmeralda offers Quasimodo her hand and leads him outside where he is finally accepted by the people. Clopin reprise “The Bells of Notre Dame” and asks us “what makes a monster and what makes a man”.

Next time – A Plot Review of Disney’s Hunchback of Notre Dame

05Apr 2011

Conclusion of my look into The 1939 version of The Hunchback of Notre Dame

by jess

So I’ve looked at the 1939 version of the Hunchback of Notre Dame from many different angles, and my overall consensus is despite all it’s imperfection it’s still a great adaptation. It captures the tone book and despite it’s departures from the book at least it has respect for the source and doesn’t try to hit the audience over the head with a moral. The film is solid and despite my nitpicking is well done and stands as one the best Hunchback films made to date. Click here to get your very own copy of this Classic Hunchback Adaptation

Quasimodo Cheers Charles Laughton Hunchback of Notre Dame 1939

Now a funny story about an episode during filming; William Dieterle had a thick german accent and one time instead of ordering 200 monks for a scene, 200 monkeys were sent and took over the set, and you can imagine the mess and chaos of 200 monkeys. Makes me wonder what Dieterle asked for and cats for the office scene.

New Movie next time – Another heavy hitter in the Hunchback world, a film that took cues from the 39 version and not only is it more popular but most people associate Hunchback with this film, That’s right Disney’s 1996 version of The Hunchback of Notre Dame.

Hunchback of Notre Dame Disney 1996 picture image

Disney The Hunchback of Notre Dame

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30Mar 2011

Book versus Movie (Part 2) minor infractions

by jess

In no particular order The Novel vs the 1939 Version of the Hunchback of Notre Dame

SPOILERS

Aristotle the Goat 1939 Hunchback of Notre Dame picture image

Aristotle the Miracle Goat 1939 Hunchback of Notre Dame

The Goat – Djali is not in every adaptations, so having a goat named Aristotle to fill in for Djali is not a big deal. But here the thing, Djali is a double for Esmeralda and they have a sisterly bond with each other but Aristotle seems more Gringoire’s goat than Esmeralda’s (the name Aristotle point more to Gringoire’s taste than Esmeralda’s). Also he comes into film out of no nowhere and exits just as quickly, the audience gets no closure on what become of Aristotle.

Esmeralda Maureen O’Hara 1939 Hunchback of Notre Dame

Esmeralda Doesn’t Die – It’s rare that Esmerlada actually kicks the bucket in the adaptations and if she does in fact live it’s because she’s paired up with a male, either Gringoire, Phoebus, or on rare occasions Quasimodo. If Esmerlada does die it’s beause like in the Book she leaves Notre Dame, if she stay put she lives, of course there are exceptions to this rule (albet not many) but this is typical order in Notre Dame adaptations. In the 1939 version she paired up with Gringoire.

Frollo is a crazy cat "lady" Sir Cedric Hardwicke 1939 Hunchback of Notre Dame picture image

Frollo, the a crazy cat “lady?” Sir Cedric Hardwicke 1939 Hunchback of Notre Dame picture image

Frollo Loves Cats – This bit confounds me. Frollo’s office is full of cats. I have no clue where this comes from. In the book he has a “lab’ of sorts because he practices alchemy but it not full of cats. I’ve tried thinking of reasons why these couple seconds of film exist and here they are

He trying to cover for his lie he told Esmeralda about that liking animals.
He actually does like animals and this could the reason why he adopted Quasimodo in the first place.
To show untrustworthy/evilness, cats are often used to illustrates with bad guys. But it’s not that necessary to show this, Frollo is a bigoted pervert, I think the audience got he was bad with out the visual aid of cats.
To Show he’s Crazy.

There is no reason why his office should be fill of cats but it is and it not a accident, a movie just doesn’t fill up the sets with cats, there must be a reason or some inside joke.

Phoebus (Alan Marshal) 1939 Hunchback of Notre Dame

Phoebus Dies – Most of the time like in the book Phoebus is not killed and no one really cares about that bit of information in the course of the trial but sometimes the accusation is enough. However in the 39 version he does dies and you the viewer are not suppose to care. It’s rare for Phoebus to die but this not the only adaptation where Phoebus dies.

The Esmeralda and Gringoire at the end (Maureen O'Hara, Edmond O'Brien) 1939 Hunchback of Notre Dame picture image

The Esmeralda and Gringoire, Maureen O’Hara, Edmond O’Brien 1939 Hunchback of Notre Dame

Esmeralda and Gringoire are in Love – Esmeralda and Gringoire develop a romantic interrest in each other. In the book they were “friends” Esmeralda like him enough but didn’t think much of him and he preferred Djali. He preferred Djali more that he saved Djali over Esmeralda leaving her in the hands of an insane Frollo while she is being hunted by guards.

Bell Charles Laughton Maureen O'Hara 1939 Hunchback of Notre Dame picture image

Bells of Notre Dame Charles Laughton Maureen O’Hara 1939 Hunchback of Notre Dame

Quasimodo has a Boy Bell – Kind of on the same lines as Frollo’s cats, it’s just a weird little add in. Quasimodo bell’s in book were ladies but in the 1939 version he has one boy bell “Guillaume” (French for William.) Consider that Quasimodo uses the bell in lieu of ladies, I guess this male bell is when Quasimodo is feeling curious.

(Edit 2104, there is a bell named Guillaume in the novel)

Jehan Frollo, Sir Cedric Hardwicke 1939 Hunchback of Notre Dame

Gringoire, Edmond O’Brien 1939 Hunchback of Notre Dame

Frollo and Gringoire– In the book Frollo was Gringoire’s teacher, here they don’t even know each.

Esmeralda looking at the Virgin Mary, Maureen O’Hara 1939 Hunchback of Notre Dame

Esmerlda loves Notre Dame – In the 1939 version Esmeralda really seems to be a fan of the Virgin and here (to my knowledge) is the fist time she prays to her for her people (it started the trend). In the book she prays to Mary because she is afraid and being in Notre Dame she simply pray to the closet deity but that’s at the end of the book.

Bells 1939 Hunchback of Notre Dame

No Whistle – In the book Quasimodo gives Esmeralda a whistle just in case she ever needs him but in this film he tells her to just ring the bells. In both cases she take him up on his aid, but most adaptations go for the bells over the whistle, one less prop to deal with.

Frollo confesses his feelings to Esmeralda, Sir Cedric Hardwicke, Maureen O’Hara, 1939 Hunchback of Notre Dame

No Jail Scene -Ah, the jail scene, one my favorites, I tend to judge the adapations base off of this scene, well I wish I could because a lot the adaptations don’t have this scene or it’s very water down. The jail scene is when Frollo goes to Esmeralda whose in jail and confesses his confusion and torment for her. It’s a very long scene as Frollo gives a detail explanation of what his desire did to him and his actions as a result. In the 1939 movie the party scene or what I refer to as the “Tree Scene” fills in for the jail scene. Frollo corners Esmeralda against a tree and tells her that he basically confused, thinks about her all the time and can’t sleep. He doesn’t want people to see her dance and then threatens her. Doesn’t have the same impact as the book but at least it’s something.

Trial by ordeal (chance) Esmeralda and Louis, Maureen O’Hara, Harry Davenport 1939 Hunchback of Notre Dame

The Interruptions during the Trial Scene – The trial puts me over the edge, there’re too many things that happen in the course of it. Quasimodo admits that he is the murder. I get why he does it; to show his love for her. But it a happens and goes way and is never mention again, seems to be a trend in this film. Then there is the Trial by Ordeal, for me this is even more off putting than Quasimodo’s interruption. The film loves Louis and uses any excuse to give him screen time. I get why he’s doing it; the Archdeacon asked him to but The Trail of Ordeal is more by chance, she blindfolded and must touch a dagger hers ( the guilty one ) or Louis’ (the innocent one), not much of ordeal and again it doesn’t amount to anything but at least its mention again by Louis so it doesn’t add anything other than Louis.

Gringoire’s Appeal for Esmeralda 1939 Hunchback of Notre Dame

The permits, petitions, & Nobles – At the beginning of the the 1939, we learn that Gypsies need a permit to live in Paris, Esmerlada doesn’t have said permit hence she seeks sanctuary towards the beginning of the film. In the book nobels are not a big deal and there are no petitions. In the 1939 version the Nobel are pissed that Esmeralda didn’t die because she killed “one of them’ so they make a petition to end sanctuary and also Gringoire makes an appeal to the king to free Esmeralda. In the book the whole sanctuary debacle is due to a rumor that Frollo made-up to get Esmeralda out of the cathedral and in his power, but the rumor went too far (ie the Court of Miracle attacks Notre Dame to save her and the Louis thinks it to an attack on him and orders for Esmeralda’s death, otherwise he wouldn’t have cared.)

Quasimodo (Charles Laughton) alone at the end 1939 Hunchback of Notre Dame picture image

Quasimodo alone at the end, Charles Laughton, 1939 Hunchback of Notre Dame

Qusimodo alive at the end – Sometimes Quasimodo lives, sometimes he dies, and sometimes it’s implied that he dies. If he lives it can be sad because most of the time (two exceptions) he watches Esmeralda go off with another man, if he dies it can mean that in death he gets to be with Esmeralda like in the book, or if he dies then he dies and it’s sad. Quasimodo seldom gets a happy ending. In the 1939 not only does he live but he watches Esmeralda leave with Gringoire and he left alone to lament that he isn’t made of stone. Defiantly one of the more tragic endings for Quasimodo

Frollo stares at Esmeralda’s chest for 15 seconds, Sir Cedric Hardwicke, Maureen O’Hara, 1939 Hunchback of Notre Dame

Frollo rounding up the Gypsy girls – So being a High Juctice, the 1939 version shows Frollo doing Justice-related tasks; going to meetings and being a judge. The film also shows him exercising some of his power, he rounds up all the Gypsy girls in order to find Esmeralda. This scene is meant to show his obsession for finding her. In the book he didn’t have the power to arrest people, he just stalks her old school style.

Extra's hair 1939 Hunchback of Notre Dame picture image

Noble Ladies 1939 Hunchback of Notre Dame

Nobles vs Beggars – The film mentions the clash between beggars and nobles and that the noble are just thieves that plunder countries while beggars engage in petty crimes. This clash is no where in the book and really is just in this one adapations. So basically the movie hates nobles.

Next time conclusions+

22Mar 2011

Book versus the 1939 version of Hunchback (part 1)

by jess

So how does the 1939 version of “The Hunchback of Notre Dame” hold up against Victor Hugo’s novel? Well first let’s identify some MAJOR differences.

Jehan Frollo 1939 Hunchback of Notre Dame Sir Cedric Hardwicke picture image

Jehan Frollo, Sir Cedric Hardwicke, 1939 Hunchback of Notre Dame Sir Cedric Hardwicke

The First difference is Frollo. Hugo’s Frollo has been spilt into two characters. This was not the first film and certainly not the last film to do this, but to my knowledge it was the first to make him a High Justice and the last to separate him between brothers. If you haven’t read the book, Frollo has a younger brother name Jehan. Jehan is quite licentious while Claude, the older Archdeacon, is the lusty priest. So splitting the Frollo character into brothers isn’t a stretch. The reason why Frollo is spilt into the pious brother and lusty bad younger brother is the same reason why Quasimodo is crowned the “King of Fools” and not the “Pope of Fools”; The Hays Movie Code. The Movie Code (Censorship) that was in affect back in the 30s didn’t allow the church to look bad in any fashion (among other things). I give the film some credit, it tries to remind the viewer that Frollo should be a priest, or at least he wants to be a priest.

ESMERALDA: Who are you? You’re not a priest, and yet you look like one. FROLLO: I am what I wish to be.

Esmeralda and Frollo, Maureen O'Hara and Sir Cedric Hardwicke, 1939 Hunchback of Notre Dame

Though him being a priest wanna-be doesn’t make me believe in his torment of “wanting” Esmeralda. Fortunately he doesn’t seem to combat his emotions, he goes from “I want you” to “you must die” in record time and doesn’t think twice. Whereas Hugo’s Frollo runs the gambit of emotions for Esmeralda. Plus it’s not important that he is in deep torment because the film is not really concerned with Frollo, Frollo is a necessary character because he is the catalyst for the story. Without Frollo, the book would have ended with Feast of Fools, the adaptations need him as a character but the lengths of his development are left to film. The â€˜39′ Frollo gets some development but not enough. Instead characters that are lesser in significance get push to the forefront due to the next major difference of the movie.

Printing Press 1939 Hunchback of Notre Dame

The next big difference is modernity and the conflict between old vs new. The book did have a rather long chapter/essay called “This will Destroy that”(translations may vary) which was about how books will destroy the church and architecture. So instead of the cathedral being the conduit to teach the masses the stories and the history of the christendom, books would take over that role. But the film pushes this way too far and distracts from the main plot, hell the film opens with a scene that rehashes “This will destroy that” just with a positive spin. Also because the film takes a modernity good-old fashion bad, Gringoire, Clopin, and King Louis are made into more prominent characters despite being lesser characters in book especially Louis, whose hardly a character at all.

Esmeralda Smiling, Maureen O'Hara 1939 HUnchback of Notre Dame

But these are not the only character that are tweaked. Esmeralda is very different than in the book. In the book she is a naive, innocent, flighty, and pone to giving into whims. She also had a very different back story, a back story that seldom gets into adaptations. The only part of her backstory that can be compared to the book is that she came to Paris on the Feast of Fools in the movie, and in the book she had been in Paris a for over a year and was beloved amongst the people of Paris. In the movie, her motivation is for her people and she has a strong sense of empathy instead of love of dancing. It is interesting to note that when Esmeralda has these characteristic, Frollo is a High Justice who seems to hold more power than the king (in the 39 movie, he rounds up all the Gypsy girls in the Court of Miracles and the Disney he burns all of Paris). I suppose the caring, empathic Esmeralda is a counterpoint to the powerful, racist Frollo, but it’s a striking difference to her character in the book where she is a naive, simple, winsome child, who is unaware of her own charms. The 1939 characterization of Esmeralda she isn’t naive and she does at least in the 39 version, use girlish charms to get Louis to help her. She’s not above turning on the charms to get what she wants but doesn’t do it with Frollo, perhaps she didn’t know Frollo was in a position that could have help her. At least in the book she was afraid of him, hence she didn’t want to have anything to with him. In the 1939 version she doesn’t seem to exhibit any strong feelings towards, she neither likes him nor hates him, but she strikes an accord with him about animals. So I guess she could have turned up the feminine charms towards Frollo had he not been a bigoted pervert. The main reason why Esmeralda is never depicted as she is in the book, is she would come off unlikable, (a shallow, simple, young girl) so the film always has to tweak her character to make her likable. If she cozen up to Frollo, the villain, she wouldn’t have been as likable and has the only main female character, she has to likable.

more book vs movie next time

11Feb 2011

Blocking, Staging, and Edits, Oh My! The Staging of the 1939 Version of Hunchback of Notre Dame

by jess

So next up is staging, where things, mainly actors, are position in scenes of a movie. As I was looking at the costumes I noticed something, a lot of the shots are medium or close up unless it was a big epic scene or an establishing shot . This makes it hard to get pictures of costumes but it also makes staging difficult to review. Another factor that makes staging reviewing difficult is that the editing cuts between shots are very frequent, though the cuts are not insane or abnormal. Also other than establishing shot you don’t get a feel for the spaces the characters occupy, not even Notre Dame.

Watching the Play

Gringoire's Play

So it’s hard to gauge the characters’ movement in the film space. For the most part I say that the characters use the spaces logically but it’s hard to gauge where the characters are in relation to each other in the space in a given scene. A good example of this is during the Feast of Fools. First you see Louis and Frollo sitting in the royal box watching the festivities. From their vantage point they can see Gringoire’s play. The beggars start to complain that they’re not get money because of the play.

Beggar in long shot

Beggar and Clopin Medium shot

(Edit Alert; in the longer shot as Clopin walk up you can’t see the stage but when the scene cuts to a medium shot of Clopin and the beggar the stage can be seen).

Clopin puts an end to Gringoire’s play and then on the same stage the King of Fools contest begins. As the contest starts we Louis and Frollo talk about it how ugliness is fascinating and how the noble seem interested.

Extras 1939 Hunchback of Notre Dame picture iame

Extras watching the King of Fool contest

Phoebus in armor (on left) Alan Marshal 1939 Hunchback of Notre Dame picture iamge

Phoebus (left) watches Esmeralda

The scene cuts to nobles looking at the stage, it is in this line up of nobles that Phoebus is seen making a comments about Esmeralda who is dancing.

Esmeralda spots an eyes staring

The crowd drags Quasimodo to the stage

As she dances it’s hard to make out where the stage is but it seems to be to left. Louis and Frollo in their box are watching her and looking slightly to the right, as well as Gringoire. Louis and Frollo have to be somewhat close to her as Louis throws her some money without much effort and Quasimodo is hiding under the royal box and Esmeralda can see him staring at her. The crowd then drags Quasimodo to stage which looks like a long distance from the box.

The distance could be attributive to Quasimodo trying to escape the crowd or it’s because the Director William Dieterle was a student of German Expressionism which likes twisting scales and playing distortions. It any case this scene it has some logic but you can’t get a feel for the space. Where is the royal box? How far is it from the stage? Where is Esmeralda performance in relation to the stage and the royal box? These are questions that the film never quite answers because it’s to hard to decern the space, the movement and spacial relation

Next time Sets!

07Feb 2011

“I’m ACTING” – A look at the acting from 1939 version of THe Hunchback of Notre Dame

by jess

It can be hard to judge acting from a film that is decades old from the vantage point of the modern era. The 1930’s had a very different style of acting and therefore different criteria for what was consider good and bad. So with that in mind I’m going to look at the acting from the 1939 version of “The Hunchback of Notre Dame”

I would say the acting is good across the board. No one hams it’s up nor under acts. The actors have grasp of how their characters are suppose to behave in the film. They even muddle through some of the more awkward dialogue far better than actor’s of today.

Esmeralda looking at the Virgin Mary (Maureen O’Hara) 1939 Hunchback of Notre Dame

Esmeralda (Maureen O’Hara) – This was O’Hara’s American debut and was still fairly new to film but not to acting in general. Despite looking very Irish and not very Gypsyesque, she does well in the role. She plays up concern for her people but she demonstrate a coy side. I don’t think the role is particularly demanding on the acting front nor do I think it’s the best performance of her long career but it was a great debut for her for American audiences. I will give her credit, she did her own stunts (not just in this film but all her films). The stunts in this film were when Quasimodo swung down to rescue her from the gallows and where he lifted her over his head claiming “sanctuary”. The lift was the most dangerous of the two stunts. She and the stunt man where about 40 forty feet off the ground which was cobblestone and without a safety net.

Quasimodo declares SANCTUARY for Esmeralda (Charles Laughton and Maureen O’Hara) 1939 Hunchback of Notre Dame

Quasimodo is crowned King of Fools (Charles Laughton) 1939 Hunchback of Notre Dame

Quasimodo(Charles Laughton) – Laughton excels in the role. Quasimodo is the most technically and psychically demanding role in the film. Laughton shines though all the make-up. He doesn’t make Quasimodo morose or monstrous instead he plays the role more pitiable and human. I do enjoy with mannerism especially during his brief reign as King of Fools and after his abdication and ringing the bells with his feet.

Jehan Frollo 1939 Hunchback of Notre Dame Sir Cedric Hardwicke

Jehan Frollo(Sir Cedric Hardwicke) – Hardwicke’s plays Frollo with a restraint manner and never teeters into the fevered obsession that the book Frollo exhibited in the book. However other Frollos have played him in this manner so it’s not a huge deal plus Hardwicke’s Frollo makes you forget that aspect of Frollo’s personality. Despite this restraint there are scenes where you can feel craziness behind the facade of control. Like any second he could lose that control and become raving mad and it would still feel in character.

Jehan Frollo, Sir Cedric Hardwicke, 1939 Hunchback of Notre Dame Sir Cedric Hardwicke

Gringoire and Clopin (Edmond O’Brien, Thomas Mitchell) 1939 Hunchback of Notre Dame

The other actors Edmond O’Brien, Harry Davenport, Thomas Mitchell, Alan Marshal and Walter Hampden are all good in their respective role and in the case of O’Brien made a great film debut.

The acting is good and there not too much I can really say other than what I’ve already said without getting into 30’s acting conventions.

Next time Staging

01Feb 2011

15th century costumes with a 30’s flare – Costumes/Make-up of The Hunchback of Notre Dame 1939

by jess

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Let me first say that I love costumes, I’m a sucker for period films with pretty costumes. With that being said, with one major exception, the costumes in the 1939 version of “The Hunchback of Notre Dame” are middle of the road. They help define the setting of the story and characters. But most of the costumes are not recognizable within film nostalgia (save for one).

Walter Plunkett's design for Esmeralda 1939 Hunchback of Notre dame picture image — Plunkett’s design for Esmeralda

The costumes were designed by Walter Plunkett. Walter Plunkett was the costume designer for “Gone with the Wind“. Perhaps designing grandiose Southern Belle/Victorian bustles is a tad more fun than designing costumes for medieval Parisian and nomads. To the film’s credit it did have a ton of extras to cloth and they all look their parts.

Esmeralda first costume 1939 Hunchback of Notre Dame picture image

Esmeralda second costume (Maureen O'Hara) 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame picture image — Movie poster for 1939 Hunchback of Notre Dame

Esmeralda– Esmeralda gets about three costumes though one is a plain white linen chemise she wears before she’s almost hanged.

Her costumes are stylized and by no means accurate, like most costumes in movies, it’s time’s interpretation of whatever period the film is depicting. Esmeralda’s main dress is a long skirt with some patch work detail, a blouse (I suppose it’s moonlighting as a chemise) it looks like it has a slight sheen and also has fringe detail and a corset with some spangle detail.

As for accessories she has a necklace and bracelet and of course being a gypsy dancer a tambourine. Her second outfit is a blouse with an embroidery detail at the neck and on the sleeves. She sports a long skirt with more embroidery. She also has a belt with a rather large buckle and a head scarf. Both of these design are derived from Plunkett’s design. As for the color of these costumes my guess would be her main one is red (though one movie has it’s a as purple and another movie poster has it as red) and I would guess her performance outfit is a blue skirt and a white blouse (though who can tell through shades of grey but the two costume are different shades of grey. Her costumes do read “nomad” but they’re not overly gimmicky. Though it is hard to speculate what the group would have been wearing in the late 15th France. Paintings from the 16th century depicted Romani wearing a sari-like garment.

Quasimodo make-up Charles Laughton 1939 Hunchback of Notre dame picture image — Close up of Quasimodo’s make-up

Quasimodo on the Pillory Chalres laughton 1939 Hunchback of Notre dame picture image — Quasimodo’s Hunch

King of Fools Quasimodo 1939 Hunchback of Notre dame picture image — The Crown for the King of Fools

Quasimodo – As I mention there was a major exception to the run-of-the-mill-i-ness of the costumes and while technically this applies to make-up it still counts.

The make-up for Laughton’s Quasimodo was masterful. A collaboration between Laughton and Make-up artist Perc Westmore and costed $10,000. Laughton & Westmore went through numerous versions and they were rejected by Laughton. He wanted his face loop-sided, so a mask had to pull the right side of face up and the left side down. A false eye was placed on his cheek and Laughton wore a colored contact in his right eye to make it look cloudy. The hump weighted 4 pounds and made of aluminum scaffold filled with a foam rubber and covered with a thin layer of elastic. Laughton wanted it to be heavy so that he could feel physical pain of walking. He also had an inch added to the sole of his left show so one leg would be shorter that other creating a natural limb. (this information is from Maureen O’Hara’s book “‘Tis Herself“). For Quasimodo the only requirement is the physical look and Notre Dame, Quasimodo can be in Tux and you would know who it is. One more thing on Quasimodo’s get-up, the King of Fool crown is a nice blend of a crown and jester’s hat.

Frollo – The villain, he wears all black and has a severe look, straight almost square cut to the hair (he’s a squareãƒ ). It looks to me that he wears velvet which is the blackest fabric and there is very little details to break up the costume so it looks like stab of black. He has a hat that has a built in cowl and has a fur trim a round his neck. All black, all severe, all rich fabric, his character is very clear he’s rich, powerful and EVIL (or just an antagonist).

King Louis XI Harry Davenport 1939 Hunchback of Notre dame picture image — King Louis’s Costume

Louis– I’m going to mention Louis because he’s a counterpoint for Frollo because Louis also wears all black but he has many details to break it so the black reads as a power color and not evil. He looks like a medieval kings, some regalia but more casual. He also sports a hat with jewelry, more jewelry, and a fur vest. Black but approachable yet kingly.

Gringoire Performing Edmond O'brein 1939 Hunchback of Notre dame picture image — Gringoire as a Harlequin

Clopin with hat Thomas Mitchell 1939 Hunchback of Notre dame picture image — Clopin’s Feather Hat

Phoebus in armor Alan Marshal 1939 Hunchback of Notre dame picture image — Phoebus in armor (on left)

Archdeacon Claude Frollo Walter Hampden 1939 Hunchback of Notre dame picture image — Archdeacon Claude in less than period vestments

The Rest – Gringoire and Clopin wear pretty standard tunics nothing too special except Clopin has a big old feather in his hat. Gringoire also get a harlequin outfit for his performance at the party and it’s pretty standard. Phoebus a suit of armor and it looks very silly. Phoebus also has some party garb it a cape and tunic basically none special not like his armor. Claude the Archdeacon’s costumes looks more current(even by modern standards) than what a priest of 1400’s would have wore.

The buckle 1939 Maureen O'hara Hunchback of Notre dame picture image — The Buckle on Esmeralda’s costume

Female Extras 1939 Hunchback of Notre dame picture image — Extras with 30’s hairstyles

Fleur de Lys Helene Whiteney 1939 Hunchback of Notre dame picture image — Fleur in Chiffon

Finally being a film from the late 30’s there are costumes and accessories peppered throughout the movie that look more 30’s than medieval. Claude’s vestment (seen above), Esmeralda’s belt buckle (belts were more for swords not fashion), the extra’s hairstyle (note the length and curls) and Fleur, a glorified extra that gets a name, her dress screams late 30 design so much so that it stands out in my mind despite the fact that you only see it for a moment. The dress is made from what I can guess is a chiffon. Chiffon is not even remotely a fabric that would have been used in the 1400s. Chiffion was invented in the 18th. (Fun fact – Chiffon is french for “rag”).

More on another aspect of Mise-en-secene next time – Acting

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Tag Archives: Clopin

Deeper look at the Disneyâ€™s Hunchback of Notre Dame Characters part 3 Esmeralda

Characters of Disney’s Hunchback

Review of Disney’s Hunchback of Notre Dame Plot

The Plot of Disney’s Hunchback

Conclusion of my look into The 1939 version of The Hunchback of Notre Dame

Book versus Movie (Part 2) minor infractions

Book versus the 1939 version of Hunchback (part 1)

Blocking, Staging, and Edits, Oh My! The Staging of the 1939 Version of Hunchback of Notre Dame

“I’m ACTING” – A look at the acting from 1939 version of THe Hunchback of Notre Dame

15th century costumes with a 30’s flare – Costumes/Make-up of The Hunchback of Notre Dame 1939

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