Not Real News Hunchback Notre Dame picture image

Not Real News Hunchback Notre Dame

So this made the rounds and ended up on my news alert. So why not do a quick fire round of casting thoughts on these performers in these roles. This very off impromtu. Read the article here    

Andy Serkis as Quasimodo – Unless it was motion capture I don’t see this casting. Serkis is a great actor but I can’t see him being a innocent child-like Quasimodo.

Gal Gadot as Esmeralda – I get it. She could work as Esmerlada but it’s not a casting that I would have thought of. I think there are better opinions but if did happen probably wouldn’t be the worst.

Peter Capaldi as Frollo – I have never heard of this guy, I apologize.  Apparently I have see him in The Devil’s Whore, which I don’t remember at all.  He has played The Doctor though and he was in the Vicar of Dibley of which I have only watched the last two episode. Well I will say this for this casting HE LOOKS the part so shrugs of this casting. Probably wouldn’t be a bad choice.

Chris Hemsworth as Phoebus  Did an actual post on this one back in 2012 so read it here.  I guess this a popular casting pick for Phoebus.

Eddie Redmayne as Clopin – No! While I could see him as Gringoire and Disney’s Clopin has elements of Gringoire in his characterization just no to this one.

Kesley Grammar as Victor – I don’t understand this one. I want to but I don’t.

Betty White as Laverne – Don’t put Betty White in a Disney movie. Don’t censor her.

Jack Black as Hugo – Maybe but no. Sure they are both crass but still.

Anthony Hopkins as The Archdeacon  Well he did play Quasimodo in the 1982 movie so having him in another version could be cool but no. Again not the worst casting but meh.     

  

But what do you think of this fantasy casting?  And will Disney actually remake Hunchback?

 

Les Misérables Poster, picture image

Les Misérables Poster

I finally got around to seeing the movie version of the musical of Les Misérables. Before I discuss this movie I will admit that I’m not the target audience for it. I was not well acquainted with musical prior to seeing this film and while do like the idea of Musical movies I only really like a few of them. That said I really didn’t care for this movie, I didn’t hate I just didn’t like it. (WARNING; this gets ranty)

Anne Hathaway as Fantine, Les Miserables , picture image

Anne Hathaway as Fantine, Les Miserables (Get used to this framing style, it’s everywhere )

 

Les Misérables fails as movie. There is a visual language to movies that keep it interesting for a viewer. When a movie just has a actor perform without any camera work or interesting edits for 3 minutes the scene becomes stall. There is no point to filming a movie if you are not going to present the story in way that is visually interesting. I Dreamed a Dream is a prime a example.

Anne Hathaway as Fatine performing  I Dreamed a Dream from Les Miserables, picture image

Anne Hathaway performing I Dreamed a Dream from Les Miserables (This looks more like an Ad than a still from a film)

Anne Hathaway gives a heartbreaking performance but after 30 seconds I became distracted by lacks of edits. How about a reverse shot? Even if was one take you can still have two camera angels. How about some zooms or pans. How about using the space in your sets? What’s with this stationary medium shot that is off center? It’s dull. The camera moves a bit but it’s really just to keep up with Hathaway’s movement and maintaining the frame. I understand that director Tom Hooper likes the off center placement of the shots and consider it “his thing”. It does promote a feeling of uncomfortableness and it worked well in The King’s Speech but it doesn’t work in Les Miserables. though it works in I Dreamed a Dream but I find it distracting after 30 seconds. Watching Anne Hathaway sing uncut for 3 minutes is not really any different from seeing the musical live but at least at live a performance you feel the energy of the actor. Then again, maybe I’m just heartless.

 

Paris, maybe, Les Miserables, picture image

Paris, maybe, Les Miserables

Then there is the issue that film doesn’t have any establishing shots and doesn’t give any indication of the passage of time. This make the narrative feel confused. But more than that without establishing shots you can’t see the sets. What is the point to having these sets that look like they could be great if you not going to show them to the viewer.

Samantha Barks as Eponine Les Misérables, picture image

Samantha Barks as Eponine Les Misérables

The point of taking a musical and making a film is to give the songs and story a visually interesting telling. The most interesting visual presentation of a song in this movie is Stars. Javert is walking on the edge of a bridge. That is interesting! (Even if Russell Crow was miserable in this movie) Jean Valjean pacing back and forth in a church, dull. Fantine crying about her life because of her crap day and half uncut, didn’t work visually . Epoine walking heart broken in the rain, zzzzzzz (and I like that song). What is the point of adapting this if your not going to be interesting with staging, filming or editing? Was it just to use establish actor is these roles? I think it might have been. Frankly I don’t give crap if the actor are singing live for a more a emotional performance. They played this way too straight. They should have been more artistic. The whole of this movie feels like gimmick to use the live singing and promote it. After all that seems what the film and the director are concern about not the viewer’s experience watching a movie.

Samatha Barks as Epoine & Eddie Redmayne as Marius Les Miserables 2012, picture image

Samatha Barks as Epoine & Eddie Redmayne as Marius,
Les Miserables

However, because the film tries to play with the viewers’ emotions about these people we have to look at the characters to see if the film was successful. Because the film steamrolls over the narrative I can’t feel for any of these characters. It’s like BAM here is a character, BAM here’s their issue, BAM they’re in trouble don’t you feel sad? Answer, Not really. You meet Fantine, I don’t know who this character is so don’t feel that much when she goes through her hellish day and half (without time passage I don’t know how much time pass between her firing and death). How did she die? I know she dies of TB in the book but in the movie it seem it like death by plot….? Sorry Fantine, I wasn’t moved. I didn’t get a sense of your character so meh to you. Epoine same, you like Marius that’s nice he’s not into you….. ok…. oh you’re dead…… oh well. Javert’s obsession? Didn’t see it at all.

Hugh Jackman as Jean Valjean,  Les Misérables, picture image

Hugh Jackman as Jean Valjean, Les Misérables

Oddly enough the rare lines that are spoken (like 3 lines) were most genuine parts of the movie. I feel like Hathaway and Jackman were trying to win awards. Crow didn’t seem to care very much. Redmayne, Tviet and Barks did seem to try and they were at least successful for the most part. I think Tviet was probably the best as Enjolras.

Do you hear the people sing, Les Miserables, picture image

Do you hear the people sing, Les Miserables

Do you hear the people sing felt like a movie, with visuals, that were slightly interesting, that kept your attention. Though I could do without the Dutch angles…. a pox on Dutch angles.

Anne Hathaway and  her Oscar,picture image

Anne Hathaway and her Oscar

I feel like this movie was blatant Oscar bait and considering it was nominated or 8 Academy Awards and won three I guess it was successful. It also won heaps of other awards and earned $437,710,466 at the box office, its budget was $61,000,000, and grossed $376,710,466. So, it was successful at that end of movie making which is the important part for studio. The film however has a polarizing effects on audiences and critically was not much cared for. Had the movie had clear establishing shots, clear passage of time indication, and more interesting presentations of scenes and songs it could have been much better. But for m,e as a viewer, it failed to be visually entertaining and emotional interesting.

Pictures and Trailer from the upcoming 2012 Les Misérables  movies. I’m still not sure on the casting and the production values seem a bit to  much like “Notice Me Academy”.

 

(Please Note –  I’m not as familiar with Les Mis so I may have misidentified  characters or actors)

http://www.youtube.com/watch?v=B7_pOyPYGUQ

How do you think Notre Dame de Paris would translate to a movie format? I think a cinematic treatment could be cool but the musical doesn’t have the best “narrative.”