“Who among us hasn’t watched a particular “Hunchback” scene and thought, “This is good, but it would be better with some cats? “- AnaykhOntheDoor
This got me thinking. Yeah, Hellfire is awesome but it could use a few cats.
There! Purrrr-fect
List of the Cats;
Prince John – Robin Hood
Nala & Simba- The Lion King
Oliver – Oliver and Company
Dinah & the Cheshire Cat- Alice in Wonderland
Sgt Tibbs – 101 Dalmatians
Tigger – Winnie the Pooh
Bagheera & Shere Khan – The Jungle Book
Lucifer – Cinderella
Duchess, Tom O’Malley, Marie,Berlioz and Toulouse – The Aristocats
Rufus – The Rescuers
Si & Am – Lady and the Tramp
Figaro- Pinocchio
Rajah- Aladdin
(masking whiskers is hell)
Question; Why did Esmeralda choose Phoebus?
This question get asked a lot and it’s directed to the Disney movie. A lot people resent Esmeralda for picking Phoebus after all Quasimodo did for her. They resent her despite the fact that movie tries very, very hard to convince the audience that Esmeralda and Phoebus are the perfect couple.
When a film tries to present a future couple to the audience it is always done at the start of the film by showing the couple interacting in someway. This is almost always the case unless it is important to the development of the character to break it off with the person the are supposed to be with. Titanic is a good example of this. In Disney’s Hunchback the only scene that does not have either Frollo or Quasimodo is when Esmeralda and Phoebus meet. Now this may seem trivial but remember that the movie’s theme is “what makes a monster and what makes man” and every scene but this one and most of their time in the church reinforces that theme.
Next, Esmeralda and Phoebus have almost identical personalities. They’re both witty, friendly, selfless and very self righteous. Frollo is very self righteous and somewhat witty and Quasimodo is friendly and somewhat selfless, he kind of has to overcome some self pity first.
Another tactic the movie uses to try to get the audience of the couple’s side is the contrast of how Quasimodo, Frollo and Phoebus view Esmeralda. Frollo views Esmeralda as demon-witch sent from hell to ensnare him in hellish fire whereas Quasimodo views her a s heavenly-angel sent from high above to love him. These point of views are made crystal clear by their songs “Heaven’s Light” and “Hellfire.” Now Phoebus on the other hand doesn’t view her as an angel or demon, he views as a human and treats her as such.
However the most conniving thing the movie does to try to showcase that Esmeralda belongs with Phoebus and not Quasimodo is how she interacts with them. With Quasimodo, she treats with a lot of kindness and compassion. Not to mention she treats him like a child. Esmeralda never expressed any romantic interest in him. The peck on the cheek was to convince him let her stay in his life because she was on the side of the outcasts. She liked him as a friend nothing more. With Phoebus, she was coquettish, witty, snarky, and romantic. All most all Disney couples start off snarky without each other, it’s a troupe.
The inability to accept Esmeralda and Phoebus as a couple isn’t really do with how much Quasimodo helped Esmeralda because she helped him too it is more to do with acceptations and hopefully optimism. First, it is very rare that a protagonist doesn’t end up with the leading lady. The Hunchback of Notre Dame is one the few Disney movies where this happens. And there is the fact that Quasimodo is an underdog and the audience wants him to succeed and get the girl but it was disheartening when he doesn’t even though Quasimodo accepted the relationship and was happy for them.
And if the protagonist is cool with this than the audience should acceptance it as well.
The second song in the Jetlag version is called “Queen of my Heart.” This song is played over Quasimodo’s fantasy of Esmeralda. I suspect that the reason why the song is not sung by Quasimodo himself is either the song was written independently from the animation or they just didn’t want to bother with lip sync. But how is the song? Is it better than “Pity Not Quasimodo“? Well yeah, it’s better than “Pity Not Quasimodo” but it’s still a sappy and stupid song made worse by the visuals.
Let’s start with some positives, because there are a few. First off, despite the visuals which are bad, the quality of animation (in parts) are the best in the film. They have clean lines and there is a decent flow to the movements, however that is also an issue that I will get into in bit.
The song while it’s sappy, it’s also heartfelt and self-actualized. Unlike the Disney version where Quasimodo doesn’t really have a doubt that Esmeralda could love him, here he does and is afraid that she’ll leave or may not even be real. Also the song stresses her kindness as well as beauty but doesn’t elevate her to an Angel, it keeps her human.
Those are the positives and now the negatives. First off when this song begins Quasimodo stares up in the flame of a candle and the camera zooms into it and the fantasy/song starts. Ummmmm, hmmmm what other Hunchback of Notre Dame song has a guy starring into a fire and fantasizes about Esmeralda? Hmmmm let me think………. Oh! I know, Hellfire, Frollo’s villain song from the Disney movie where he calls Esmeralda a witch, blames her for the lust he feels, and plots to kill her while damning her soul. Why are they ripping-off Hellfire with this sappy ballad for Quasimodo’s love of Esmeralda? It’s the total opposite tone of Hellfire. I guess the candles links Quasimodo and Esmerada as an editing transition but it a stupid choice. Having him stare into the moon would have been better and easier to animate since this movie is lazy with animation anyway.
Which brings me to my next point, the animation in this song. Now I said that the animation in this song was the best in the movie which is true but too bad the animators knew this because they repeat animation over and over and over again. Despite the sweet tone of the song it gets comical. The repeat animation is clearly just to pad the animation out for 2:42 minutes.
The dancing is also really awkward. All she really does is leap and spin around. She does so other moves like hits her tambourine against her breasts. What? I don’t get why she does this? She also at the end of the song she makes bats appear. Now I know they are supposed to be birds, which on its’ own makes no sense but they look like bats.
One more aspect of the visuals really bothers me. The way the song is presented as Quasimodo’s fantasy so why his fantasy about Esmeralda is her dancing with other men? I mean he doesn’t really know Phoebus and he doesn’t know about Gringoire, so how can he fantasize that Esmeralda dances with both of them? What is Quasimodo subconscious trying to tell him? Or are Phoebus and Gringoire a manifestation of Quasimodo’s fear that she will leave him? I’m going to say no, the movie it not that cerebral. I get why they are here from a story context but it makes no sense in the here because the song is Quasimodo’s fantasy.
So the visual are very problematic but how is the song? Pretty Bad. The predominant instrument is a cheesy electric piano. It’s really hard to get pass the utter cheapness of the electric piano here. As with the first song I’m not a fan of the singer’s thin, breathy, raspy voice. There is something about his voice that is sleep inducing and lifeless. And then there are the lyrics. They’re not terrible but there no good or special, they just meh.
The result of the song is that it just stops the story right it it tracks for a lifeless, sappy, confusing song sequence. If it was good you can forgive it but it’s not good it’s boring. That is the most complementary thing I can say about the end result of this sequence is it was boring. I think a better singer, a better arrangement and better visuals that fit the song this sequence could have been good because it song fits Quasimodo character pretty well.
Watch the video of this song here
Next Jetlag Article – The Ending Song “Love is Everything” {gags}
This very is special Halloween Horro-scope custody of the song Hellfire.
“It is the gypsy girl, The witch who sent this flame”
So beware of girls dressed in Gypsy costumes or Witch Costume they will either steal you candy or will compel you to give them more candy
with translations
Video made by LOVxxE. It uses the 25th anniversary of Phantom
footage and clips from the first run of Love Never Dies . And of course the bestest song from the Disney version Hunchback, Hellfire .
Paw is a reviewer for musicals on That Guy with the Glasses. The show is called Music Movies. Disney’s The Hunchback of Notre Dame has been on the Dartboard (his method of selection) for a while and he finally got to it so let’s take a look at his review.
Right off bat Paw calls into question what Disney was thinking in making the movie. He then makes a joke about how much architecture is a theme in the book. I think that he is poking fun at the chapter in Hunchback that goes through long description of Notre Dame but that chapter is nothing compare to the long chapter that just about Paris.
Review-wise Paw doesn’t really add anything new. He loves Hellfire, Bells of Notre dame and the overall score. He hates the gargoyles and their song. So no surprises there. He also brings up the issue of tone.
This is the third review I have looked that remarks on the changing tone of the film. This is making me question why I don’t have an issue with it. I mean if we look at the novel the scene where Phoebus gets stab a lot of humor leading up to it but judging this movie on it’s own merits I personally don’t see the big deal. I mean this movie isn’t really that dark and nor is the book. Yes, for a Disney movie, yes it is but Disney movies have anyways had shifting tones. Perhaps I’m desensitized to changing tones as result of years of watching anime and Bollywood movies where tones change often.
My biggest issue with Paw’s review is the lack of fact-checking just to set up a few jokes. The first one he makes wasn’t for a joke set-up. He mentions that there have been two musical versions of Hunchback but only were performed in Europe. I’m guessing he means Notre Dame de Paris and Der Glockner von Notre Dame. However if he did mean those two or at least Notre Dame de Paris than he is wrong about Notre Dame de Paris has only been performed in Europe. Notre Dame de Paris was performed in Las Vegas and Canada in 1999 a year before the London cast and two years before the Italian version.
Another fact he didn’t check was claiming that Someday was meant to be an upbeat Pop song from its’ conception. This means that he didn’t look at the demo reel of Heidi Mollenhaur singing. Now I can forgive him not looking at this as it’s not in the film but I mean Disney taking a song from the film and making into a cheesy Pop song for the credits is nothing new but for him to make the assumption that Someday was conceived as a Pop song is an oversight.
Now it seems that he read the book at some point or at least read a summary but there one little quip he makes that bugs me. He said that at the point in the film during the first part of Out There i.e. Frollo’s part, that at the same point in the “book proper” Hugo was still describing Notre Dame. Well first since this scene doesn’t exist in the book that a stupid joke but let’s give this joke more a chance. Since he correlates this part to the “book proper” let’s do that too. Since this scene is before the Feast of Fool that would mean Hugo had to make his description of Notre Dame prior to that in order for Paw’s accretion to be correct. In the “book proper” the core of the descriptions of Notre Dame occur after Feast of Fools. So this quip about the book’s preoccupation with architecture doesn’t work.
I do give Paw credit, the review is entertaining and well-thought albeit his fact checking is not the greatest. I also give him props for counting how many times the Hellfire motif was used in the film. The correct answer is 14 times.
I don’t really enjoy the singing or the performance that much, Tony Jay is just infinitely cooler as Frollo (see I did a thing there). However I enjoy the lyric (here is another video with the French lyrics and translation) Then I had a thought, how cool would it be if Daniel Lavoie (Frollo in Notre Dame de Paris) sang a cover of Hellfire in either English or French? That would be sooo awesome ^^ Anyway enjoy “Infernal”
http://www.youtube.com/watch?v=cJCkYF7qQKY
As fan of Hellfire and the Phantom of the Opera this video fills me with joy. I also think that the Phantom is more like Frollo than Quasimodo but that is an article for another day.