Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

Der Glöckner von Notre Dame has a lot of differences from the Disney Film; some small some big. Here are the major differences in a nutshell (in no real order);

Jens Janke as Clopin in Der Glöckner von Notre Dame picture image

Jens Janke as Clopin in Der Glöckner von Notre Dame

 

Clopin with Puppet Disney Hunchback of Notre Dame picture image

Clopin with Puppet Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

 

No Djali or Achilles, Esmeralda dies, Quasimodo kills Frollo, Frollo was a Priest, Phoebus starts off somewhat of a philander, the gargoyles are 100% imaginary, the gargoyles have different names (Antoine, Charles and Loni opposed to Victor, Hugo and Laverne), the story is told as flashback by Clopin as an old beggar man who doesn’t use puppets, Esmeralda is shown out of Notre Dame rather than Quasimodo holding her while climbing down, The Court of Miracles Song is replace by a dance number, the archdeacon brings a wounded Phoebus to Quasimodo and Out There is split between two songs.

 

Frollo and Quasimodo Der Glöckner von Notre Dame picture image

Frollo and Quasimodo Der Glöckner von Notre Dame

 

Frollo and Quasimodo Hunchback of Notre Dame Disney picture image

Frollo and Qausimodo Hunchback of Notre Dame Disney

 

 

 

 

 

 

 

 

Some of these differences don’t add too much but some add a great deal because some of these differences add Character Development. Quasimodo gets an arch in the stage version. Like in the Disney movie Quasimodo starts off naive, he wants to see the world for himself despite what Frollo tells him, however in Glöckner Quasimodo does not come off as gentle as he does in the movie and his emotions are more intense. This gives way for more interesting character development. Also in the movie Quaismodo claims to believe Frollo only out of fear for Frollo not because he actually believes him. In Glöckner it seems that he fully trusts Frollo  at the beginning, they even make a point of  mentioning Quasimodo lying to Frollo for the first time at the end of Act I when Quasimodo denies knowledge of Esmeralda’s escape to Frollo. Quasimodo’s trust in Frollo makes Quasimodo killing Frollo at the end all the more dramatic.

 

Quasimodo, Esmeralda and Phoebus performing Weil du Liebst Der Glöckner von Notre Dame picture image

Quasimodo, Esmeralda and Phoebus performing Weil du Liebst Der Glöckner von Notre Dame

Phoebus and Esmeralda Kiss Disney Hunchback of Notre Dame picture image

Phoebus and Esmeralda Kiss Disney Hunchback of Notre Dame

 

 

 

 

 

 

It’s not just Quasimodo to get a character development Phoebus gets an arch too. He starts off as a guy who just wants to have fun and views his new position as a path for “Rest and Recreation.” But through interactions with Esmeralda he learns that he would rather be “good’ than do what his boss tells him i.e burning an innocent family to death. Esmeralda doesn’t exactly get character development but her backstory  about of how she gets into trouble and is forced to move around because she expresses her opinion without a filter makes her at least a little more human and flawed. Disney’s Esmeralda was just too perfect, some goes for Disney Phoebus.

Norbert Lamla as Frollo Der Glöckner von Notre Dame picture image

Norbert Lamla as Frollo Der Glöckner von Notre Dame

 

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image

Frollo singing Hellfire Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

 

However I don feel that Frollo’s backstory was unnecessary (Frollo’s background as a Priest). I know what Glöckner was trying to do and as a fan of the book I do appreciate that they tried to make Frollo like he was in the book but it didn’t really add to any character development or an arch. To my knowledge Frollo being a former Priest  was only mentioned once. I guess it adds a single shade of a backstory to him but most megalomaniacal people in power position don’t really need a reason to think they are better than most people. Plus why would someone who was once a Priest decide that the best way to cleanse to the world (or in this case Paris) of vice and sin was to promote genocide and corporal punishment? If anything Glöckner’s Frollo being a Priest adds further questions to his character and backstory. At least Disney’s Frollo was just a megalomaniacal mad man who has power and was having a control issue.

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda reading Quasimodo's palm Disney Hunchback of Notre Dame

 

 

 

 

 

 

I do think a lot of changes between the film and stage version were good and added something that was missing from the original Disney film. However adding things from the book  to make a compromise between the book and the Disney film really didn’t work that well. Maybe had the spent some more time developing Frollo it could have worked but it really didn’t.

 

Next time – Conclusion

Esmeralda Der Glöckner von Notre Dame picture image

Esmeralda Der Glöckner von Notre Dame

More Pictures of the Asian Tour Cast of Notre Dame de Paris, Enjoy

Dennis Ten Vergert as Gringoire Asian Tour Notre Dame de Paris picture image

Dennis Ten Vergert as Gringoire Asian Tour Notre Dame de Paris

Refugees Asian Tour Notre Dame de Paris image picture

Refugees Asian Tour Notre Dame de Paris

Ian Carlyle as Clopin Asian Tour Notre Dame de Paris picture image

Ian Carlyle as Clopin Asian Tour Notre Dame de Paris

Candice Parise as Esmerealda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmerealda Asian Tour Notre Dame de Paris

Matt Laurent as Quaismodo & Robert Marien as Frollo Asian Tour Notre Dame de Paris picture image

Matt Laurent as Quaismodo & Robert Marien as Frollo Asian Tour Notre Dame de Paris

Lilly-Jane Young as Fleur de Lys Asian Tour Notre Dame de Paris picture image

Lilly-Jane Young as Fleur de Lys Asian Tour Notre Dame de Paris

Stephen Webb as Phoebus Asian Tour Notre Dame de Paris picture image

Stephen Webb as Phoebus Asian Tour Notre Dame de Paris

Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

Asian Tour Cast Notre Dame de Paris picture image

Asian Tour Cast Notre Dame de Paris

Denis Lavant in Tuvalu as Anton picture image

Denis Lavant in Tuvalu as Anton

I Saw Tuvalu on a whim and though it was an odd movie but I enjoyed it. Who wouldn’t like a movie that is german expressionism revival about a love triangle sets in a collapsing bathhouse and that is a practically silent film. No seriously as odd as this film is it’s very enjoyable but one thing that struck me while watching it was Denis Lavant, who played the lead. Watching him in Tuvalu convinced me that he would make the perfect Quasimodo.

Denis Lavant picture image

Denis Lavant

Why would he make a perfect Quasimodo? First Lavant has made career on his unique face. A unique face is a plus for a Quasimodo. He’s not just some pretty-boy that put a heap of make-up on. Lavant’s natural roughness would add to Quasimodo’s pathos and make it feel more natural.  Second he has the ability to act without speaking which I think a person playing Quasimodo should have given that Quasimodo is a psychically demanding role.

Denis Lavant picture image

Denis Lavant

In my mind Denis Lavant was born to play Quasimodo. Watch Tuvalu or another one of Denis Lavant’s movies and see if you agree. I recommend watching Tuvalu though to really get a understanding of Lavant’s potent as Quasimodo.

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

I’ve made no secrets that I love costumes but I got to say the costumes in Der Glöckner von Notre Dame do nothing for me. For the most part they are pretty generic. The costumes were design by Sue Blane of Rocky Horror fame but I feel like there was little to no real effort put into them.

 

Frollo and Phoebus Der Glöckner von Notre Dame picture image

Frollo and Phoebus Der Glöckner von Notre Dame

My first problem is the use of colors. Costumes used in musicals  can help identify the characters and colors are a great way to do this. When colors are used like that they can add a style to the overall look of the show. Some examples are  Romeo and Juliet where Montagues are in Blue and Capulets are in Red. Notre Dame de Paris also does a good job of using colors to distinguish the characters Esmeralda- Green, Quasimodo- Red, Frollo- Black ect. In Glöckner Quasimodo wears red but so does Esmeralda, Clopin wears brown, Frollo wears Black and Purple, Gargoyles in grayish taupe, Phoebus is wears Dark Blue and Gold? So the colors they wear do not make characters stand out from each other.

 

Judy Weiss as Esmeralda in Der Glöckner von Notre Dame

Judy Weiss as Esmeralda in Der Glöckner von Notre Dame

A second problem is the details on the costumes. It not that they’re badly done, it’s just that, if you’re sitting in the audience of the show you’re not going to see them. Little details don’t work in musicals. So the lace on Esmeralda’s Blouse and embroidery on her corset  are lost to the audience. All the costumes I’m sure are lovely up close but it’s wasted from the audience’s perceptive.

 

Quasimodo with Antoine, Charles and Loni Der Glöckner von Notre Dame picture image

Quasimodo with Antoine, Charles and Loni Der Glöckner von Notre Dame

The one costume(s) that I like are the a gargoyles, at least they have a sense of drama and design to them. Quasimodo is hardly ugly, Esmeralda looks like she threw together a renaissance fair costume from her closet, Phoebus looks more like a musketeer than Burgundian  Knight, the Archdeacon’s costume looks way too modern and Frollo’s costume just looks like they copied  Frollo’s costume from the 1939 version, fitting given that Disney copied that movie but kind of lazy. Clopin has two costumes, the beggar and the King of Gypsies, and yet I don’t get a true sense of personality from either one. There is just no cohesion to these costumes, no style no real personality that makes these costume feel like they belong to the show.

Esmeralda and Clopin Tanz auf dem Seil Der Glöckner von Notre Dame picture image

Esmeralda and Clopin Tanz auf dem Seil Der Glöckner von Notre Dame

Next Time – Stage vs Film

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

In honor of my 200th post I decided to do something special. So I made a Comic entitled Quasimodo’s Date. Enjoy.

Quasimodo's Date Comic Made by The Hunchblog

Comic made by me, if you wish to post it somewhere else, please give the Hunchblog credit.

Another round of picture from the  Asian Tour Cast of Notre Dame de Paris. Enjoy the pictures

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris

Gringoire during the Court of Miracles Asian Tour Notre Dame de Paris picture

Gringoire during the Court of Miracles Asian Tour Notre Dame de Paris

Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

The Cast of the Asian Tour Notre Dame de Paris picture image

The Cast of the Asian Tour Notre Dame de Paris

 

 

 

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

 

I’d say that the songs  in Der Glöckner von Notre Dame are good. Sure there are some weak songs but they’re thoughtful and the either drive the plot forward or develop a character. However the music is not without problems.

 

Ann Christin Elverum as Esmeralda Der Glöckner von Notre Dame picture image

Ann Christin Elverum as Esmeralda Der Glöckner von Notre Dame

 

First off, I HATE, hate that Esmeralda doesn’t get a solo in this. With exception of the Archdeacon, Clopin and the gargoyles she the only character not get one. Now you maybe thinking “But Hunchblog  the majority of the characters in this didn’t have their own songs. ” Well that  is true but let’s face, each of the gargoyles couldn’t get their own song they’re a trio and as a trio they almost get a single song, Clopin may not a single song but he sings a lot as the narrator and the archdeacon is hardly  even a character so he doesn’t count. Beside the plot pretty much revolves around her you’d think she’d get one but her only big songs has Quasimodo in it. I mean in Notre Dame de Paris every character got one even Fleur de Lys (Phoebus’ Fiancee) got one (La monture) and she is seldom even in the adaptations. So that was a BIG negative.

 

Esmeralda and Antoine Der Glöckner von Notre Dame pictureimage

Esmeralda and Antoine Der Glöckner von Notre Dame

I also got bit tired of the gargoyles singing over people. I do think it was a great way to show that gargoyles are 100% in Quasimodo’s head but it’s gets a bit old after a while. I think the show kept putting the gargoyles in songs so that A Guy Like you wouldn’t feel out of place.  Another thing that gets old is hearing Draußen (Out There) over and over again. Anytime the play wants to reenforce Quasimodo to the audience Draußen is played. Admittedly this maybe unfair because Die Glocken Notre Dames is the most overused as in the play this how Clopin does most of his narrating but since I’ve been judging off the CD it’s Draußen that got old.

 

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

 

So yeah the songs are good for the most part but what I think really helps a lot of these songs is that singing quality is better. Though I’ve picked on Draußen in this review,   I much prefer it in this musical than in the Disney movie along with Ein Mann wie du (A Man like you). The singers are just much better  and that helps the enjoyment of the songs. Conversely, Hellfire suffers for this and it’s not because the is bad, I mean he put emotionally intensity into the next song Esmeralda, but maybe Hellfire is Tony Jay’s  and no one else compares. Esmeralda and Clopin are one the level though the cresendo at the end of Bell isn’t as powerful as Kendal but he does a great job otherwise.

 

Esmeralda and Clopin during Drunter Drüber" (Topsy Turvy) Der Glöckner von Notre Dame picture image

Esmeralda and Clopin during Drunter Drüber” (Topsy Turvy) Der Glöckner von Notre Dame

The musical does make the recycled Disney movie songs feel like it’s own which is nice, you don’t feel like their just simply lifted from the movie and put in to a musical. And while I do prefer Notre Dame de Paris Der Glöckner von Notre Dame has wonderful music. Just wish Esmeralda got one song to herself.

 

Next Time – The Production; Sets

Frollo and Quasimodo Der Glöckner von Notre Dame picture image

Frollo and Quasimodo Der Glöckner von Notre Dame

This is the Ninth Part (or the last part) of my review on the music of Der Glöckner von Notre Dame

Molten Lead Der Glöckner von Notre Dame picture image

Molten Lead Der Glöckner von Notre Dame

Grand Finale or Ultimo Finale is the ending and occurs in two parts. The Finale is where the two most famous differences occurs; The death of Frollo by Quasimodo and the death of Esmeralda. Apparently the translator Michael Kunze campaigned to have Esmeralda die which makes it more like the book, though her death is by a different method. Kunze’s reasoning for this is that Esmeralda’s death would be viewed by European audiences as moving and more romantic of an ending. We’ll see how the American Broadway version handles this, though I kind of hope they keep the German ending.

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame picture images

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame

The Final starts with Frollo pronouncing Esmeralda’s sentence then it goes into “song” portion. I  use  the word song in quotes because the Finale is a melody piece as it uses songs from throughout the show with one exception.  So it starts pretty much the same as the movie with Sanctuary playing complete with latin lyrics as Esmerlada starts being burned and Quasimodo saves her and proclaiming sanctuary. Then Phoebus starts railing the people of Paris  with the tune of Einmal (Once). Then the scene shifts back to Quasimodo who is defending Notre Dame from Frollo and his minions as he sings the tune of Wie aus Stein (Made of Stone).

Esmeralda dying  Der Glöckner von Notre Dame picture image

Esmeralda dying Der Glöckner von Notre Dame

After he pours the led from Notre Dame Quasimodo checks in on Esmeralda who is dying. My guess is she dying of asphyxia which is a condition of severely deficient supply of oxygen in body that arises from being unable to breathe normally. In her case this occurred from the fire. Anyway Quasimodo and Esmeralda have  little conversation while Draußen (Outside) is played in the background. Esmeralda thanks Quasimodo for being her friend and then sings Hoch über der Welt (High above the World) and then the conversation  continues for a  couple more lines and then she dies. After she dies Frollo comes in and sings about how he happy to be free of her to the tune of Esmeralda but he sings this in a creepy, off balanced way. Quasimodo gets mad and the song shifts to a new melody with gargoyle singing with the latin choir. The gargoyle basically sing that God strikes the wicked, so the gargoyles, or aspects of Quasimodo’s own mind are telling him that he should kill Frollo, which he does by throwing Frollo off of Notre Dame, like in the book. I will point out that Quasimodo in the book does this in a fit of rage and here it’s a little more pre-mediated. After this the gargoyles sing  Zuflucht (Refuge) about how the world is both cruel and kind. Quasimodo then sings Draußen (Outside) and sings about how he must live out there with all the pain, sorrow and fear that world can bring. He the carries Esmeralda outside and is joined by Phoebus. The ensemble then sing Einmal with as Quasimodo disappears. Then Clopin in his narrator role sings Die Glocken Notre Dames (The Bells of Notre Dame) and it’s pretty akin to the reprise at the end of the movie.

Quasimodo carrying Esmeralda Der Glöckner von Notre Dame picture image

Quasimodo carrying Esmeralda Der Glöckner von Notre Dame

It’s vague what happens to Quasimodo but given how he sings about living it is doubtful that Quasimodo goes off to die. Also considering the two deaths this pretty much same except for Quasimodo and Esmeralda epic running away scene, that’s not there either.

So both Musically and plot wise we have a lot going on. However it’s a fitting ending. All the songs used here fit well together so while it could have felt a bit all over the place the emotional intensity flows well from one into the next. So if you like all these song before you’ll like them here.

Next time – A conclusion  of the music

Esmeralda dancing Der Glöckner von Notre  Dame Picture Image

Esmeralda Dancing Der Glöckner von Notre Dame