Ciara Renee as Esmeralda, Papermill production of Hunchback of Notre Dame picture image

Ciara Renee as Esmeralda, Papermill production of Hunchback of Notre Dame

Topsy Turvy Part 1–  Topsy Turvy  is broken up  into two parts to allow two songs to happen as a mean to introduce Phoebus and Esmeralda. Though technically Phoebus makes his first appearance in this song where we learn that last name of his. More on that soon.

The first 30 second is pretty much identical to the movie. However then Quasimodo sings a bit along with some new lyrics sung by the Chorus. His part has a slight reprise to Out There to it. Also the whole of Quasimodo part  feels very musical-y  and also rhyming Now with Now? You guys could have done better.

The Clopin’s a part start and it’s again it’s identical to the movie, though I do admit I prefer Paul Kandel’s sining. The song again shifts to Phoebus appearing in the crowd after The sixth of January line or “Januervy.” And he pretty much announces himself to everyone, Frollo and Jehan did the same thing In Bells so I guess it just a thing the musical does though I don’t really care for people narrating themselves, though the chorus joins in to tells us that “he has a haunted look in his eyes.”  Anyway this part leads in to the next song…

Rest and Recreation – This song was in the German version and now it’s back. It uses Phoebus’ march from the movie.  Much like in the movie Phoebus is back from the Front.   But you know I have to ask what war? What Front? Phoebus says that he has been gone four years and seems a bit shaken up from it as they  mention cannon fodder.  I’m no expert on European Wars but France wasn’t in wars in 1482. The wars that France was in that were the closest to 1482 were The War of Castilian Succession  of 1475 to 1479 and The Burgundian War of 1474 to 1477. It could be a simple matter that the musical doesn’t take place in 1482 except they say it did. Song mentions a siege and bodies in a trench which are probably more like hot words than actually referring to a war or battle. I can deal with unnamed War in the Disney movie but here it’s a harder pill to swallow since the musical is truing to be more like the book. I mean did the say which war it was in musical?  But this backstory takes me out of the song.

So back to the song. Phoebus also mentions that he’s on furlough but then he gets his new promotion as Captain of the Cathedral Guard. I’m going to real with you guys, that is the stupidest thing. I get what they are doing. Phoebus has to be Frollo’s minion for his character arc and Frollo is now a Priest so the tidiest way to handle this is to make Phoebus the Captain of the Cathedral Guard. BUT Cathedrals didn’t have private guards. This even goes against the book where the Sanity of the Church was respected, even Disney movie Frollo respected it.

Anyway  the I haven’t really discussed the song yet. Much like in German version Rest and Recreation tries to amalgamate book Phoebus with movie Phoebus. Book Phoebus was womanizer and movie Phoebus is nobel and gallant. Since Phoebus is described as having “a dashing manner and bold swagger” we know he got those personality down but the song gives us a reason why Phoebus wants the ladies, because he been away at the unnamed Fantasy war. Despite the war and Notre Dame guard the song is successful at give the blending of Phoebus’s characterization and setting up his character in this version.

Rhythm of the Tambourine – This song is Esmeralda’s introduction song which is also her dance number during the festival. It is also the first new song of this musical version. Judging from the lines Phoebus, Frollo and Quasimodo sing about “who is she” I’m going to guess Esmeralda and Quasimodo didn’t have their little moment where Quasimodo crashes into dressing room, but I could wrong, I’m probably wrong.

Rhythm of the Tambourine is very staccato which I would guess is for said tambourine but it does nothing for me. Also is just me or is this song reminiscent  of Carol of the Bells? Wonder if that was one purpose?   I do like her attitude on dance that it just for fun as she ask “What can it hurt?” Such delightful irony. We also get a Belle moment as like I said Phoebus, Frollo and Quasimodo sing about her. Frollo likens her to a devil, classic him. Phoebus and Quasimodo liken her to an angel but Phoebus goes on to say that she dances with Fire.

It’s decent song and clearly gets across Esmeralda’s love for dance which she REALLY didn’t have in the Disney movie as well as the guys views on her.

 

La Jolla Hunchback Poster picture image

La Jolla Hunchback Poster

I have been looking for pictures or videos of the new Hunchback musicals since it began and I have found next to zip till now. While searching for the sets of show I found http://enseeseven.tumblr.com and when I looked back there a few days later I found this http://lajollahunchback.tumblr.com which has some of the recordings of the song from the show. So very briefly I will just go through the recording and give my thoughts.

Rhythm of the Tambourine –  I have to assume this is Esmeralda’s introductory song and it’s a new song. I gotta say though, it’s not doing much for me and I’m a little bummed that it not an Esmeralda only song that was a big issue for me with Glockner.

Made of Stone – I have to admit Michael Arden sounds a bit like Colm Wickinson here. I also wish he was angrier sounder, he sounds more sad but it’s a fine version of the song. I’m curious about the Ensemble/Gargoyles roles.

Finale Ultimo, Part 1 – They kept the stabbing angle? Neat! I don’t really like the pep talk with Quasimodo and the ensemble, seems un-necessary with the Made of Stone song. Overall it’s good.

The Tavern Song (Thai Mol Piyas) – Another new song! It’s fun. I’m not sure where this song goes in the play but I like it.
Apparently Thai Mol Piyas might mean “And wine we drink” in Romani.

Sanctuary (Reprise) – OMG, the red door scene! At first I thought it was the jail scene but it’s clearly not. This could have been in the original Glockner because it was in the King’s Academy version although less adult.   I’m glad to hear some lines from the book though.

God Help the Outcasts – They play this very straight to the original Disney movie which is fine by me because I hated Quasimodo part of the song as it took Esmeralda’s only solo away. At first I though Ciara Renee was going to be belt-y with this song but she isn’t, it’s nicely done.

The Bells of Notre Dame – This is very different. The example Frollo backstory prior to Quasimodo.  Frollo has Jehan back in the version. Frollo and Jehan lived at Notre Dame. Jehan gets Frollo a Gyspy prostitutes for his birthday but they get caught Jehan get kicked out. Frollo then rises to the ranked of Archdeacon. Frollo finds Jehan who dying and his Gyspy wife has died. Jehan asks Frollo to take his baby, i.e Quasi. He doesn’t want to but then does.

I’m not sure how to feel about this version of the song. It’s a good mitigation between the novel and Disney version but it lacks the drama and intensity that the Disney version had. However it could be way better on stage. They also mispronounce Jehan.

Hellfire – Much like God Help the Outcast, they play this one straight to the Disney version.

The got rid of A Guy like you, City under Siege, Out of Love, Dance of the Gypsies, Balancing Act.

What do you think of these songs?